Sara
On a street in Berlin, Sara joins her boyfriend Tarek in a line to view a flat. Sara just came from the gynecologist; she is 10 weeks pregnant. Tarek starts discussing marriage plans, after all an Egyptian couple they have no choice but to marry. But Sara who has left Cairo in search of free life struggles to accept that they should ignore all their problems as a couple and rush to marry for the baby. When she fails to stop Tarek’s excited planning, she breaks the news; that she already had an abortion. Miles away from home, Sara is still battling the demons of her patriarchal society that are mirrored in her relationship with Tarek.
A prospective wish is announced at the very beginning: "Imagine a land without ownership". Ownership? Since when? How? Where? With which implications? This is what Marwa Arsanios endeavours to discover in the fourth part of her meticulous ongoing project whose generic title is Who Is Afraid of Ideology? After documenting feminist experiments of community autonomy in Lebanon, Kurdistan and Syria (Who Is Afraid of Ideology? I&II, FID 2019), Marwa Arsanios ventures a hypothesis in the form of speculative fiction, from a remote piece of land in Lebanon, a cut in a stone quarry. In this small piece of land, a few sidekicks make that postulate, and slowly share stories of domination and exploitation. This land has a complicated administrative, legal, geological and biological history. (Nicolas Feodoroff - FIDMarseille)
