Edward Aroldo de Ybarra Murguia
Producer
The inspection of an everyday landscape through a window that faces the street and a wall that moves.
Editor
The inspection of an everyday landscape through a window that faces the street and a wall that moves.
Cinematography
The inspection of an everyday landscape through a window that faces the street and a wall that moves.
Writer
The inspection of an everyday landscape through a window that faces the street and a wall that moves.
Director
The inspection of an everyday landscape through a window that faces the street and a wall that moves.
Art Direction
This film is a letter, a collage, a diary, a hug, an expression of the need to find in the cinema, and in images, something that helps us to continue living. It is also a contrast between the personal and the foreign, a tension that becomes an enunciation of movie piracy as a decolonial practice.
Producer
This film is a letter, a collage, a diary, a hug, an expression of the need to find in the cinema, and in images, something that helps us to continue living. It is also a contrast between the personal and the foreign, a tension that becomes an enunciation of movie piracy as a decolonial practice.
Sound
This film is a letter, a collage, a diary, a hug, an expression of the need to find in the cinema, and in images, something that helps us to continue living. It is also a contrast between the personal and the foreign, a tension that becomes an enunciation of movie piracy as a decolonial practice.
Editor
This film is a letter, a collage, a diary, a hug, an expression of the need to find in the cinema, and in images, something that helps us to continue living. It is also a contrast between the personal and the foreign, a tension that becomes an enunciation of movie piracy as a decolonial practice.
Script
This film is a letter, a collage, a diary, a hug, an expression of the need to find in the cinema, and in images, something that helps us to continue living. It is also a contrast between the personal and the foreign, a tension that becomes an enunciation of movie piracy as a decolonial practice.
Director
This film is a letter, a collage, a diary, a hug, an expression of the need to find in the cinema, and in images, something that helps us to continue living. It is also a contrast between the personal and the foreign, a tension that becomes an enunciation of movie piracy as a decolonial practice.
