Reza Tootoonchi

After leaking of a video of her class in a women only swimming pool, Parvaneh is brutally murdered by her husband, Hashem, who seeks a way to redeem his reputation and dignity as the godfather in the neighborhood. Hashem’s brother, Hojat, embarks a journey into the labyrinths of underground in Tehran to find out who is responsible for this dirty game. Once wrongfully accused for smuggling drugs, he returns to the world of crime to trace his brother’s rivals…

Rahman is the custodian of a company and the doctor has told him that he will die soon. He decides to with the help of his friend Anush make a plan and inherit some money for his family.

Accidentally, a poor couple and a rich one meet each other. These young couple have some difficulties.

This film is best understood after watching Albert Lamorisse's Baadeh Sabah, an ostentatious propaganda film of the same commission that was originally rejected for it's inadequate portrayal of Iran's nouveau-modernism (urban youth, industrial marvels) and it's overly-lyrical style. In LeLouche's rendition, there are no such inadequacies. The focus is on culture - heritage, modernity and (what soon would be named) Westernization. Past and present meet - veils and miniskirts, camels and helicopters, remains of ancient Persia, the highlights of Islamic art, caviar and the oil fields and gas pumps.