Catherine Lachens

Royal Palace Theatre, Paris . February 17th 1673, the King’s theatre group is playing « Le Malade Imaginaire » when Moliere started spitting blood, but he takes the decision to keep playing until the end. During his agony, he let enter in the theatre all the elements and ghost who made his life. Starting a fight to preserve his dignity, he plan to transfigure his death in a last laugh instrument.

François and Charlotte directed together a gourmet hotel and restaurant on the edge of the sea, but their marital relationship is not fixed beauty: obsessive hard, Francis wants his first star in the Michelin Guide while Charlotte, at the dawn of the quarantine, dreams of a first child. This already complicated situation will literally explode the day where Charlotte's first husband, Alex, disembarked in their lives while everyone believed him dead in the terrible tsunami of 2004...

Bright days ahead? Caroline has retired, at last. A new life lies before her: time to take care of her children, her husband, and, most of all, herself. However, she soon comes to realize that this new freedom is synonymous with boredom and idleness. Especially when she receives a membership to her neighborhood’s senior club as a birthday present… Reluctant at first, she nevertheless decides to take the plunge. Oddly enough, she meets great people there, starting with the young computer science teacher, who is far from insensitive to her charms. Caroline gradually takes control of her life again and lives a second youth: taking a new lover, living new experiences, breaking the rules, not doing what’s expected of her… Who said that retirement was the beginning of the end and not a new beginning?

A man with a serious illness, visits his doctor. His condition does not improve. So, he asks him to come back with his wife. But here is the problem, he makes believe for several years to ...

French independent director Paul Vecchiali playfully bites the hand that periodically feeds him (and many of the nation's other creative filmmakers) in this dark comedy. Writer and director Vecchiali stars as a moviemaker named Paul Vecchiali, who is trying to complete his latest project, a dramatic love story about a young couple whose relationship is complicated by the man's addiction to drugs. Short on funds, Vecchiali approaches the National Cinema Center, who offer loans and grants to independent filmmakers whom they believe are deserving. The NCC is less than impressed with Vecchiali's latest script, and they turn him down, just as they have done a number of times in the past. Angry and determined that the NCC will never break the spirit of another director, Vecchiali and his crew block out a plan to assassinate the nine members of the funding board, though the press and public seem more bemused than outraged by the sudden rash of killings.

How do you ask a wild, impetuous hairdresser on a date if you're a pathologically timid philosophy student with no social skills?

Jean doesn't want to stagnate in the anonymity of an unattractive life anymore. He chose to start a new career very mediatic but quite dangerous.

After learning of her husband's infidelities, a housewife invites an itinerant lesbian to move in with them. None of their lives will ever be the same again.

A film with emphasis on visuals and music, the plot concerns characters who meet in present time, mainly the male gypsy Jesus, and the female thief and con-artist Odona, who share parallel experiences from lives 2000 years in the past. These stories are juxtaposed.

A man goes off to Paris to start his new job at a bank. When he falls in love with a beautiful woman, he decides to work as her maid -- until he discovers she not only is his boss, but his colleague at the bank.

On vacation in the country, a group of friends are requisitioned by a city official to work at the slaughterhouse.

Venice. March 1735. The carnival is in full swing Everybody's happy mood and the lively streets are filled with musicians, mimes, clowns and acrobats of pickpockets who practice their craft each, displaying a colorful rainbow and sounds. At every corner, there is something going on that should not be missed - especially if it's something forbidden. However, some people are concerned about something else. One is Carlo Goldoni young lawyer of 27 years, he dreams only theater and he thinks only the part that wants to ride. Alas, the money was also hard to find at that time than now. His two friends, Antonio Vivaldi and Gian Battista Tiepolo are better known than him but they are also looking for this rare bird: a patron, who was not on ONLY the desire but also the means to sponsor a work of art.

Rene (Jean-Pierre Marielle) is a small-time crook who tries to shake down storekeeper Emile (Jean Carmet) in this uneven and humorless comedy. Things change when Rene starts to fall for the terminally boring and provincial Emile.

Rosa la Rose is the most beautiful prostitute of Les Halles. Every client wants her and she accepts everything. Her pimp is a sympathetic and generous man and there is not much to tell about Rosa’s life. Until one day she meets Julien, a young guy, and falls in love with him. But will it be worthy to leave her life for a madness love?

In the German-occupied Paris, Helene is torn between the love for her boyfriend Jean, working for the resistance and the German administrator Bergmann, who will do anything to gain her affection.

The beginning of the 20th century. Charles Swann, a young and wealthy dandy, spends most of his time hanging out with the old nobility, notably the Duke and Duchess of Guermantes. He is madly in love with a pretty demi-mondaine, Odette de Crécy. Idle, Swann surrendered complacently to the torments of jealousy. After hours of suffering, he manages to spend a night with Odette. In the morning, he believes that ultimately, this one is "not his type". However, we find him, many years later, alongside Odette who, now his wife, gave him a daughter. In the company of Baron de Charlus, brother of the Duchess of Guermantes, he wonders about the failure of his sentimental life, so far removed from this absolute he dreamed of...

A macho junk shopkeeper, a lunar lawyer and a storekeeper meet by pure chance and develop the century's hold-up.

In a futuristic society, contestants pit their survival skills against each other in a fight to the death for cash prizes, and the contest is aired live on television.

In this routine drama, two men (a crass Brit and a slow Frenchman) decide to evade the war in 1917, but their flight on a stolen boat goes awry and they end up on the coast of France, close to the fighting they wanted to leave behind. Once on shore, they make the acquaintance of a like-minded young widow who begins an affair with both men (she just wants to have a child by each) -- but their unusually idyllic existence is threatened with imminent tragedy as the French army advances ever closer.

Paul and Rene, two men in their forties weary with life. One a widower, the other is divorced and pays alimony to his ex-wife. They live together, go on vacations together. This last vacation has been a washout and so is their return.

Martial Perrin is the president of a right-wing political party which is gearing itself up for a forthcoming election. When he learns that a notorious criminal named Kraus has escaped from prison, Perrin panics and goes into hiding. His deputy, Constant, hires Perrin’s cousin, Gilbert, an actor who is a perfect double of Perrin, to replace him. What Gilbert does no know is that the killer Kraus is bumping off the people who were implicated in the affair for which he was arrested, and that Perrin is next on his list.

The film is set in a modern war, probably between a European country and a country in the Far East. Behind the battle lines, in a medical unit, a surgeon falls in love with an idealistic nurse after an initially difficult meeting.

Jacques does his military service. Shy, round and clumsy, he is forced to agree to be the driver of a special ambulance.

When the local police inspector was found dead in a prostitute's house, police division commissioner Stan Borowitz is sent to investigate the situation. Posing as the prostitute's long-lost brother "Antonio Cerruti," he discovers a mare's nest of police corruption. In fact, in this comedy thriller the whole town is corrupt. If they were closely examined, Stan's methods for pursuing this investigation might embarrass the police. For instance, he drives into a criminal's house in a fancy, expensive race car. In another incident, he callously blows up a casino owned by Musard , one of the town's crime bosses. On that occasion, he first forces Musard to remove his clothes, and the poor criminal watches his casino explode from across the square while standing naked in a phone booth. Meanwhile, Stan seduces the lovely Edmonde.

Julien est envoyé par son patron à l'île Maurice, où il fait la connaissance d'Henri, un chômeur professionnel. Un soir de beuverie, les deux hommes se soulagent au pied d'une statue sacrée. Offensés par ce sacrilège, les dieux les punissent en leur ôtant leur reflet et en les faisant léviter. Si cette situation leur paraît au début invivable, les deux hommes finissent cependant par tirer parti de ces désavantages pour régler leurs problèmes personnels.

Pierre is a hotel cashier in Vichy, so shy that he answers an ad from the Psychology Institute and can't say no to the salesman, Aldo; he spends 6,000 francs on tapes, books, and a punching bag. Soon after, he's smitten by Agnes, a hotel guest with a model's looks and photographers wherever she goes. When she leaves for Nice, he follows, meeting Aldo on the way. Aldo becomes his boldness coach. Pierre gets a job washing dishes where Agnes is staying, but after a week or so, she's off to Deauville, with Aldo and Pierre in pursuit. Using funds they get by selling Aldo's car, this time Pierre poses as a polo-playing jet setter. Will this win the heart of Agnes?

In this family comedy, Papa has no end of trouble getting his young son to accept his new girlfriend.

In 1945, as World War Two comes to a close, five small time crooks unite to form a gang. After several bold robberies they become notorious as "the front-wheel drive gang". The police attempt to stop their crime spree with little success, but how long will their luck last?

In this poetic slice-of-life film that reveals the problems and needs of a group of lowlife characters, unwed mother Vivaine (Dominique Labourier) falls in love with working-class youth Francois (Patrick Chesnais) who has a shady past. Albert (Philippe Noiret), a no-good insurance con-artist, poses for many years as Francois' friend, but tragedy ensues when Albert comes between the lovers, and Francois and Albert resort to physical violence to settle their differences.

Un réalisateur sans beaucoup d'expérience souhaite tourner un film pornographique.

A César nominated drama about a young man wandering the streets of Paris at night.

Victor Vautier is incorrigible: he's in constant motion, working several cons at once, using different names and changing disguises. He's charming and outrageous, incapable of uttering a sentence that isn't embellished or an outright lie. His life goal is to make enough money to build a sea wall to protect Mont-Saint-Michel. Charlotte, a parole officer, shows up: she's young and seems taken in by Victor. He discovers she lives above the Senlus Museum, where her parents are the curators. With two pals he decides to steal a priceless El Greco triptych and then ransom it back to the cultural ministry. What will Charlotte do when she realizes he's used her to make a fortune?

The film story depicts Emile Buisson, following the death of his wife and child, escaping from a psychiatric institution in 1947 and returning to Paris. Buisson, who three years later would become France's public enemy number one, begins a murderous rampage through the French capital.

A dreamlike adaptation of the legend of Ariadne and the Minotaur.

A young writer has just written a new novel, which has been accepted by an editor. A simple and familiar story about the terrifying power the state has over people’s lives.