Günther Kaufmann

He's not interested in horror films, instead he listens to classical music, quotes Latin idioms - and is on trial for murder. Did 13-year-old Martin, son of a prominent judge, actually kill a little boy? And what role does his best friend, the mysterious taxi driver Viktor Gumm, play in the case?

During an emergency landing on a deserted island suddenly traumatized by antiauthoritarian education Lena Schneider (Josefine Preuss) together with the Turkish Super Macho Cem Öztürk (Elyas M'Barek) must fight for survival. After initially Cem macho repulsive acts on Lena, a jellyfish in the water and sand in a bikini, she recognizes the time the romantic core behind his cool facade. Meanwhile, meet also their parents, who obdurate psychologist Doris (Anna Stieblich) and Metin Öztürk (Adnan Maral) to work together to find their missing children. So both generations take an involuntary Turkish Basic Course for beginners.

When the mighty Viking Halvar suddenly disappears, his clever but timid son Wickie must lead the Vikings on a dangerous journey to rescue his father from the evil Sven and go in search of the legendary treasure of the gods.

Jerry Cotton is the best agent of the FBI and suspected of murder. So he has to find the real killers from gangster boss Serrano.

One morning our little Viking village of Flake is raided by frightening looking spooky demons who kidnap all the children… except for Wickie, who was stuck in a tree trying to use a kite to learn to fly.

A hit man whose mission is to prevent the printing of a tell-all book written by a former Mafioso, falls in love with the employee who may lose her job if the book doesn't get published.

At some point in the not-so-distant future, an unnamed European city has evolved into a bizarre dystopian metropolis, whose residents inhabit towering utopian high-rises and work, collectively, in a single compound.

A gently humorous look at otherness and xenophobia in modern day German with this tale of a black Berlin teen named Leroy who rediscovers his roots after falling for a pretty white girl and meeting her racist family.

East Friesian Otto moves to the big city Hamburg. There he gets into trouble with a loan shark and needs to find a way to impress his love interest Silvia.

The third episodical film, after Deutschland im Herbst and Der Kandidat, in which notable German film makers reflect on the state of their country.

A handsome Belgian sailor on shore leave in the port of Brest, who is also a drug-smuggler and murderer, embarks upon a voyage of highly charged and violent homosexual self-discovery that will change him forever from the man he once was.

In a totalitarian society of the future, in which the government controls all facets of the media, a homicide detective investigates a string of bombings, and finds out more than he bargained for.

In Munich 1955, German film star Veronika Voss becomes a drug addict at the mercy of corrupt Dr. Marianne Katz, who keeps her supplied with morphine. After meeting sports writer Robert Krohn, Veronika begins to dream of a return to stardom. As the couple's relationship escalates in intensity, Veronika begins seriously planning her return to the screen -- only to realize how debilitated she has become through her drug habit.

Film extras take possession of a bogus film production company and acting as ideal world of film to persuade one associates mother-in-law of marriage.

Germany in the autumn of 1957: Lola, a seductive cabaret singer-prostitute exults in her power as a temptress of men, but she wants out—she wants money, property, and love. Pitting a corrupt building contractor against the new straight-arrow building commissioner, Lola launches an outrageous plan to elevate herself in a world where everything, and everyone, is for sale. Shot in childlike candy colors, Fassbinder’s homage to Josef von Sternberg’s classic The Blue Angel stands as a satiric tribute to capitalism.

A mogul merrily funds terrorists to boost his computer sales, by panicking West German government and industry c. 1980, as the third generation of Western European left-wing activists forms, after crippling of the violent Red Army Faction. International capitalist PJ Lurz's secretary is a gang member, while her police commissioner father-in-law/lover hired Lurz' corporate security force.

Maria marries a young soldier in the last days of World War II, only for him to go missing in the war. She must rely on her beauty and ambition to navigate the difficult post-war years alone.

Elvira Weishaupt, once a burly working-class butcher, has made an enormous sacrifice for love. She has undergone a sex change for a romantic interest who has abandoned her, and she now must struggle to reconcile her past life with her present identity.

Diary of a Disease - prophesied that all psychiatric experience speaks against the described spontaneous healing. The next depression is determined.

An African-American GI retires from the US Army in West Berlin to live with his (white) girlfriend, who already has a baby with another black man. After an argument with her family, she deserts him as well. Despite finding a job and a new place to live, he keeps running into racism, which also manifests itself in sexual intimidation.

The true story of Adele Spitzeder, who started her own private bank in 1870s Bavaria by promising everyone that gave her money high interest rates. Initially dubbed the "Angel of the poor", she was arrested for fraud after the whole scheme collapsed.

Reflected in an artificial and bombastically staged illusory world with Wagnerian compositions, glossy and satirical time references, 19th century German figures and traditions are stripped of their mythology and interpreted by the Germany of 1972.

"Whity" is the mulatto butler of the dysfunctional Nicholson family in the American southwest in 1878. The father, Ben Nicholson, has an attractive young wife Katherine, and two sons by a previous marriage; the homosexual Frank, and the retarded Davy. Whity tries to carry out all their orders, however demeaning, until various of the family members ask him to kill some of the others.

German filmmaker Rainer Werner Fassbinder directs the made-for-TV melodrama Pioneers in Ingolstadt, based on the play by Marieluise Fleisser. The film opens as a parade of soldiers are marching through a town square singing patriotic songs. Alma (Irm Hermann) and Berta (Hanna Schygulla) are watching them and musing about their ideas on men and relationships. The soldiers (often referred to as pioneers) have been given the task of building a bridge in the town. Alma seems to understand that the soldiers only want her for short sexual encounters, so she's prepared to live her life accordingly. Meanwhile, romantic Berta falls in love with self-centered soldier Karl (Harry Baer), who all but tells her to get lost. The soldiers get drunk and beat up a random passerby. The women grow to hate Alma for her acceptance of life as a sex object. Naïve Berta is ultimately humiliated.

Michel and Guenther, working in dead-end jobs, are obsessed with going to Peru to find buried treasure, using a map of the Rio das Mortes. Michel's girlfriend, Hanna, humors their plan, but really just wants to get married.

Can a small group of people start a proletarian revolution, asks the "Black Monk" in a leather jacket. The medieval shepherd, Hans Boehm, claims to have been called by the Virgin Mary to create a revolt against the church and the landowners. The "Black Monk" suggests that he would have more success if he dressed up Johanna and had her appear as the Virgin Mary.

A man is released from prison and finds the society on the outside less than appealing. With several women as well as the police on his tail, he sets out to find an old friend.

Herr Raab is a technical draftsman. His wife pushes him to seek a promotion, which may be a long shot after he gives a dull and tipsy toast at an office dinner. But why would Herr Raab run amok?

Avant-garde adaptation of a Carlo Goldoni play. Well-to-do Venetians congregate in a coffee house and discuss their problems.

Volker Schlöndorff transposes Bertolt Brecht’s late-expressionist work to latter-day 1969. Poet and anarchist Baal lives in an attic and reads his poems to cab drivers. At first feted and later rejected by bourgeois society, Baal roams through forests and along motorways, greedy for schnapps, cigarettes, women and men: ‘You have to let out the beast, let him out into the sunlight.’ After impregnating a young actress he soon comes to regard her as a millstone round his neck. He stabs a friend to death and dies alone. ‘You are useless, mangy and wild, you beast, you crawl through the lowest boughs of the tree.’