Margot Hielscher

A musician beds down a prostitute he knows is diseased in order to gain inspiration, an act he later believes to have been a tacit pact with Satan

Hans Castorp, fresh from university and about to become a civil engineer, comes to the Sanatorium Berghof in the Swiss Alps to visit his cousin Joachim, an army officer, who is recovering there from tuberculosis. Intending to remain at the Berghof for three weeks, Hans is gradually contaminated by the morbid atmosphere pervading the place. Wishing very much to be considered a patient like the others, he achieves his ends and stays in the sanatorium for ...seven years. During this time, he has enough time to take part in the furious philosophical debates pitting against each other Settembrini, a secular humanist, and Naphta, a totalitarian Jesuit. And to fall in love with the beautiful but enigmatic Clawdia Chauchat. When he is finally discharged in 1914 - along with all the other patients - it is only to plunge into the horrors of World War I.

A man goes to a convent with exciting news, one of the nuns is an heir to a fortune! The man causes the nuns to become obsessed with him as he tries to find the right heir.

The 17-year-old student Rosy (Heidi Hansen) wants to improve her pocket money: For a pledge of at least a hundred marks, she hands over a key to older men and allegedly her address. Lots of love-goers fall in on the trick. - Fluent comedy.

In 1920, an unknown 24-year-old woman was fished out of Berlin's Landwehr kanal after a suicide attempt. Since she has no papers and no answers to any questions, they soon assign them to the insane asylum Dallendorf. A co-patient believes she recognizes the Czar's daughter Anastasia Romanowa - who apparently was the only one who survived the murder of the tsar's family in 1918.

After years of detachment Alberto Valli returns to the home of Margherita, his widowed mother, with his mistress Germaine.

Directed by Walter Reisch

While working as an accountant in his uncle's factory, talented young pianist Peter dreams of becoming a famous composer. When he shows his work to a producer, he manages to convince him to give him a chance. From time to time he gets bigger contracts that keep him more and more away from home and his young wife Elisa. When he "discovers" and supports a pretty ballerina in Munich, a rumor starts that he's having an affair. He fails to realize that his marriage is threatened.

Jeff Elliot is an American GI investigating a black market gang in Munich.

An aging truck driver finds smuggled money and becomes involved with a hijacking crowd.

In the antique shop J.M. Mauritius, there’s astonishment when a young, beautiful woman, Gabriele Euler, inquires about an old fortress crest, which can be seen in the background on an old tapestry --- it’s, in fact, the same crest engraved on an old, silver jar belonging to Gabriele: a family heirloom. She discovers, that the crest is the landmark for Burg Uhlenfels. Determined to find out more about her allegedly noble roots, Gabriele takes off to explore Castle Uhlenfels … unaware it’s haunted.

A rookie detective’s first case is to observe an engineer, but she behaves so clumsily in her job, that she’s mistaken for a thief and con artist.

Frauen sind keine Engel" was made on a moderate budget and has generally found not as much attention as that which has been rightfully accorded to his 'Viennese trilogy' made at about the same time. Please don't expect the outward splendour of some other Forst films, even though script, acting and direction leave nothing to be desired. However, like many of Forst's more important films this one not only provides great entertainment, but is also a thorough examination of the relation of fiction/art and reality.

The relationship between Franziska and her partner Michael, a globetrotting photojournalist, remains strained due to their constant separation, until tragedy strikes, forcing Michael to come home and to make a decision about their future.

As the title "The Queen's Heart" suggests, this early German black and white version of Mary Queen of Scott's eventful reign and death focuses on her emotional perception rather lyrically, with some songs, mainly by her.