Tommy, 10 years old, is well known by Social Services. He is considered a danger to society. Gilles, his guardian at this halfway house, sees potential for redemption in this kid driven by violence.
As their mother lies in a coma, two brothers discuss the advantages and disadvantages of adultery, under the nose of their virtuous elder, who tries in vain to discourage them.
During a brief stay in Florence, Camille believes she's victim of an enormous flood. Urgently taken to a psychiatric hospital, she is diagnosed with the Stendhal Syndrome: a temporary psychological disorder well known to affect tourists who are too vulnerable to the beauty of art work. This disorder which is considered benign doesn't worry the medical staff who asks that she be sent back to her country. Back home, she has to come to terms with a tragedy she has wanted to flee: her mom had gone missing right before her departure. Convinced that she has to move on with her life for her mental sanity, Camille decides that it is time to accept the fact that her mother will never come back. But when she goes to Matane, the last place where her mother had been seen alive, Camille comes across many clues that will propel her into an emotional roller coaster.
A group of actors putting on an interpretive Passion Play in Montreal begin to experience a meshing of their characters and their private lives as the production takes form against the growing opposition of the Catholic church.
