Leda Bellini

Let's Hope It's a Girl is a multifaceted exploration of the pointlessness of sexual stereotypes. Liv Ullmann is a countess who, after her divorce, takes over the family farm. Realizing that she can't rely on the patriarchal society structure for assistance, Ullmann runs the farm herself with the help of her female servants and relatives. When the Count (Philipe Noiret) comes back into her life, he and his male buddies find themselves outclassed by the expertise of the ladies.

In 1914, a cruise ship sets sail from Naples to spread the ashes of beloved opera singer Edmea Tetua near Erimo, the isle of her birth. During the voyage, the eclectic array of passengers discovers a group of Serbian refugees aboard the vessel. Peace and camaraderie abound until the ship is descended upon by an Austrian flagship. The Serbians are forced to board it, but naturally they resist, igniting a skirmish that ends in destruction.

Three Italians travel to their hometown to vote for elections: Pasquale is a Southern immigrant living in Munich who's genuinely happy to come back to Italy, even if just for a few days, but the country he dreams of is far from reality; Furio travels to Rome with his family, but his niggling attitude threatens to push his wife Magda over the edge; young Mimmo is also going to Rome, but the trip is repeatedly interrupted by worries about his grandma's health.

A couple of young movie makers have secretly filmed for over a year what was going on in a hotel room, trying to realize a "live act" of common people living their life. They get in touch with old and money-tight producer Mengaroni to edit their movie, but while they contact the accidental actors for gathering authorization, he starts to manipulate their work.

A disaffected media executive spends his days watching violent programming on the television screens in his office and his evenings neglecting his frustrated wife at home. The monotonicity is disturbed when he is contacted by an old friend who confides in him he is being threatened by mysterious assassins.

50 year old Giulio (Tognazzi) and his 17 year old goddaughter, Vincenzina (Muti) fall madly in love with each other and soon are wed. Unfortunately for Giulio he walks in on his friend and Vincenzina upon a return from a trip. His jealousy and anger get the best of him and he kicks his wife out of the house. Years pass and Giulio decides to rekindle the lover affair with Vincenzina

A virtually plotless, gaudy, impressionistic portrait of Rome through the eyes of one of its most famous citizens.

Professor Serafino Benvenuti is a master of classical music who has the passion of the orchestra director. However, the young audience of the 60 does not appreciate classical composers like Mozart or Beethoven, and so Serafino is likely to have compromised his image as a director. One day Serafino receives the news that his adopted daughter Rita is about to return to Italy from America, where she is studying. Serafino is very happy, because at least he can teach her the real music. However, Rita is deeply grown and changed: she follows the musical patterns of her time: the rock music and blues. Serafino gets very angry, especially when he discovers that his daughter falls in love with a young man, a member of a band called "The Rockets.