Gerlinde Kunz

Smilla Jaspersen, half Danish, half Greenlander, attempts to understand the death of a small boy who falls from the roof of her apartment building. Suspecting wrongdoing, Smilla uncovers a trail of clues leading towards a secretive corporation that has made several mysterious expeditions to Greenland. Scenes from the film were shot in Copenhagen and western Greenland. The film was entered into the 47th Berlin International Film Festival, where director Bille August was nominated for the Golden Bear.

Smilla Jaspersen, half Danish, half Greenlander, attempts to understand the death of a small boy who falls from the roof of her apartment building. Suspecting wrongdoing, Smilla uncovers a trail of clues leading towards a secretive corporation that has made several mysterious expeditions to Greenland. Scenes from the film were shot in Copenhagen and western Greenland. The film was entered into the 47th Berlin International Film Festival, where director Bille August was nominated for the Golden Bear.

Comic artist Brösel trades a magic pen that helps him come up with funny stories for the promise to fulfill one of Rumpelstiltskin's wishes. The resulting animated films show episodes of the life of Werner, a plumber apprentice and motorbike enthusiast and his friends. They are interspersed with the live-action portions.

Steven Dyer, an executive working for a giant multinational drugs company, decides to report his employer for breaches of Common Market trading regulations. One night in Basle, Switzerland, he leaves his home to post a letter, the start of a nightmare journey that leads to terrible consequences for his life, his career and for his wife and children.

Edith runs a left-wing journal and when her marriage starts to fall apart (her husband is unfaithful), she can find no solace in her son who is more of a problem than an asset. On top of heading toward a divorce and being unable to handle her son's asocial tendencies, her neurotic uncle moves in, demanding personalized care. Just to keep her sanity intact, Edith starts writing in her diary to vent her own feelings and ambitions. As her son goes from bad to worse over a five-year period, it turns out that Edith's diary may be of more benefit than she could have ever imagined. In this adaptation of Edith's Diary by Patricia Highsmith, director and writer Hans W. Geissendoerfer has maintained Highsmith's psychologically tormented characters while changing the location and time of her story from the U.S. of the 1960s to Germany in the early 1980s.