José Goyeneche

Mother and daughter Silvia et Andrea are also ufologists. They run a UFO research group together and stand guard, chasing the lights that appear mysteriously over the Paraná river. Joyously adopting the genre of (science-)fiction, Maximiliano Schonfeld uses humour and affection to paint the poetic portrait of a community.

It’s Christmas season. Ten years have passed since Lina traveled to Chile to work as a domestic worker away from her son who lives with her grandmother in Peru. Manuel, a former employer, ask her to supervise the construction of a swimming pool for his daughter Clara in his new house. In this half-inhabited space, Lina spends the day taking care of Clara, while at night, she has furtive sexual encounters with strangers that confront her with her deep solitude.

Haunted by the tragic death of his father, Juan Martín Hsu, a young Argentinian filmmaker of Taiwanese origin, returns to Taipei to film the reunion with his mother. Reality and fiction blend in a moving personal quest in which an incredible portrait of a Mother Courage stands out from the picture of a family saga marked by uprooting.

Two actors are holed up in a remote house somewhere on the Argentinian coastline. The characters crosses the space-time threshold: Leon Trotsky, in his Mexican exile, asks André Breton to write the first draft of a revolutionary manifesto.