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An estranged father and son spend the day ambling around a cemetery, wandering the wilderness, searching for family, and stumbling through disharmony and heartache.
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A delicate silk screen, designed and woven by Low forms the unique projection surface for the film shot, written, and edited by Williams. Using written text, still images, blocks of color, and original and found footage, the film draws together three connected lines: the Paterson, New Jersey silk workers strike of 1913; the use of moving images in time and motion studies used to regulate and accelerate the pace of mechanized work; and a toxic magenta dye called Rhodamine B, once used by rebelling workers to sabotage production and now fed directly to silkworms, turning their bodies themselves into miniature dye houses. Synopsis © Arsenal - Institut fûr Film und Videokunst e.V.
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Things are fucked up. Even before Covid! Get your panties untangled with some geologic time. "Realism, compassion, hostility, Mother Nature, rage, spirituality in your very unique hard working tough no apologies way making art Herstory Energystory. Really gnarly" -Chris Johanson
