Hans Schumann

Berlin in the near future: A secret meeting takes place between a board member of the dominant internet company "Freemee" and members of the government. Camera drones film it unauthorized and document the events live on the Internet. The anonymous net activist group "Zero" is publicly committed to the media attack. Online journalist Cynthia Bonsant, widow and single mother, has been asked to do background research on "Zero" by the head of the online magazine "Daily". The group is classified as a terrorist organization, but according to their own statements they fight the excessive influence on the population through the so-called "Act App", which contoles the lives of users. When a friend of Cynthia's 17-year-old daughter Viola is shot dead in a hunt for a criminal, "Zero" contacts her and tries to recruit her for their own purposes. In the meantime, Cynthia has bad suspicions during her research, because soon a new version of the app will be released that will change everything.

"The Last One Put Out the Light" - The Berlin construction workers Micha, Silvio and Norbert are out of work. The way out spells - Norway. Because over German craftsmen are in demand. The three with 17 other desperate people are bawling Norwegian and preparing themselves for "it's always just salmon" and fearing the darkness. Too bad that their wives have other plans.

"The Last One Put Out the Light" - The Berlin construction workers Micha, Silvio and Norbert are out of work. The way out spells - Norway. Because over German craftsmen are in demand. The three with 17 other desperate people are bawling Norwegian and preparing themselves for "it's always just salmon" and fearing the darkness. Too bad that their wives have other plans.

A 2006 German documentary film directed by Pamela Meyer-Arndt about three East German female photographers Sibylle Bergemann, Gundula Schulz Eldowy, and Helga Paris. The women talk about their experiences making art in the East, and what it was like to work during time when every photographer working on their own in the GDR had entire photographic works and book projects hidden away in drawers, certain that they would probably never be shown publicly.