Anatole Litvak

Anatole Litvak

Birth : 1902-05-10, Kiev, Russian Empire

Death : 1974-12-15

History

From Wikipedia, the free encyclopedia. Anatole Litvak  (May 10, 1902 – December 15, 1974) was a Ukrainian-born filmmaker of Jewish heritage who wrote, directed, and produced films in a various countries and languages. He was nominated for an Academy Award for Best Director for the film The Snake Pit (1948). Description above from the Wikipedia article Anatole Litvak, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Profile

Anatole Litvak

Movies

Hollywood's Second World War
Self (archive footage)
For the USA, World War 2 was an all-out war - to mobilize the masses, the US government launched a huge propaganda campaign and cinema, the medium of the masses, was quite simply their most important weapon. Government authorities monitored the production of feature films and the military itself produced documentaries aimed at rallying the American people to support the troops. This film tells the story of four Hollywood directors of European origin, who returned to the "Old World" during the Second World War to make propaganda documentaries for the US Army at the front: William Wyler from Alsace, Frank Capra from Italy, Anatole Litvak from Ukraine and - in post-war Germany - Billy Wilder from Austria.
Clouzot : The Early Works
Director
A master of suspense admired even by Hitchcock, Henri-Georges Clouzot is famous for acid-tinged thrillers about cold-blooded murder and ugly politics, whether in a French town or a Latin American oil field. But his early writing career was quite different: he provided the scenarios and dialogue for ten years’ worth of clever farces and affecting melodramas, often with musical numbers. My Cousin from Warsaw, Dragnet Night, The Unknown Singer, I’ll Be Alone After Midnight, The Terror of Batignolles, Tell Me Tonight, Dream Castle
Ingrid Bergman: In Her Own Words
Self (archive footage)
A personal and captivating account of the extraordinary life and work of Ingrid Bergman (1915-82), a young Swedish woman who became one of the most celebrated actresses in world cinema.
Why We Fight: World War II: The Battle of China / War Comes to America
Director
Part of Frank Capra's World War II propaganda series made for the U.S. Armed Forces, this program presents newsreel footage addressing the Battle of China and shifting opinion as the United States moves from isolationism to supporting the war. Highlights include Madame Chiang Kai-Shek's moving address to Congress, Edward R. Murrow's reports from London during the Blitz and Charles Lindbergh expressing his opposition to America entering the war.
The Lady in the Car with Glasses and a Gun
Producer
Dany Longo is blonde, beautiful, disturbed, passionate--and nearsighted. As she speeds through the south of France in a purloined Thunderbird on an errand for her employer and his wife, no one, including Dany herself, knows where she is headed--or why she is going there.
The Lady in the Car with Glasses and a Gun
Director
Dany Longo is blonde, beautiful, disturbed, passionate--and nearsighted. As she speeds through the south of France in a purloined Thunderbird on an errand for her employer and his wife, no one, including Dany herself, knows where she is headed--or why she is going there.
The Night of the Generals
Producer
A German intelligence officer investigates a prostitute's killing in Warsaw during World War II. He lands on three major Nazi generals as suspects, two of whom are also involved in a plot to kill Adolf Hitler.
The Night of the Generals
Director
A German intelligence officer investigates a prostitute's killing in Warsaw during World War II. He lands on three major Nazi generals as suspects, two of whom are also involved in a plot to kill Adolf Hitler.
10:30 P.M. Summer
Producer
A female traveling companion seduces a married man and his alcoholic wife.
Le Couteau dans la plaie
Producer
Immediately after Lisa declares that she is leaving her immature, abusive, but easy-going husband Robert, he is reported dead in a plane crash. Secretly still alive, he convinces her to collect his life insurance, although she knows that it's a bad idea. Lisa must contend with the complications of the scheme, which involve an aggressive suitor, Robert's jealousy, and her own guilt.
Le Couteau dans la plaie
Director
Immediately after Lisa declares that she is leaving her immature, abusive, but easy-going husband Robert, he is reported dead in a plane crash. Secretly still alive, he convinces her to collect his life insurance, although she knows that it's a bad idea. Lisa must contend with the complications of the scheme, which involve an aggressive suitor, Robert's jealousy, and her own guilt.
Goodbye Again
Producer
Middle-aged businesswoman Paula Tessier resists the advances of Philip Van der Besh, the 24-year-old son of one of her clients. But when her longtime paramour, Roger Demarest, begins yet another casual affair with a younger woman, Paula decides that two can play that game. However, it seems that society looks differently at May-December romances when the woman is the older partner.
Goodbye Again
Director
Middle-aged businesswoman Paula Tessier resists the advances of Philip Van der Besh, the 24-year-old son of one of her clients. But when her longtime paramour, Roger Demarest, begins yet another casual affair with a younger woman, Paula decides that two can play that game. However, it seems that society looks differently at May-December romances when the woman is the older partner.
The Journey
Producer
A Communist officer falls hard for a married woman trying to escape from Hungary.
The Journey
Director
A Communist officer falls hard for a married woman trying to escape from Hungary.
Mayerling
Producer
Mayerling is the name of a notorious Austrian village linked to a romantic tragedy. At a royal hunting lodge there, in 1889, Crown Prince Rudolf--desperate over his father's command to put away his teenage mistress, the Baroness Marie Vetsera--shot her to death and killed himself. The misfortune may indeed have been a murder-suicide, but perhaps it was a political assassination, or even the result of a lunatic family vendetta: scholarship is still catching up with the facts.
Mayerling
Director
Mayerling is the name of a notorious Austrian village linked to a romantic tragedy. At a royal hunting lodge there, in 1889, Crown Prince Rudolf--desperate over his father's command to put away his teenage mistress, the Baroness Marie Vetsera--shot her to death and killed himself. The misfortune may indeed have been a murder-suicide, but perhaps it was a political assassination, or even the result of a lunatic family vendetta: scholarship is still catching up with the facts.
Anastasia
Director
Russian exiles in Paris plot to collect ten million pounds from the Bank of England by grooming a destitute, suicidal girl to pose as heir to the Russian throne. While Bounin is coaching her, he comes to believe that she is really Anastasia. In the end, the Empress must decide her claim.
The Deep Blue Sea
Producer
A woman is unhappy in her marriage to a boring, stiff judge, so she takes up with a wild-living RAF pilot, who ends up being more than she can handle. (TCM.com)
The Deep Blue Sea
Director
A woman is unhappy in her marriage to a boring, stiff judge, so she takes up with a wild-living RAF pilot, who ends up being more than she can handle. (TCM.com)
Act of Love
Director
An American soldier romances a beautiful Parisian during the final days of World War II.
Decision Before Dawn
Producer
WWII is entering its last phase: Germany is in ruins, but does not yield. The US army lacks crucial knowledge about the German units operating on the opposite side of the Rhine, and decides to send two German prisoners to gather information. The scheme is risky: the Gestapo retains a terribly efficient network to identify and capture spies and deserters. Moreover, it is not clear that "Tiger", who does not mind any dirty work as long as the price is right, and war-weary "Happy", who might be easily betrayed by his feelings, are dependable agents. After Tiger and another American agent are successfully infiltrated, Happy is parachuted in Bavaria. His duty: find out the whereabouts of a powerful German armored unit moving towards the western front.
Decision Before Dawn
Director
WWII is entering its last phase: Germany is in ruins, but does not yield. The US army lacks crucial knowledge about the German units operating on the opposite side of the Rhine, and decides to send two German prisoners to gather information. The scheme is risky: the Gestapo retains a terribly efficient network to identify and capture spies and deserters. Moreover, it is not clear that "Tiger", who does not mind any dirty work as long as the price is right, and war-weary "Happy", who might be easily betrayed by his feelings, are dependable agents. After Tiger and another American agent are successfully infiltrated, Happy is parachuted in Bavaria. His duty: find out the whereabouts of a powerful German armored unit moving towards the western front.
The Snake Pit
Producer
Virginia Cunningham is confused upon finding herself in a mental hospital, with no memory of her arrival at the institution. Tormented by delusions and unable to even recognize her husband, Robert, she is treated by Dr. Mark Kik, who is determined to get to the root of her mental illness. As her treatment progresses, flashbacks depict events in Virginia's life that may have contributed to her instability.
The Snake Pit
Director
Virginia Cunningham is confused upon finding herself in a mental hospital, with no memory of her arrival at the institution. Tormented by delusions and unable to even recognize her husband, Robert, she is treated by Dr. Mark Kik, who is determined to get to the root of her mental illness. As her treatment progresses, flashbacks depict events in Virginia's life that may have contributed to her instability.
Sorry, Wrong Number
Producer
Leona Stevenson is confined to bed and uses her telephone to keep in contact with the outside world. One day she overhears a murder plot on the telephone and is desperate to find out who is the intended victim.
Sorry, Wrong Number
Director
Leona Stevenson is confined to bed and uses her telephone to keep in contact with the outside world. One day she overhears a murder plot on the telephone and is desperate to find out who is the intended victim.
The Long Night
Producer
City police surround a building attempting to capture a suspected murder. The suspect knows there is no escape but refuses to give in.
The Long Night
Director
City police surround a building attempting to capture a suspected murder. The suspect knows there is no escape but refuses to give in.
Why We Fight: War Comes to America
Director
The seventh and final film of Frank Capra's Why We Fight World War II propaganda film series. This entry attempts to describe the factors leading up to America's entry into the Second World War.
Your Job in Germany
Director
Your Job In Germany is a short film made for the United States War Department in 1945 just before Victory in Europe Day (VE). It was shown to US soldiers about to go on occupation duty in Germany. The film was made by the military film unit commanded by Frank Capra and was written by Theodor Geisel, better known by his pen name Dr. Seuss.
Why We Fight: The Battle of China
Director
The sixth film of Frank Capra's Why We Fight propaganda film series illustrates Japan's occupation of China, including Madame Chiang Kai-Shek's stirring address before congress, the rape of Nanking, the great 2,000 mile migration, and Claire Chennault's Flying Tigers.
Why We Fight: The Battle of Russia
Director
The fifth film of Frank Capra's Why We Fight propaganda film series, revealing the nature and process of the fight between the Soviet Union and Germany in the Second World War.
Show-Business at War
Self
A multi-studio effort to show the newsreel audience the progress of the Hollywood war effort.
Why We Fight: Divide and Conquer
Director
The third film of Frank Capra's 'Why We Fight" propaganda film series, dealing with the Nazi conquest of Western Europe in 1940.
Why We Fight: The Nazis Strike
Director
The second film of Frank Capra's Why We Fight propaganda film series. It introduces Germany as a nation whose aggressive ambitions began in 1863 with Otto von Bismarck and the Nazis as its latest incarnation.
Why We Fight: Prelude to War
Associate Producer
Prelude to War was the first film of Frank Capra's Why We Fight propaganda film series, commissioned by the Pentagon and George C. Marshall. It was made to convince American troops of the necessity of combating the Axis Powers during World War II. This film examines the differences between democratic and fascist states.
Why We Fight: Prelude to War
Director
Prelude to War was the first film of Frank Capra's Why We Fight propaganda film series, commissioned by the Pentagon and George C. Marshall. It was made to convince American troops of the necessity of combating the Axis Powers during World War II. This film examines the differences between democratic and fascist states.
This Above All
Director
In 1940 England, aristocratic Prudence Cathaway alarms her snobbish parents by joining the WAF service branch. She soon meets and falls in love with the brooding Clive Briggs, despite his prejudice against the upper classes, and agrees to spend a week with him at a Dover hotel. When Clive's soldier friend, Monty, arrives to retrieve him, Prudence learns that Clive went AWOL after Dunkirk, and urges him to recall why England must fight the war.
Blues in the Night
Director
A struggling band find themselves attached to a fugitive and drawn into a series of old feuds and love affairs, as they try to stay together and find musical success.
Out of the Fog
Director
A Brooklyn pier racketeer bullies boat-owners into paying protection money but two fed-up fishermen decide to eliminate the gangster themselves rather than complain to the police.
City for Conquest
Producer
The heartbreaking but hopeful tale of Danny Kenny and Peggy Nash, two sweethearts who meet and struggle through their impoverished lives in New York City. When Peggy, hoping for something better in life for both of them, breaks off her engagement to Danny, he sets out to be a championship boxer, while she becomes a dancer paired with a sleazy partner. Will tragedy reunite the former lovers?
City for Conquest
Director
The heartbreaking but hopeful tale of Danny Kenny and Peggy Nash, two sweethearts who meet and struggle through their impoverished lives in New York City. When Peggy, hoping for something better in life for both of them, breaks off her engagement to Danny, he sets out to be a championship boxer, while she becomes a dancer paired with a sleazy partner. Will tragedy reunite the former lovers?
All This, and Heaven Too
Producer
When lovely and virtuous governess Henriette Deluzy comes to educate the children of the debonair Duc de Praslin, a royal subject to King Louis-Philippe and the husband of the volatile and obsessive Duchesse de Praslin, she instantly incurs the wrath of her mistress, who is insanely jealous of anyone who comes near her estranged husband. Though she saves the duchess's little son from a near-death illness and warms herself to all the children, she is nevertheless dismissed by the vengeful duchess. Meanwhile, the attraction between the duke and Henriette continues to grow, eventually leading to tragedy.
All This, and Heaven Too
Director
When lovely and virtuous governess Henriette Deluzy comes to educate the children of the debonair Duc de Praslin, a royal subject to King Louis-Philippe and the husband of the volatile and obsessive Duchesse de Praslin, she instantly incurs the wrath of her mistress, who is insanely jealous of anyone who comes near her estranged husband. Though she saves the duchess's little son from a near-death illness and warms herself to all the children, she is nevertheless dismissed by the vengeful duchess. Meanwhile, the attraction between the duke and Henriette continues to grow, eventually leading to tragedy.
Castle on the Hudson
Director
A hardened crook behind bars comes up against a reform-minded warden.
Confessions of a Nazi Spy
Director
FBI agent Ed Renard investigates the pre-War espionage activities of the German-American Bund.
The Sisters
Associate Producer
Three daughters of a small down pharmacist undergo trials and tribulations in their problematic marriages between 1904 and 1908.
The Sisters
Producer
Three daughters of a small down pharmacist undergo trials and tribulations in their problematic marriages between 1904 and 1908.
The Sisters
Director
Three daughters of a small down pharmacist undergo trials and tribulations in their problematic marriages between 1904 and 1908.
The Amazing Dr. Clitterhouse
Producer
A wealthy society doctor decides to research the medical aspects of criminal behaviour by becoming one himself. He joins a gang of thieves and proceeds to wrest leadership of the gang away from it's extremely resentful leader.
The Amazing Dr. Clitterhouse
Director
A wealthy society doctor decides to research the medical aspects of criminal behaviour by becoming one himself. He joins a gang of thieves and proceeds to wrest leadership of the gang away from it's extremely resentful leader.
Tovarich
Producer
When upper-class Parisian Charles Dupont and his family hire Tina and Michel as their servants, they have no idea that the domestics are in fact Tatiana, the Grand Duchess Petrovna, and her husband, Mikail, Prince Ouratieff. Recent exiles from the Russian Revolution, Tatiana and Mikail befriend the Dupont family, keeping their true identities a secret -- until one night when Soviet official Gorotchenko arrives for dinner.
Tovarich
Director
When upper-class Parisian Charles Dupont and his family hire Tina and Michel as their servants, they have no idea that the domestics are in fact Tatiana, the Grand Duchess Petrovna, and her husband, Mikail, Prince Ouratieff. Recent exiles from the Russian Revolution, Tatiana and Mikail befriend the Dupont family, keeping their true identities a secret -- until one night when Soviet official Gorotchenko arrives for dinner.
The Woman I Love
Director
In World War I France, a pilot falls in love with the wife of his friend and superior officer.
Mayerling
Director
Rudolf, the only heir to Emperor Franz Josef of Austria-Hungary, is trapped in a loveless marriage to a Belgian princess. As he seeks to flee his stifling environment, he meets the beautiful Maria, and the two enter into a scandalous affair. Despite the interference of the Emperor, the couple refuse to give each other up.
Flight Into Darkness
Writer
During the First World War, before joining a squadron at the front in 1918, Herbillon (Jean-Pierre Aumont) has a liaison with Helene (Annabella), a married woman. The young man discovers that his mistress is none other than the wife of Maury (Charles Vanel), an aviator friend.
Flight Into Darkness
Director
During the First World War, before joining a squadron at the front in 1918, Herbillon (Jean-Pierre Aumont) has a liaison with Helene (Annabella), a married woman. The young man discovers that his mistress is none other than the wife of Maury (Charles Vanel), an aviator friend.
Sleeping Car
Story
A French sleeping-car attending with an eye for the ladies hooks up with a wealthy widow and they get married. What he doesn't know is that she married him because she wants to stay in France. Complications ensue.
Sleeping Car
Director
A French sleeping-car attending with an eye for the ladies hooks up with a wealthy widow and they get married. What he doesn't know is that she married him because she wants to stay in France. Complications ensue.
Tell Me Tonight
Supervising Art Director
Opera singer Enrico Ferraro, tired of his too many engagements, jumps off the train escaping from his manager and changes to another going to the Riviera. He makes a friend and stops at a village, where (it seems) he can at last have some well deserved holidays, with the added interest of meeting a beautiful girl in the surroundings.
Tell Me Tonight
Director
Opera singer Enrico Ferraro, tired of his too many engagements, jumps off the train escaping from his manager and changes to another going to the Riviera. He makes a friend and stops at a village, where (it seems) he can at last have some well deserved holidays, with the added interest of meeting a beautiful girl in the surroundings.
The Old Devil
Writer
Vautier, a wealthy surgeon in his fifties, falls in love with Hélène, a young woman from a modest background. He allows her to have a string of short-lived lovers - but when Jean Trapeau, an old boyfriend, resurfaces, things get complicated.
The Old Devil
Director
Vautier, a wealthy surgeon in his fifties, falls in love with Hélène, a young woman from a modest background. He allows her to have a string of short-lived lovers - but when Jean Trapeau, an old boyfriend, resurfaces, things get complicated.
Tell Me Tonight
Director
An Italian operatic tenor is dominated by his female business manager.
The Song of Night
Director
He was known as Anatole Litvak during his Hollywood directorial career, but he was still Anatole Litwak when he helmed the German musical Das Lied Einer Nacht (The Song of Night). Famed Polish tenor Jan Kiepura stars as famed Italian tenor Ferraro. Escaping from his tyrannical manager, Ferraro switches identities with a young tourist (Fritz Schulz) and goes off on an unscheduled Swiss holiday. Still travelling incognito, our hero falls in love with a winsome mountain girl (Magda Schneider). Alas, both his romance -- and his freedom -- are placed in jeopardy when it turns out that the charming young fellow with whom Ferraro traded identities was actually a notorious swindler. Anatole Litvak also directed the English-language version of Das Lied Einer Nacht, Be Mine Tonight
Lilac
Writer
Also known as Lilac, this early Anatole Litvak-directed talkie was based on a play by Tristan Bernard and Charles Henry Hirsch. The story bears traces of the Bertold Brecht-Weill piece The Threepenny Opera, with heroine Lilac (Marcelle Romeo) consorting with the criminal scum of Paris. Lilac falls in love with a handsome detective (Andre Luguet), but he doesn't let his emotions stand in the way of his duty, and in the end he reluctantly turns her over to the authorities. At $120,000, Coeur de Lilas was one of the most expensive movies to come out of France in 1931, but it more than made back its cost at the box-office.
Lilac
Director
Also known as Lilac, this early Anatole Litvak-directed talkie was based on a play by Tristan Bernard and Charles Henry Hirsch. The story bears traces of the Bertold Brecht-Weill piece The Threepenny Opera, with heroine Lilac (Marcelle Romeo) consorting with the criminal scum of Paris. Lilac falls in love with a handsome detective (Andre Luguet), but he doesn't let his emotions stand in the way of his duty, and in the end he reluctantly turns her over to the authorities. At $120,000, Coeur de Lilas was one of the most expensive movies to come out of France in 1931, but it more than made back its cost at the box-office.
Calais-Douvres
Screenplay
French language version of Nie wieder Liebe! (1931) Disgusted with love, a man bets 500,000 that he can live 5 years without a woman, joins a band of fellow women-haters, and manages to make it through 4 until he meets a troublesome young lady.
Calais-Douvres
Director
French language version of Nie wieder Liebe! (1931) Disgusted with love, a man bets 500,000 that he can live 5 years without a woman, joins a band of fellow women-haters, and manages to make it through 4 until he meets a troublesome young lady.
No More Love
Screenplay
An American millionaire, who had always bad luck with women, bets that he can live without them for five years. But after four and a half years traveling around on his yacht, he rescues a lady from drowning in the English Channel.
No More Love
Director
An American millionaire, who had always bad luck with women, bets that he can live without them for five years. But after four and a half years traveling around on his yacht, he rescues a lady from drowning in the English Channel.
Dolly is making a career
Director
Musical vehicle for up and coming Dolly Haas, as a would be actress with a would be composer boyfriend. She sings,at one point, that she has the walk of (Lilian) Harvey, the mouth of Garbo and the legs of Dietrich.
The White Devil
Production Manager
Ivan Mozzhukhin is a "...hot-headed Caucasian mountaineer leader whose irrational behavior comes to the attention of the Czar . Hoping to use Hajji Murad as a go-between in his plans to conquer the Caucasus mountaineers, the Russian ruler finds that the hero is not so easily manipulated. Rescuing the beautiful Saira from the Czar's clutches, Hajji Murad leads the mountain people's revolt against the despotic regent." Needless to say, the film ends in tragedy.
The White Devil
Assistant Director
Ivan Mozzhukhin is a "...hot-headed Caucasian mountaineer leader whose irrational behavior comes to the attention of the Czar . Hoping to use Hajji Murad as a go-between in his plans to conquer the Caucasus mountaineers, the Russian ruler finds that the hero is not so easily manipulated. Rescuing the beautiful Saira from the Czar's clutches, Hajji Murad leads the mountain people's revolt against the despotic regent." Needless to say, the film ends in tragedy.
Secrets of the Orient
Assistant Director
Directed by Alexandre Volkoff
Loves of Casanova
Assistant Director
Republic of Venice, 1760. Pursued by a vengeful husband, the intrepid womanizer Casanova, who symbolizes the decline of the city and its fall into debauchery, manages to escape and, by a circuitous route, arrives in Saint Petersburg, where he will be involved in the many plots that threaten the throne of Czar Peter III…
Napoleon
Assistant Director
A biopic of Napoleon Bonaparte, tracing the Corsican's career from his schooldays (where a snowball fight is staged like a military campaign) to his flight from Corsica, through the French Revolution (where a real storm is intercut with a political storm) and the Terror, culminating in his triumphant invasion of Italy in 1797. Originally intended to be the first of six films, director Abel Gance realized the full project would be nigh impossible, and never raised the money to complete the other five. The film's legendary reputation is due to the astonishing range of techniques that Gance uses to tell his story, culminating in the final twenty-minute triptych sequence, which alternates widescreen panoramas with complex multiple- image montages projected simultaneously on three screens.
Joyless Street
Editor
In 1921, we follow two women - Marie and Grete - from the same poor Viennese neighborhood, as they try to better the lives of themselves and their families during the period of Austrian postwar hyperinflation.
Le chant de l'amour triomphant
Assistant Director
The story of two artists in love with the same woman.