Amir Abedi

Kingdom of Jamkard, ancient Persia. After defeating the armies of Ahriman, embodiment of evil, King Jamshid, bearer of the light of Divine Power, abandons his people blinded by pride, determined to conquer new lands. Thus, by chance, Zahhaak becomes regent and undertakes the reconstruction of the devastated capital. But then Ahriman, who dwells in the heart of every human being, begins to poison his tormented soul.

Manijeh Hekmat is an Iranian film director. Born in 1962 in Farmahin, Iran, she has worked since 1980 as an assistant director and production designer in over 25 films. She directed her first feature film Women's Prison (Zendān-e Zanān) in 2002. This film has been shown at over 80 international film festivals and has received seven prizes. Three Women (Seh Zan) is Hekmat’s second feature film made in 2007.

'Resident of the Middle Floor' tells the quirky tale of a depressive writer (Shahab Hosseini) struggling for inspiration. He immerses himself into each new idea, playing the roles of his characters before our eyes. Slowly, these fantasies begin to intersect with his own life, blurring the line between his stories' worlds and his own failing existence. Will he ever be able to figure out the story he wants to tell? A throughly entertaining character study that is reminiscent of Walter Mitty's world.

A story about Human beings and their relations which has a man in the center of it. Because of a car accident he has Alzheimer and must face a different new world.

Two fellows find themselves in prison for thieving but it is actually their fortune because an old man before dying gives them a treasure map so after their release they try to find it but there are some problems.

Mina Bozorgmehr and Farhood Zandi are two young lawyers who start working at them same time. They share an apartment, but Mina thinks that Farhood is a author and Farhood thinks that Mina is a photographer.

'Bleeding Heart' is an absorbing death row drama revolving around the moral dilemmas of redemption and the unforgiving trauma of loss. When public defender Delaram is charged with taking on...

After murdering his entire family, a man marries a widow with a young daughter in another town and prepares to kill them as well. But this time things go differently for all of them.

Rouhi, a young bride-to-be, is hired as a maid for an affluent family in Tehran. Upon arriving, she is suddenly thrust into an explosive domestic conflict. The wife is convinced her husband is having an affair and enlists Rouhi as a spy, to follow her husband, and confirm her suspicions. What Rouhi discovers, however, threatens not only their marriage but her own future.

Jamshid, the son of Abbas Sakhai, has been living abroad for a number of years. He sends a message for his family who then decide to make a film depicting their lives and send it to Jamshid. Omid, the younger son of the family, rents a video camera and records images of members of the family as they talk directly into the camera.

When Mamhoud is invited to a conference to speak about his new war novel, 'Parental farm,' his aim to discuss war literature in general turns into a much more personal journey. Having lost ...

Spanning 18 years in an Iranian women's prison, this follows two women: the new prison warden, a tough as nails devout Muslim who has served in the army on the Iraqi front, and a young midwife, Mitra, who is serving her sentence for killing her mother's abusive husband. In the early years, Mitra is repeatedly punished as the warden tries to break her. This includes punishment for delivering a baby in the prison cell while all of the prison staff has taken shelter during an Iraqi bombing. The warden's attitude starts to change after 8 years, when Mitra tries to protect a new inmate from rape at the hands of her older cellmates. When the baby comes back in 1991 as a 17 year old delinquent, Sepideh, the warden respects Mitra enough to protect the girl.

Four young men come together to solve their financial Problems.

Hasti, a widowed nurse who has a daughter, marries a paranoid wealthy man.

That whoever kills a person-unless it is for murder or corruption on earth-it is as if he killed the whole of mankind; and whoever saves it, it is as if he saved the whole of mankind.