Cinematography
Daniela is missing some sounds. Going deaf is one of her biggest fears. For a moment, reality takes the form of one of her nightmares.
Writer
Daniela is missing some sounds. Going deaf is one of her biggest fears. For a moment, reality takes the form of one of her nightmares.
Director
Daniela is missing some sounds. Going deaf is one of her biggest fears. For a moment, reality takes the form of one of her nightmares.
Director
Filmmaker Daniela Muñoz Barroso has lost most of her hearing, and can barely hear high frequencies at all. She uses her eyes not only to see, but also to listen. And yet Barroso has developed a fascination for Gladys Esther Linares, aka Mafifa, a female musician who played the bell, a metal percussion instrument prominent in Cuban conga. Mafifa died 40 years ago, at a far-too-young age.
Executive Producer
Walfrido Larduet, a lonely electrical inspector, dreams of the Red Woman, whose image persists and becomes an obsession. Something tells him she is near. Over the course of a day, Walfrido will follow her trail as he travels through the suburbs of an infested city.
