Colorist
In “The Naked Empress”, the Sissi myth serves as the starting point for a Vienna thriller that combines a mysterious criminal case with a disastrous curse. While inspector Alexander Haller relies on his investigative instincts, his partner Nikolai Falk has to overcome irrational fears. Screenwriter Nils-Morten Osburg uses the admiration for the Habsburg monarch, who, out of vanity, did not allow herself to be photographed for decades, as the background for a sophisticated story about a photograph that should never have been taken.
Colorist
Philipp Hochmair, the newly appointed special investigator, and his partner Andreas Guenther immerse themselves in the equally dazzling and twilight world of the Prater showmen in the sixth "Vienna thriller". To solve the murder of a strikingly successful businessman, the opposing duo must not only uncover his secrets, but also get a tight-knit circle of suspects to speak up.
Colorist
18 years after Kurt Kren produced his third film 3/60 Bäume im Herbst [3/60 Trees in Autumn], he shot his masterpiece 37/78 Tree Again. 18 years after I created my third darkroom film L’Arrivée (an homage to the Lumière brothers and their 1895 L'Arrivée d'un train), I embarked on Train Again. This third film in my “Rushes Series” is an homage to Kurt Kren that simultaneously taps into a classic motif in film history. My darkroom ride took a few years, but we finally arrived: All aboard!
