Simone de Beauvoir

In May 1974, Valéry Giscard d'Estaing became President of the Republic and wanted to bring about a new era of modernity. One of his first decisions was to break up the ORTF with the creation of three new television channels: TF1, Antenne 2 and FR3. Three new public channels but autonomous and competing. It is a race for the audience which is engaged then, and from now on the channels will make the war! This competition will give birth to a real golden age for television programs, with variety shows in the forefront. The stars of the song are going to invade the living rooms of the French for their biggest pleasure. This unedited documentary tells the story of the metamorphosis of this television of the early 1970s, between freedom of tone, scandals, political intrigues and programs that have become mythical.

In the 70s, actress Delphine Seyrig and director Carole Roussopoulos, both militant feminists, were the pioneers of video activism in France. They documented the demonstrations of French feminists and used the new technologies to counter the poor representation of women in the public media.

Documentary about one of the greatest French thinkers of the twentieth century, Claude Lévi-Strauss (1908-2009).

Hôtel La Louisiane is, at its core, a film about freedom and dignity. Freedom for those who wish to live in a place where they are able to feel inspired. Dignity for the hotel owner to stand by his promise to his father and keep their mission alive: to provide an affordable sanctuary for artists and students in search of fulfilling employment, which they certainly won’t find at other hotels. Freedom, too, to be in an environment of tolerance and rid of prejudice. This film is not just a story about a mythical setting in Paris; it portrays the microcosm of a lifestyle in which collective values reign supreme. A film where what’s real and true is placed above national borders or cultural barriers.

Two interviews, recorded 16 years apart, illuminating the historic role, personality and thoughts of the novelist, philosopher and political activist who paved the way for Second-Wave Feminism.

Melodrama about a man cursed with immortality, who tries to declare his undying love for a depressed actress.

In the German-occupied Paris, Helene is torn between the love for her boyfriend Jean, working for the resistance and the German administrator Bergmann, who will do anything to gain her affection.

The film is a series of interviews with various well-known film actresses, including Jenny Agutter, Maria Schneider, and Jane Fonda. The title, which is borrowed from a 1958 film with the same name by Marc Allegret, refers to the sense the actresses have of what is expected of them by the film industry.

Documentary on writer/philospher Simone de Beauvoir via interviews of herself and friends supplimented with archive footage resulting in an intimate portrait avaoiding the usual clichés.

A documentary directed by Marianne Ahrne, based on the French writer Simone de Beauvoir's Essay of the Age. The film discusses whether older people are really treated as human beings or not

Michel Contat is Emeritus Director of Research at the CNRS, ITEM/CNRS/ENS and a specialist of Jean-Paul Sartre whose novels and theater he has edited in the Pléiade edition and about whom he has written several books. With Alexander Astruc, he made the film Sartre par lui-même (1976) and, with Antoine Burnier, co-wrote the script of Claude Garretta’s TV film Sartre, L’Age des passions (2006). As a journalist, Contat contributed literary columns for Le Monde since 1978, and as an amateur musician, he was the jazz columnist for the magazine Télérama. His most recent books are Pour Sartre (2006) and André Gorz; vers la société libérée (2009).

Four corrupted fascist libertines round up 9 teenage boys and girls and subject them to 120 days of sadistic physical, mental and sexual torture.

The year 1975 is declared “year of the woman”. On this occasion Bernard Pivot invited Françoise Giroud on television, then Secretary of State for Women. Faced with statements, a group of women filmmakers parody the issues in a provocative way.

Variations on the cultural and intellectual explosion in the Saint-Germain-des-Prés district in 1946.