Bruno Nuytten
Birth : 1945-08-28, Melun, Seine-et-Marne, France
History
Bruno Nuytten (born 28 August 1945 in Melun, Seine-et-Marne, Île-de-France) is a French cinematographer turned director.
Camille Claudel which was Nuytten's first directorial and screenwriting effort, won the César Award for Best film in 1989. The film starred and was co-produced by Isabelle Adjani, with whom he had a son, Barnabé. Adjani won the Silver Bear for Best Actress at the 39th Berlin International Film Festival for her role in the film.
His sophomore directorial effort, Albert Souffre, though also a heavily emotional movie, was set in contemporary times.
His 2000 film, Passionnément, starred Charlotte Gainsbourg.
His films as cinematographer include Les Valseuses, Barocco, La Meilleure façon de marcher, The Bronte Sisters, Brubaker, Garde à vue, Possession, Fort Saganne, So Long, Stooge (Tchao Pantin), Jean de Florette and Manon des Sources (US title: Manon of the Spring). He won the César Award for Best Cinematography in 1977 and 1984, and was nominated in 1980, 1982, 1985 and 1987.
He is currently a professor at France's national film school La Fémis.
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Self
A meeting between two friends: the cinematographer Caroline Champetier shoots a documentary about cinematographer Bruno Nuytten, making a film about his gesture and the relation between film art and craftwork.
Director
A behind the scenes look at Bernardo Bertolucci’s classic film about the dark side of the sexual revolution: Last Tango in Paris, starring Marlon Brando and Maria Schneider.
Thanks
Jacques Laurent made pornographic films in the 1970s and '80s, but had put that aside for 20 years. His artistic ideas, born of the '60s counter-culture, had elevated the entire genre. Older and paunchier, he is now directing a porno again. Jacques's artistry clashes with his financially-troubled producer's ideas about shooting hard-core sex. Jacques has been estranged from his son Joseph for years, since the son first learned the nature of the family business. They are now speaking again. Joseph and his friends want to recapture the idealism of 1968 with a protest. Separated from his wife, Jacques strives for personal renewal with plans to build a new house by himself...
Writer
On the island of Porquerolles, Alice spies on Bernard, a man who has returned to France after living in Brazil for some years. The two had once been lovers, and Alice's obsession with Bernard -- which apparently didn't wane during their time apart -- sets in motion a string of events culminating with the aforementioned car crash. Dysfunction abounds.
Director
On the island of Porquerolles, Alice spies on Bernard, a man who has returned to France after living in Brazil for some years. The two had once been lovers, and Alice's obsession with Bernard -- which apparently didn't wane during their time apart -- sets in motion a string of events culminating with the aforementioned car crash. Dysfunction abounds.
Screenplay
Albert dreams of going to Australia. Jérôme loves Jeanne, but ignores her while cramming for exams. An African named Charles writes and is a watchman at night. The American girl, Joann, lives her life in a " bachelor pad. " Love, friendship and chance take them all to a hotel in Bordeaux where, in the course of a weekend, their lonely hearts meet. The weekend is held over to leave time for love.
Director
Albert dreams of going to Australia. Jérôme loves Jeanne, but ignores her while cramming for exams. An African named Charles writes and is a watchman at night. The American girl, Joann, lives her life in a " bachelor pad. " Love, friendship and chance take them all to a hotel in Bordeaux where, in the course of a weekend, their lonely hearts meet. The weekend is held over to leave time for love.
Screenplay
The life of Camille Claudel, a french sculptor who becomes the apprentice of Auguste Rodin and later his lover. Her passion for her art and Rodin drive her further away from reason and rationality.
Director
The life of Camille Claudel, a french sculptor who becomes the apprentice of Auguste Rodin and later his lover. Her passion for her art and Rodin drive her further away from reason and rationality.
Director of Photography
In this, the sequel to Jean de Florette, Manon (Beart) has grown into a beautiful young shepherdess living in the idyllic Provencal countryside. She plots vengeance on the men who greedily conspired to acquire her father's land years earlier.
Writer
In a routine look at what it means to finally leave adolescence behind — even in one’s mature years — this series of mood swings and sequences focuses on two grown men. Francois (Jean Francois Stevenin, the director) and Leo (Yves Alonso) are old friends, and at one point they decide to go out and search for one of their childhood buddies, the brunt of several of their practical jokes. In true form, the men opt for playing yet another practical joke on their friend, but their plans backfire when his wife Helene (Carole Bouquet) comes into the picture instead. Her presence forces them to reconsider their shenanigans in a new light.
Cinematography
In a rural French village, an old man and his only remaining relative cast their covetous eyes on an adjoining vacant property. They need its spring water for growing their flowers, and are dismayed to hear that the man who has inherited it is moving in. They block up the spring and watch as their new neighbour tries to keep his crops watered from wells far afield through the hot summer. Though they see his desperate efforts are breaking his health and his wife and daughter's hearts, they think only of getting the water.
Director of Photography
Emile Chenal and his wife, Françoise, leaned on boxing manager Jim Fox Warner to cough up the considerable sum of money that he owes them, with both the police and the mob circling the situation. In the same hotel, Inspector Neveu looks into a murder that took place years before, and his storyline overlaps with the arc of the Chenals.
Director of Photography
Ernesto, a seven-year-old boy who has the body of a thirty-year-old man, decides, upon attending his first day of school, that he no longer wishes to attend, because he does not wish to be taught matters that he does not know.
Self
This afterword to India Song (Duras' celebrated 1975 film) is organized in several parts. It begins with an interview to Marguerite Duras by Dominique Noguez, an expert in her work; the interview links the film to the two movies whom it's related to: The Ravishment of Lol V. Stein and The Vice-Consul.
Several themes are tackled: childhood, autobiographical traces, relationships between differents characters and different films and more. India Song's main actors — Delphine Seyrig and Michael Lonsdale, who played Anne-Marie Stretter and the French vice-consul — join the conversation and talk about their roles and their craft. Marguerite Duras then evokes her memories of the shooting with the composer Carlos D'Alessio and her camera operato Bruno Nuytten.
The conversations are punctuated by clips of the film.
Director of Photography
Shortly after returning home one evening with her husband, Alma is visited by her one-time lesbian lover Carole. In the ensuing emotional torrent, Alma allows herself to be abducted by Carole and taken to a hotel, pursued by a young girl - an unnamed friend of Carole - and an eccentric bystander posing as a private detective. Before Alma and Carole can resolve their situation, Alma's husband Andrew appears on the scene and, in a mad frenzy, attempts to reclaim his wife…
Director of Photography
In 1911, a willful and determined man from peasant stock named Charles Saganne enlists in the military and is assigned to the Sahara Desert under the aristocratic Colonel Dubreuilh.
Director of Photography
In Paris XVIIIth district, Lambert works the night shift at a gas station, rarely speaking, living alone, drinking. One day comes a half-jewish half-arab small-time crook in dire straits, pushing a Moped. Named Bensoussan, he takes refuge at the station pretending he needs a spark plug. The two men become friends.
Director of Photography
In this whimsical fable, Resnais deftly interweaves three story lines: the creation of an early-20th-century utopia; romantic high jinks at a school conference; and a fantasy sparked by F/X pioneer Georges Méliès.
Director of Photography
After his twin sister is killed in an accident, her distraught brother (Laurent Malet) jams her corpse in a cello case and hits the road.
Director of Photography
Helene, a pill-addicted anesthesiologist, is mourning the death of her boyfriend when, through a car accident she causes, she chances to meet the lethargic Gilles, a young man who lives for free at his mother's hotel. Gilles pursues Helene romantically, and she eventually softens up. Gilles, however, is also devoted to Bernard, a petty crook who revels in mugging gay men. All three struggle with relationships that seem to be going nowhere.
Director of Photography
Martinaud, an illustrious notary suspected of being the perpetrator of two horrendous crimes, voluntarily agrees to be questioned by Inspector Gallien on New Year's Eve. What initially is a routine procedure, soon becomes a harsh interrogation that seems to confirm the initial suspicions.
Director of Photography
A young woman left her family for an unspecified reason. The husband determines to find out the truth and starts following his wife. At first, he suspects that a man is involved. But gradually, he finds out more and more strange behaviors and bizarre incidents that indicate something more than a possessed love affair.
Director of Photography
The new warden of a small prison farm in Arkansas tries to clean it up of corruption after initially posing as an inmate.
Director of Photography
French Postcards rings both comic and true. The believable, fresh-faced characters are young naives from American colleges spending their French-English dictionaries, they compulsively seek out hundreds of monuments, romanticize the nomadic artist's life, and look for grown-up love. The French tutor them well, as befits their reputation. Jean Rochefort is the harassed headmaster with a hankering for affairs, and Marie-France Pisier is his very sexy wife. Watch for a newcomer named Debra Winger, and another-Mandy Patinkin.
Director of Photography
Eva is a singer in a Noah's Ark themed nightclub, where the guests wear animal masks. She is approached by a stranger who claims to know her and to remember her singing Mozart.
Director of Photography
In a small presbytery in Yorkshire, England, living under the watchful eyes of their aunt and father, a strict Anglican pastor, the Bronte sisters write their first works and quickly become literary sensations.
Cinematography
Unable to put a single word on paper, a youngish man with one novel to his credit finds that his life is crumbling to ruins around him because of his severe case of writer's block. He tries every remedy known to man and makes up a few new ones in this comedy. All his efforts are futile: he loses his girlfriend and his apartment and has a succession of misadventures until finally, homeless and hospitalized, he rediscovers his inspiration.
Director of Photography
The movie shows a smattering of images from the story of Wilhelm Jensen's Gradiva. The subject is sublimated desire.
Cinematography
At the turn of the century, an unusual woman refuses to become an object to be desired or played with. Instead she wants to succeed on the stage of politics in the Third Republic.
Cinematography
Playwright Charles Watson entertains his niece Lily by telling her about the adventures of Philibert.Both these people have something to do with Philibert.
Director of Photography
In this most talky and personal of films, director Marguerite Duras and actor Gerard Depardieu do an on-camera read-through of a movie script. Occasionally, the director comments about the characters or their motivations, and sometimes the actor does. That's all -- there is no action, there are no location shots, no one pretends to be anything else. The script itself tells about an encounter between a blank-slate of a woman hitchhiker, and a communist truck driver. As the reading progresses, Duras comments bitterly about the failed ideals of communism and the glorious revolution that will probably never happen.
Director of Photography
A poll for an advertising agency during a working day resulting in a series of meetings with women and men from different social strata, each one of them with a different problem.
Director of Photography
A woman falls in love with the man who killed her former boyfriend.
Music
A woman falls in love with the man who killed her former boyfriend.
Director of Photography
The full soundtrack to Marguerite Duras' 1975 film India Song, about a French ambassador's wife in 1930s India, is here repurposed with all new cinematography. As we hear all the dialogue of a bygone movie, we travel visually through images of absence and decay, bereft of life. It's the ghost of a film, and a further commentary on colonialism.
Director of Photography
In 1960, Marc and Philippe are counselors at a summer camp in the French countryside. One night, Marc finds Philippe dressed and made up as a woman, and from now on, he will keep on humiliating Philippe.
Cinematography
A bus conductor gets dressed for work in the morning, goes to the toilet, where he is killed by a bomb. The Commissioner and his fat, bumbling assistant, Inspector Charbonnier are put on the case. After interviewing friends, wives, colleagues, and spying on strangers who might be connected, our heroes trace the assassin down to a mental institution where, it seems, the murder victim has been an inmate for the last three years...
Director of Photography
India, 1937. Anne-Marie Stretter is the wife of the French ambassador and leads a solitary yet privileged life in Calcutta. The tedium of her existence is relieved by numerous illicit love affairs with government officials, young men who find her an object of desire and fascination. The Vice Consul is driven insane by his love for her and, expelled from the ambassador’s palace, cries like a sick animal. Life continues for Anne-Marie Stretter, the same tedious existence…
Director of Photography
A man returns to the place he once lived a passionate love affair with a woman who is now dead. So powerful are the emotions that seize him that he imagines she is still alive, and begins to live as if this were the case...
Director of Photography
Two whimsical, aimless thugs harass and assault women, steal, murder, and alternately charm, fight, or sprint their way out of trouble. They take whatever the bourgeoisie holds dear, whether it’s cars, peace of mind, or daughters. Marie-Ange, a jaded, passive hairdresser, joins them as lover, cook, and mother confessor. She’s on her own search for seemingly unattainable sexual pleasure.
With little or no embellishment, filmmaker Marguerite Duras offers a simple, often wordless chronicle of a woman's day. She and her friend are seen doing yard work, talking about their families and receiving the occasional visitor. The brightest spot in the day is when a washing machine salesman comes to call.
Director of Photography
This magnificently photographed French film tells the ancient legend of Tristan and Isolde to the accompaniment of an operatic musical score by MAGMA. Tristan is a young warrior who has been sent to Ireland from Cornwall to bring back Isolde, the bride of his king. The two of them drink a love potion, fall in love, and, despite the wrath of their people, persist in their tragic love.
Director of Photography
