Max Brenner

It is a love story between a prostitute and an artist. It was one of the first German films to break several taboos: nudity, suicide and euthanasia. In the Germany of the '50s, this caused a lot of negative reactions by the politicians and the Roman Catholic Church. The opposition reached the degree of banning the film and scandalizing it which paradoxically made it one of the landmarks in the history of film.

David Phillips (Patrick Macnee) is running down the darkened streets of London's Limehouse district, pursued by two men with guns. He finds a public phone and puts a call through to Dick Barton (Don Stannard), but before he can report, a shot rings out. Barton must piece together what Phillips found out that got him killed. Phillips had been assigned to protect Professor Mitchell (Percy Walsh) and his new development, a ray capable of exploding any unstable element aboard an aircraft in flight. Mitchell has been targeted for kidnapping by Serge Volkoff (Meinhart Maur), a foreign agent from Eastern Europe, as part of a larger, much more sinister plot to destroy England and cripple Western Europe. Complicating matters further is that Mitchell's daughter (Joyce Linden) has also been kidnapped, and Barton must contend with Volkoff's crafty female companion Anna (Tamara Desni).

George Gribble is tea-boy at Tangleton town council, he gets ravelled up in the councillors money-grubbing machinations concerning compiling and then cooking the results of a government sponsored housing survey.

George is an unwilling civilian during the war. When an enlisted friend switches clothes with him in order to go to a party, George finds himself mistakenly pressed into the navy, where he gets involved with pretty Ann Firth and caught up in a subplot involving German spies.

A simple handyman, who also is an amateur artist, gets into trouble when the head and shoulders portraits of some prominent local females are sold without his knowledge to an advertising agency and are published with nude bodies added to them.

The daughter of a mill-owner is sent undercover to the mill of a rival, where she gets mixed up in romantic antics.

Set in 15th-century Italy, The Cardinal stars Matheson Lang as one Cardinal de Medici. Bound by the rules of the confessional, the cardinal is unable to disclose the multitude of sins revealed to him by one of his most influential parishioners. De Medici's dilemma is compounded by the fact that the confessor has committed a murder for which the Cardinal's brother has been arrested. The basic plot gimmick was good for another go-round in the 1953 Hitchcock flick I Confess. This 7-reel British film was based on a play by Louis N. Parker.

In 1930s Amsterdam, greengrocer Bet is involved in illicit affairs with businessman Van Santen. To tighten bonds even further, Bet arranges a marriage between her handsome daughter Jans and the businessman's wacky son Hannes. Jans, however, is in love with tough sailor Ko. Based on the succesful Dutch stage musical by Herman Bouber.

One autumn, Edgar, a 12 year old boy, spends a holiday with his mother at a plush hotel in Switzerland. His father, a busy lawyer, remains at the family home in Vienna. When he sees a stylish motorcar pull up at the hotel, Edgar wastes no time befriending its owner, an amiable dandy. The latter pays more attention to the boy’s mother than to the boy himself, and decides to use Edgar to wheedle his way into her affections. When Edgar realises he has been used, he is far from happy...

Based on the true story of a cobbler who bought a second-hand captain's uniform, assumed command of a troop of guardsmen, declared the town of Köpenick under military law, arrested the mayor and confiscated the town treasury.

In late nineteenth century Alfred Dreyfus, a French army officer of Jewish heritage, is falsely accused of espionage. Found guilty of treason he is drummed out of the army and sent to prison on Devil's Island.