Silvana Alarcón Sánchez
Birth : 1993-05-21, Lima, Peru
History
Silvana Alarcón Sánchez is a Peruvian film writer, director, editor and producer based in Lima, Peru. Filmmaker, teacher and researcher of non-fiction cinema and film audiences. She studied Audiovisual Communication at the Pontificia Universidad Católica del Perú. She served as author and principal investigator of the project 'Mutaciones del espectador en el Perú: hacia la creación de un perfil del consumidor peruano de estrenos nacionales 2019-2021', winner of the National Competition for Research Projects on Cinematography and Audiovisual 2020 of the DAFO (Peru's Ministry of Culture). His recent documentary short film and autobiographical exploration, 'Vientre Vacío (Empty Womb)', was winner of the Grand Jury Prize at the Peruvian Film Competition of the University of Lima's Semana del Cine. During 2022, his short films 'La Última Pieza: Ensayo I' and 'Vientre Vacío' have been part of the competitive sections of the XIII Festival Internacional Al Este de Lima. In this space, 'La Última Pieza: Ensayo I' won a special mention from the jury. Likewise, his first documentary piece 'Razón de Ver: Correspondencia I' has been selected for its Latin American premiere at the 2nd Festival Itinerante de Cine Latinoamericano Atemporal. She is currently in the development stage of her first feature documentary 'Razón de Ver', a family portrait that talks about emotional inheritance, motherhood and the biodescodification of diseases linked to previous traumas in women.
Editor
When she realizes that her grandmother, the woman who raised her, is losing her sight, the director decides to explore the bond that unites them through the episodes of non-vision that these three generations share, the memories of the past, the misunderstandings and the new memories they seek to have in common.
Writer
When she realizes that her grandmother, the woman who raised her, is losing her sight, the director decides to explore the bond that unites them through the episodes of non-vision that these three generations share, the memories of the past, the misunderstandings and the new memories they seek to have in common.
Producer
When she realizes that her grandmother, the woman who raised her, is losing her sight, the director decides to explore the bond that unites them through the episodes of non-vision that these three generations share, the memories of the past, the misunderstandings and the new memories they seek to have in common.
Director
When she realizes that her grandmother, the woman who raised her, is losing her sight, the director decides to explore the bond that unites them through the episodes of non-vision that these three generations share, the memories of the past, the misunderstandings and the new memories they seek to have in common.
Herself
When she realizes that her grandmother, the woman who raised her, is losing her sight, the director decides to explore the bond that unites them through the episodes of non-vision that these three generations share, the memories of the past, the misunderstandings and the new memories they seek to have in common.
Editor
Disrupt, reject, destroy, avoid: At the interrupted rhythm of the broken photographs that a granddaughter has rescued from her grandfather’s hands, the last piece reconstructs the memory of an older man who has decided to leave behind his life impulses to surrender to sleep and calm. An essay on the act of joining our memories, the illusion of remembering and the freedom to forget.
Writer
Disrupt, reject, destroy, avoid: At the interrupted rhythm of the broken photographs that a granddaughter has rescued from her grandfather’s hands, the last piece reconstructs the memory of an older man who has decided to leave behind his life impulses to surrender to sleep and calm. An essay on the act of joining our memories, the illusion of remembering and the freedom to forget.
Producer
Disrupt, reject, destroy, avoid: At the interrupted rhythm of the broken photographs that a granddaughter has rescued from her grandfather’s hands, the last piece reconstructs the memory of an older man who has decided to leave behind his life impulses to surrender to sleep and calm. An essay on the act of joining our memories, the illusion of remembering and the freedom to forget.
Herself
Disrupt, reject, destroy, avoid: At the interrupted rhythm of the broken photographs that a granddaughter has rescued from her grandfather’s hands, the last piece reconstructs the memory of an older man who has decided to leave behind his life impulses to surrender to sleep and calm. An essay on the act of joining our memories, the illusion of remembering and the freedom to forget.
Director
Disrupt, reject, destroy, avoid: At the interrupted rhythm of the broken photographs that a granddaughter has rescued from her grandfather’s hands, the last piece reconstructs the memory of an older man who has decided to leave behind his life impulses to surrender to sleep and calm. An essay on the act of joining our memories, the illusion of remembering and the freedom to forget.
Writer
The manifesto of a body that bleeds by nature, the reconnection with the ancestors and the self-portrayed voice of a woman who seeks to break with the oppression that has forced us to experience menstruation with fear, shame and rejection.
Producer
The manifesto of a body that bleeds by nature, the reconnection with the ancestors and the self-portrayed voice of a woman who seeks to break with the oppression that has forced us to experience menstruation with fear, shame and rejection.
Editor
The manifesto of a body that bleeds by nature, the reconnection with the ancestors and the self-portrayed voice of a woman who seeks to break with the oppression that has forced us to experience menstruation with fear, shame and rejection.
Herself
The manifesto of a body that bleeds by nature, the reconnection with the ancestors and the self-portrayed voice of a woman who seeks to break with the oppression that has forced us to experience menstruation with fear, shame and rejection.
Director
The manifesto of a body that bleeds by nature, the reconnection with the ancestors and the self-portrayed voice of a woman who seeks to break with the oppression that has forced us to experience menstruation with fear, shame and rejection.
