Writer
Julien seeks to reconquer Jeanne, his ex-wife, of whom he is separated and who lives with another man. He is prepared to go far to make it happen.
Julien seeks to reconquer Jeanne, his ex-wife, of whom he is separated and who lives with another man. He is prepared to go far to make it happen.
Director
Julien seeks to reconquer Jeanne, his ex-wife, of whom he is separated and who lives with another man. He is prepared to go far to make it happen.
The philosophy teacher
A slice of life of a group of young working class friends in a Northern French village coming to the end of their school years and embarking upon adult life. The film follows the choices and decisions made for their futures.
Le prof de philo
A slice of life of a group of young working class friends in a Northern French village coming to the end of their school years and embarking upon adult life. The film follows the choices and decisions made for their futures.
Director
A psychiatrist takes complete responsibility when his son is found floating in a swimming pool, stabbed to death. All the evidence points to a young orphan boy as the real murderer. Why is the psychiatrist claiming the murder as his own?
Claude Vandal
A stranger enters into and forever alters the life of a couple. He claims to be pursued by certain authorities who intend to prevent him from disclosing a secret that only he holds, whence the title. Is he lying, or insane - or is he telling the truth? Who, if anyone, is after him? And what *is* - the secret?
Director
Mathieu is collected from the hospital by his wife, and dropped of at an apartment. His wife returns home to their son. The next time she sees him, he confesses that he is in love with another woman. This woman, who is identical to his wife, visits him. After making love, she leaves. She then returns. Mathieu shoots her - or does he shoot a mirror?
Albert Tazzi (uncredited)
The third in a series of films featuring François Truffaut's alter-ego, Antoine Doinel, the story resumes with Antoine being discharged from military service. His sweetheart Christine's father lands Antoine a job as a security guard, which he promptly loses. Stumbling into a position assisting a private detective, Antoine falls for his employers' seductive wife, Fabienne, and finds that he must choose between the older woman and Christine.
Assistant Director
Pierre Lachenay is a well-known publisher and lecturer, married with Franca and father of Sabine, around 10. He meets an air hostess, Nicole. They start a love affair, which Pierre is hiding, but he cannot stand staying away from her.
Unit Manager
Twelve episodic tales in the life of a Parisian woman and her slow descent into prostitution.
Albert Tazzi (segment "Antoine et Colette")
Love at Twenty unites five directors from five different countries to present their different perspectives on what love really is at the age of 20. The episodes are united with the score of Georges Delerue and still photos of Henri Cartier-Bresson.
Albert Tazzi
Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).
Unit Production Manager
Agnès Varda eloquently captures Paris in the sixties with this real-time portrait of a singer set adrift in the city as she awaits test results of a biopsy. A chronicle of the minutes of one woman’s life, Cléo from 5 to 7 is a spirited mix of vivid vérité and melodrama, featuring a score by Michel Legrand and cameos by Jean-Luc Godard and Anna Karina.
Un troupier
Jean Lerat begins his military service at an army camp. Despite his aunt’s attempts to pull a few strings to his advantage, the unfortunate Lerat manages to get on the wrong side of his bullying colonel…
