Colorist
After a high-ranking North Korean official requests asylum, KCIA Foreign Unit chief Park Pyong-ho and Domestic Unit chief Kim Jung-do are tasked with uncovering a North Korean spy, known as Donglim, who is deeply embedded within their agency. When the spy begins leaking top secret intel that could jeopardize national security, the two units are each assigned to investigate each other.
Colorist
The title Good Light, Good Air is oddly paradoxical. Keenly working at the point where his artistic identity and persistent attention on modern Korean history meet, director Im in this film focused on where the history of oppression and struggle intersect between Gwangju and Buenos Aires. In both cities, a great number of people who fought against the dictatorship were slaughtered and disappeared. The people of both societies still live with that trauma. When the testimonies of the victims of the two cities cross over, the film gives us chills as the eerie history of the two is very similar. Through Good Light, Good Air, director Im asks us how we will remember the past from where we stand right now.
Colorist
Seonwoo Jung is an artist who claims “borrowing” rather than plagiarism when an old friend who’s been abroad re-enters, and agitates, her life: a secret meeting with a curator and her old friend suggests she seduce her partner.
