Marisa Letti

Forced to support herself, her children, her physically incapacitated husband and her obtrusive brother and mother, a downtrodden working woman contracts tuberculosis. She is granted a brief vacation at a health spa, where a whole new world — and potential new life — is opened up to her.

In late 1930s Ferrara, Italy, the Finzi-Continis are a leading family: wealthy, aristocratic, and urbane; they are also Jewish. Their adult children, Micol and Alberto, gather a diverse circle of friends for tennis and parties at their villa with its lovely grounds, and try to keep the rest of the world at bay. But tensions between them all grow as anti-Semitism rises in Fascist Italy, and even the Finzi-Continis will have to confront the Holocaust.

At the end of World War II, Giovanna, a war bride living near Milan refuses to accept that her husband, Antonio, missing on the Russian front, is dead. There's a flashback to their brief courtship near her hometown of Naples, his 12-day leave to marry her, ruses to keep from deployment, and the ultimate farewell. Some years after the war, still with no word from Antonio, Giovanna goes to Russia to find him, starting in the town near the winter battle when he disappeared. Armed with his photograph, what will she find?

When Domenico first meets Filomena in Naples during World War II, he is instantly smitten. Flash forward to the postwar years, and the two meet again, sparking a passionate affair that spans two decades. But when Filomena — who has now become Domenico's kept woman and has secretly borne his children — learns that her lover is planning to wed another, she will stop at nothing to hook him into marrying her instead.

Sweet-sour comedy on Italy's 1950s rage to get rich as fast as possible! The businessman wants to satisfy his wife's craving for luxury and a "respectable life" so he becomes heavily indebted. In desperation he agrees to sell a precious part of his body for a large sum of money. But just before the crucial operation he panics...

A dying German magnate invites his youngest son and daughter-in-law home to discuss the future of the family's shipbuilding empire. There, the daughter-in-law stumbles upon a secret of the family's Nazi past.

The Last Judgement (Italian: Il giudizio universale) is a 1961 commedia all'italiana film by Italian director Vittorio De Sica. It was coproduced with France. It has an all-star Italian and international cast, including Americans Jack Palance, Ernest Borgnine; Greek Melina Mercouri and French Fernandel, Anouk Aimée and Lino Ventura. The film was a huge flop, massacred by critics and audiences when it was released. It was filmed in black and white, but the last sequence, the dance at theatre, is in color.

Nicola Peccoli has always nurtured his niece Giovanna, an orphan since the age of two and now of age, but he does not look favorably on her beloved Mario because he is just a simple employee and a lower class of society.

Marcello is engaged to Gina, the daughter of the boarding house where he lives, but he is undecided whether to marry her or not.

Vito Polara is ambitious and wants to get as more power and money as possible. He decides to leave the cigarette smuggling and try to get the total control of the regional fruit and vegetable distribution considered more profitable. He looks for the help of a rural crime Boss.

Best friends Peppe and Mario are thieves, but they're not very good at it. Still, Peppe thinks that he's finally devised a master heist that will make them rich. With the help of some fellow criminals, he plans to dig a tunnel from a rented apartment to the pawnshop next door, where they can rob the safe. But his plan is far from foolproof, and the fact that no one in the group has any experience digging tunnels proves to be the least of their problems.