Hannelore Hoger

In conversations with his friends and colleagues, among them Bernd Upnmoor, Helmut Herbst, Alexander Kluge, Klaus Wyborny, Daniel Kothenschulte and Helge Schneider, Ulrike Pfeiffer takes us on a journey into the broad expanse of Nekes' cabinet of wonder and his cinematic works. At the same time, this documentary provides an insight into the history of experimental film in Germany.

Heidi, is an eight-year-old Swiss orphan who is given by her aunt to her mountain-dwelling grandfather. She is then stolen back by her aunt from her grandfather to live in the wealthy Sesemann household in Frankfurt, Germany as a companion to Klara, a sheltered, disabled girl in a wheelchair. Heidi is unhappy but makes the best of the situation, always longing for her grandfather.

1980: 19 year old Robert, fed up with Hippy phoniness and bourgeoise narrow mindedness alike, flees the German provinces for West Berlin. A tour de force through the glorious dirt of West Berlin ensues. Full of sex, drugs, love and PUNK.

The film is set in a modern day 'Berlin Republic' liberated from all irrelevancies. It's about artistic production, the creative industries and above all film and cinema - a political manifesto in feature film format. It centres on Asta, tough, hardened by theory and immaculately styled right down to the emblems on her leather jacket, with current art scene jargon flowing elegantly from her lips.

A wide-ranging, energetic period piece tracing the rise of the Protestant Henry of Navarre as he goes from battlefield warrior to France's beloved King Henri IV. Director Jo Baier's epic is a classically entertaining adventure, albeit one with more than a little bloodshed and frequent bawdy sexual interludes. In late 16th-century France, Catholics and Protestant Huguenots were at war. Seemingly seeking peace, the French dowager queen, Catherine de Medici summons Henry to her court to have him marry her daughter, uniting the two warring factions. However, the Catholics slaughter the Protestant wedding guests in what became known as the St. Bartholomew's Day massacre and Henry-now married-must use all his guile to both stay alive and maneuver for the throne. [Written by Palm Springs International Film Festival]

Poor but confident and resourceful tailor David trusts, after killing seven flies in one swat, he's a match for any challenge and sets out to prove himself in the wide world. After luck and cunning help him deal with giant Lothar, he arrives at the castle of petty king Ernst, who is ruled by constant migraine and his ambitious, manipulative court counsellor Klaus, who desires to succeed by winning brat princess Paula's hand and claims to be the only saviour who can rid the land of three supernatural dangers.

Alexander Kluge's News from Ideological Antiquity begins with Russian filmmaker Sergei Eisenstein's ambitious but unrealized plan to combine Karl Marx's Capital and James Joyce's Ulysses. For over nine hours, the film expands in concentric circles as Kluge, his guests, interlocutors and monologists make associative links on a range of topics that starts from a filmic discussion of Eisenstein's notes.

Toftlund-Holst, the tranquil place on the Baltic Sea, just before Christmas: everything could be so contemplative, but the mood in the Torkelsen house is cloudy. The lease of the restaurant "Four Mermaids" expires and the new owner Nick Winter does not want to extend it ...

After his daughter died of cancer, former French foreign legionnaire "Straight Shooter" alias Volker Bretz threatens those who financed, built, favoured and now work the nuclear power plant Atar II to kill one of them each day until the plant is shut down. His former drill sergeant, Frank Hector, who now owns several night clubs and brothels, is the only one who might be able to stop the maniac killing specialist. Frank is flown in instantly, but soon has to find out that his former comrade's actions might be a result from an event long ago.

Zigeuner is on the hunt for the woman of his dreams, a woman who should also play the main role in the film. Meanwhile, ruthless producer Oskar Reiter wants to buy the film rights at all costs - and he is struggling for the love of the beautiful Valerie.

11-year-old Nina and her mother Birgit move to the countryside. But while Birgit seems to cope very well with the upheaval, the shy young girl only feels accepted when she joins a girl guide group. Nina's new teacher for Religious Education, the organizer of the group, and the parson belong to the fanatically pious "Legion Of The Holy Angels", a sect preparing its members for the final battle between demons and angels. As Birgi's behaviour doesn't conform to her daughter's ideas, Nina sacrifices a black kitten which allegedly has a bad influence on Birgit. But this only makes things worse, for Birgit eventually forbids her daughter to go to the scouts' sessions and thereby loses her trust. Nina's friend Miriam is having a hard time being accepted by the scouts and leaves them when she isn't allowed to participate in an important ceremony. Nina is faced with a difficult decision...

The emotion and feelings should not be confused with sentimentality. Emotion is ancient and more powerful than any artistic expression. The film observes young couples face difficulties while trying to move their love experiences clear decision making. A film full of ideas, details and associations, fictional scenes, documentary footage, archival materials and opera music.

A film by german playwright Tankred Dorst about a case of incest in a rural community.

Gabi Teichert, a history teacher, is unhappy with the way history is portrayed in textbooks and is looking for an alternative, more practical approach to 'uncovering' the past, quite literally digging with the spade and dissecting books with hammers and drills.

A 17 year old tries to find his own identity in October 1958 while Elvis Presley begins his service as a G.I in Germany. He is torn between his parents' generation which was marked by war and the new "American way of life" which is particularly present in the town of Bremerhaven.

Germany in Autumn does not have a plot per se; it mixes documentary footage, along with standard movie scenes, to give the audience the mood of Germany during the late 1970s. The movie covers the two month time period during 1977 when a businessman was kidnapped, and later murdered, by the left-wing terrorists known as the RAF-Rote Armee Fraktion (Red Army Fraction). The businessman had been kidnapped in an effort to secure the release of the orginal leaders of the RAF, also known as the Baader-Meinhof gang. When the kidnapping effort and a plane hijacking effort failed, the three most prominent leaders of the RAF, Andreas Baader, Gudrun Ensslin, and Jan-Carl Raspe, all committed suicide in prison. It has become an article of faith within the left-wing community that these three were actually murdered by the state.

The life and struggles of the German writer Heinrich von Kleist.

At the end of the 19th century, an educated white-collar worker finds himself in the employ of an inventor. As he is neither a "worker" nor an "owner," his position in the inventor's household and in the world at large is equivocal. Despite the difficulties he encounters, he tries to hold onto his job in order to support his family, but is eventually fired. This Swiss movie is based on a novel written around 1900 by Robert Walser.

Based on a very successful play of the same name by Tankred Dorst, this film tells a story about Norwegian author Knut Hamsun (here played by O.E. Hasse), a Nobel prizewinner for literature who was notorious for having collaborated with the Nazi regime. After the war, rather than hand him over for prosecution, he was sent to a retirement home. A young man, bitter about the war, tracks him down and begins to harass him in various ways. The author handles everything that comes to him with remarkable dignity, which eventually removes some of the taint from his actions.

After a chance encounter with a wanted man, a woman is harassed by the police and press until she takes violent action.

The tax officials Thiel and Kalübbe try to confiscate two oxen, but are prevented from doing so by protesting farmers led by the community leader Reimers. The assistant editor Tredup, who takes photos of the incident, is also in the thick of things.

Willi endeavors to survive in a world where annihilistic galactic battles rage, by taking a job at the centre of power. But it's the wrong side that he takes in this civil war...

Outer space in 2034 is run by greedy corporations in a rundown bureaucracy. Two astronauts, who are not very smart, make their way with shady dealings, smuggling and spaceship wrecking.

The Indomitable Leni Peickert is a loose, half-hour sequel to Alexander Kluge's second feature film, Artists in the Big Top: Perplexed. This shorter work, seemingly assembled from leftover footage from the longer film, continues the story of the circus owner Leni Peickert after she first abandoned her idea of a radical circus in favor of a job in television. It opens where the previous film left off, at a TV station where Leni and her friends have gathered as employees, attempting to infiltrate the corporate establishment with their own revolutionary ideas. This radicalism is somewhat undercut by the way that Kluge deliberately shoots down the low-cut blouse of one of these young revolutionaries, the camera eyeing her cleavage and then panning down, to the text she's reading, and then back up again, finding her sexuality ultimately much more interesting than her radicalism.

The Indomitable Leni Peickert is a loose, half-hour sequel to Alexander Kluge's second feature film, Artists in the Big Top: Perplexed. This shorter work, seemingly assembled from leftover footage from the longer film, continues the story of the circus owner Leni Peickert after she first abandoned her idea of a radical circus in favor of a job in television. It opens where the previous film left off, at a TV station where Leni and her friends have gathered as employees, attempting to infiltrate the corporate establishment with their own revolutionary ideas. This radicalism is somewhat undercut by the way that Kluge deliberately shoots down the low-cut blouse of one of these young revolutionaries, the camera eyeing her cleavage and then panning down, to the text she's reading, and then back up again, finding her sexuality ultimately much more interesting than her radicalism.

A young circus director ends up going into television after her father, a trapeze performer, dies in a circus accident.