Elmiro Rubeo

Close to the honeymoon, hotel waiter wins a stay in Jamaica with a pin-up. Direction directed by Carlo Vanzina, with the star of "Deep Throat".

A group of rogues steal a scroll granting its bearer the property of the land of Aurocastro in Apulia, a province in the south of Italy. They elect a shaggy knight, Brancaleone from Norcia, as their leader, and decide to get possession of this supposedly wealthy land. Many adventures will occurr during the journey.

Amid the modern wastelands and toxic factories of Italy, wife and mother Giuliana desperately tries to conceal her tenuous grip on reality from those around her, especially her successful yet neglectful husband, Ugo. Ugo's old pal, Corrado, shows up in town on a business trip and is more sensitive to Giuliana's anxieties. They begin an affair, but it does little to quell Giuliana's existential fears, and her mental state rapidly deteriorates.

Parigi O Cara is probably the most camp in the history of Italian cinema, certainly a favourite with the GLBT community who quote its lines by heart. Unique as it's the only film where Franca Valeri (now 90) is the unquestioned star, in the role of Delia, a snobbish, stingy prostitute who is moving to Paris looking for greener and more lucrative pastures. An anti-neorealist, amoral, almost abstract comedy, which anticipates Almodóvar, a ferocious, though gentle, non-moralistic portrayal of the 60's boom and its broken dreams. The dialogue between Delia and her brother (played by Fiorenzo Fiorentini), when he does (or does not) tell her he is a homosexual, is memorable, a primordial coming-out, a masterpiece of allusions. But what makes it one of the first examples of a film with a "gay point of view" is the approach: perceptive, non-conformist, caustically witty. A film ahead of its times, still unbeaten.