Enrico Medioli

Birth : 1925-03-17, Parma, Italy

Death : 2017-04-21

Movies

Red Chairs - Parma and the Cinema
The relations between Parma and cinema were so strong for almost the whole of the twentieth century that this city became an early laboratory of ideas and theories on cinema and a set chosen by some of the greatest Italian authors and beyond. Furthermore, a considerable number of directors, actors, screenwriters and set designers were born in Parma who have made their way internationally, testifying to the fact that in this small city in Northern Italy there was a decidedly cinematic air. Red armchairs takes up the thread of this story, wondering why, unique among the Italian provincial cities, Parma has given so much to the cinema, accompanying the viewer on a journey backwards that from the first projections of the Lumière cinema reaches the ultramodern experience of new multiplexes. During this journey we will meet the characters who created the conditions for this diffusion of cinematographic culture in Parma.
Luchino Visconti: The Quest for the Impossible
Self
A Dominique Maillet's documentary about Visconti in the set of "Conversation Piece".
The Years of Lost Images
Self
A documentary about director Valerio Zurlini. The "lost images" of the title are the movies Zurlini was never able to shoot: between 1962, the year he won the Golden Lion with Family Diary, and 1982, the year of his death, he directed only four features. The documentary features interviews with close collaborators (celebrated screenwriters Enrico Medioli and Nicola Badalucco) and some of his actors (Jacques Perrin and Claudia Cardinale).
Venti anni
Writer
L'ultimo gattopardo - Ritratto di Goffredo Lombardo
Self
A Dying Breed: The Making of 'The Leopard'
Self
An hour-long documentary featuring interviews with Claudia Cardinale, screenwriter Suso Ceccho D’Amico, Rotunno, filmmaker Sydney Pollack, and many others.
Once Upon a Time: Sergio Leone
Self
A short documentary based on Sergio Leone's life and career, and the making of the film "Once Upon a Time in America."
Luchino Visconti
Self
A chronological look at the creative life of Luchino Visconti (1906-1976). It examines his theatricality, role in the neorealist movement, use of melodrama, and relation to decadence. It touches on the impact of a fabulously wealthy childhood, his writing for "Cinema," his politics, his work with Renoir, his appreciation of Thomas Mann, and his deep knowledge of literature and the arts. Visconti moves constantly between film and the theater, staging plays provocatively, working with Maria Callas at La Scala, and shooting films in theaters. Clips from his films and interviews with actors, crew members, and critics provide details for this portrait of creativity.
Once Upon a Time in America
Screenplay
A former Prohibition-era Jewish gangster returns to the Lower East Side of Manhattan over thirty years later, where he once again must confront the ghosts and regrets of his old life.
La bella Otero
Screenplay
The story tells the life, the successes, the loves and the decadence of Augustine Caroline Otéro Iglesias, called "La Bella Otéro". The history of a Spanish actor, who - despite being born poor - became a symbol of the Belle Époque and one of the first dives of silent cinema.
Petomaniac
Writer
The real story of a French man who was able to control his own farts.
Beyond the Door
Screenplay
Tom Berenger stars in this Italian film featuring legendary Italian star Marcello Mastroianni. Berenger is Matthew, an American engineer who falls in love with Nina (Eleanora Giorgi), a woman who holds many disturbing secrets.
Lady of the Camelias
Writer
A young girl from the provinces, comes to Paris with one goal: to become a part of the rich bourgeoisie. To achieve this she will use her unique beauty and charm.
The Innocent
Screenplay
Tullio Hermil is a chauvinist aristocrat who flaunts his mistress to his wife, but when he believes she has been unfaithful he becomes enamored of her again.
Conversation Piece
Screenplay
A retired professor of American origin lives a solitary life in a luxurious palazzo in Rome. He is confronted by a vulgar Italian marchesa and her lover, her daughter and her daughter's boyfriend, and forced to rent to them an apartment on the upper floor of his palazzo. From this point on his quiet routine is turned into chaos by his tenants' machinations, and everybody's life takes an unexpected but inevitable turn.
Conversation Piece
Story
A retired professor of American origin lives a solitary life in a luxurious palazzo in Rome. He is confronted by a vulgar Italian marchesa and her lover, her daughter and her daughter's boyfriend, and forced to rent to them an apartment on the upper floor of his palazzo. From this point on his quiet routine is turned into chaos by his tenants' machinations, and everybody's life takes an unexpected but inevitable turn.
Ludwig
Story
Historical evocation of Ludwig, king of Bavaria, from his crowning in 1864 until his death in 1886, as a romantic hero. Fan of Richard Wagner, betrayed by him, in love with his cousin Elisabeth of Austria, abandoned by her, tormented by his homosexuality, he will little by little slip towards madness.
Ludwig
Screenplay
Historical evocation of Ludwig, king of Bavaria, from his crowning in 1864 until his death in 1886, as a romantic hero. Fan of Richard Wagner, betrayed by him, in love with his cousin Elisabeth of Austria, abandoned by her, tormented by his homosexuality, he will little by little slip towards madness.
Indian Summer
Screenplay
In Italy, the gambler and professor of poetry Daniele Dominici arrives in the seaside town of Rimini and is hired to teach for four months in the local high school replacing another teacher. His relationship with his partner Monica is in crisis and he spends most of the time with his new acquaintances and gamblers Giorgio, Marcello and Gerardo. In classroom, he meets the gorgeous nineteen years old student Vanina Abati, who is Gerardo's girlfriend.
The Damned
Story
In the early days of Nazi Germany, a powerful noble family must adjust to life under the new dictatorship regime.
The Damned
Screenplay
In the early days of Nazi Germany, a powerful noble family must adjust to life under the new dictatorship regime.
Listen, Let's Make Love
Screenplay
When his father dies, young lad travels to Milan to attend the funeral and decides to follow in his father's footsteps as a gigolo. He is successful at finding rich women to prey on, but finds himself caught up in a bidding war.
Listen, Let's Make Love
Story
When his father dies, young lad travels to Milan to attend the funeral and decides to follow in his father's footsteps as a gigolo. He is successful at finding rich women to prey on, but finds himself caught up in a bidding war.
Sandra
Screenplay
Sandra returns to her childhood village to take care of family business, but childhood memories and secrets soon overcome her.
Sandra
Story
Sandra returns to her childhood village to take care of family business, but childhood memories and secrets soon overcome her.
The Leopard
Screenplay
As Garibaldi's troops begin the unification of Italy in the 1860s, an aristocratic Sicilian family grudgingly adapts to the sweeping social changes undermining their way of life. Proud but pragmatic Prince Don Fabrizio Salina allows his war hero nephew, Tancredi, to marry Angelica, the beautiful daughter of gauche, bourgeois Don Calogero, in order to maintain the family's accustomed level of comfort and political clout.
Rocco and His Brothers
Dialogue
When a impoverished widow’s family moves to the big city, two of her five sons become romantic rivals with deadly results.
Rocco and His Brothers
Screenplay
When a impoverished widow’s family moves to the big city, two of her five sons become romantic rivals with deadly results.
Graziella
Screenplay
Naples 1821. Alphonse, a young poet belonging to a noble French family, is caught by a storm at sea. Fortunately the boat manage to reach the shores of Procida, where Alphonse is welcomed by the family of Andrea. Here he meets the beautiful Graziella.