Marta Andreu

As Jack begins his gender transition process, Brazil is plunged into a wave of extreme conservatism. The film follows the transformations in his life and in the country, crossed by an extreme right-wing government and a devastating pandemic. Through an intimate account of the daily life of Jack and his friends, we see a network of affection and solidarity flourishing in the midst of an adverse context.

The Amateur Soccer Referee Federation has a new board of directors, who face the challenge of renewing their image after a 90-year history. But these leaders receive a broke organization and headquarters that are in precarious conditions. They have also aged, but have nothing to lose and will work together to reinvent themselves.

The last two surviving members of the Piripkura people, a nomadic tribe in the Mato Grasso region of Brazil, struggle to maintain their indigenous way of life amidst the region's massive deforestation. Living deep in the rainforest, Pakyî and Tamandua live off the land relying on a machete, an ax, and a torch lit in 1998.

The last two surviving members of the Piripkura people, a nomadic tribe in the Mato Grasso region of Brazil, struggle to maintain their indigenous way of life amidst the region's massive deforestation. Living deep in the rainforest, Pakyî and Tamandua live off the land relying on a machete, an ax, and a torch lit in 1998.

A sixteen year old with Asperger's creates telenovelas at home with his 97-year old grandmother.

The legendary Oleg Nikolaevitch Karavaichuk is the mysterious and moving subject of this loving film by the young director Duque. He was moved by the music the pianist composed for a film by Kira Muratova and is the first foreigner to win the trust of the eccentric and still active 89-year-old Russian.

Of all my uncles, Rodolfo was the only one who didn't want to be a blacksmith like my grandfather: He wanted to be a dancer. The search for the traces of his life leads to the discovery that in the eighties in Paraguay, under Stroessner's dictatorship, Rodolfo was included in one of the "108 lists of homosexuals", arrested and tortured. Rodolfo's story reveals a part of the hidden and silenced history of my country. In "Cuchillo de palo" two generations come face to face in a confrontation that ultimately allows each of us to understand our place in the world.

The journey begins. Behind, an accumulation of sounds and images, where things are losing their name. A train takes us far away. To Mongolia. On the way, unknown faces, new melodies, gestures that fuse with the landscape. Being in a strange land, moving with it. With each step, our destination vanishes and pushes us forward, revealling the sense, that has always been there, that emerges through the mere existence: A land that, by undressing itself, fills up and inhabitates us. And from here, maybe, recover that place from which to look again.