Leo Sbabo Guerra
Birth : 2003-02-18, Caxias do Sul, Rio Grande do Sul, Brazil
History
Leonardo Sbabo Guerra (born February 18, 2003) is a Brazilian cinematographer. He started his career at the age of 15. He directed and photographed his first two short films, Crooked Dreams (2021) and Neither Girl Nor Woman (2022). He is co-founder of the production company Índios. Today he photographs fiction and documentary films, directs projects at Índios and work as a colorist at Índios Pós. He occasionally shoots advertising, commercials, music videos and fashion films. His latest work is the documentary His Name's Lincoln (2023) and the short film Scar (2023), co-produced by Volta&Meia and Colônia Filmes.
Camera Operator
A car accident triggers several events, revisiting the past and questioning the veracity of the present. A story full of twists, revelations, a time travel in the life of a couple.
Colorist
A car accident triggers several events, revisiting the past and questioning the veracity of the present. A story full of twists, revelations, a time travel in the life of a couple.
Editor
A car accident triggers several events, revisiting the past and questioning the veracity of the present. A story full of twists, revelations, a time travel in the life of a couple.
Director of Photography
A car accident triggers several events, revisiting the past and questioning the veracity of the present. A story full of twists, revelations, a time travel in the life of a couple.
Director of Photography
In 1987, Federico (Felipe Vieira), who works for an Italian mafia, questions a decision made in a recent past, remembering moments together with his wife Giovanna (Marcela Cipriani). All this when going to another service, buy a Ford Model-A year 1929 with his partner Marcello (Fábio Vergani). What Federico still hasn't figured out is whether the choice he made was right or wrong, and whether those two options are still available.
Camera Operator
In 1987, Federico (Felipe Vieira), who works for an Italian mafia, questions a decision made in a recent past, remembering moments together with his wife Giovanna (Marcela Cipriani). All this when going to another service, buy a Ford Model-A year 1929 with his partner Marcello (Fábio Vergani). What Federico still hasn't figured out is whether the choice he made was right or wrong, and whether those two options are still available.
Colorist
In 1987, Federico (Felipe Vieira), who works for an Italian mafia, questions a decision made in a recent past, remembering moments together with his wife Giovanna (Marcela Cipriani). All this when going to another service, buy a Ford Model-A year 1929 with his partner Marcello (Fábio Vergani). What Federico still hasn't figured out is whether the choice he made was right or wrong, and whether those two options are still available.
Editor
In 1987, Federico (Felipe Vieira), who works for an Italian mafia, questions a decision made in a recent past, remembering moments together with his wife Giovanna (Marcela Cipriani). All this when going to another service, buy a Ford Model-A year 1929 with his partner Marcello (Fábio Vergani). What Federico still hasn't figured out is whether the choice he made was right or wrong, and whether those two options are still available.
Producer
In 1987, Federico (Felipe Vieira), who works for an Italian mafia, questions a decision made in a recent past, remembering moments together with his wife Giovanna (Marcela Cipriani). All this when going to another service, buy a Ford Model-A year 1929 with his partner Marcello (Fábio Vergani). What Federico still hasn't figured out is whether the choice he made was right or wrong, and whether those two options are still available.
Director
In 1987, Federico (Felipe Vieira), who works for an Italian mafia, questions a decision made in a recent past, remembering moments together with his wife Giovanna (Marcela Cipriani). All this when going to another service, buy a Ford Model-A year 1929 with his partner Marcello (Fábio Vergani). What Federico still hasn't figured out is whether the choice he made was right or wrong, and whether those two options are still available.
Camera Operator
After the car in which a young man was in, along with a new acquaintance, broke down in the middle of nowhere, they spend the night in the house of an isolated resident. What seemed like a simple stay at the place becomes a real nightmare.
Director of Photography
After the car in which a young man was in, along with a new acquaintance, broke down in the middle of nowhere, they spend the night in the house of an isolated resident. What seemed like a simple stay at the place becomes a real nightmare.
Colorist
After the car in which a young man was in, along with a new acquaintance, broke down in the middle of nowhere, they spend the night in the house of an isolated resident. What seemed like a simple stay at the place becomes a real nightmare.
Producer
After the car in which a young man was in, along with a new acquaintance, broke down in the middle of nowhere, they spend the night in the house of an isolated resident. What seemed like a simple stay at the place becomes a real nightmare.
Editor
After the car in which a young man was in, along with a new acquaintance, broke down in the middle of nowhere, they spend the night in the house of an isolated resident. What seemed like a simple stay at the place becomes a real nightmare.
Director
After the car in which a young man was in, along with a new acquaintance, broke down in the middle of nowhere, they spend the night in the house of an isolated resident. What seemed like a simple stay at the place becomes a real nightmare.
