Veronika Franz
Birth : 1965-01-01, Vienna, Austria
Writer
18th century Austria. Villages surrounded by deep forests. A woman is sentenced to death after killing a baby. Agnes is marrying her loved one and candidly prepares herself for a spouse life. Soon after, her head and heart start to feel heavy. Day after day, she is increasingly trapped in a murky and lonely path leading to evil thoughts. Maybe not just thoughts…
Director
18th century Austria. Villages surrounded by deep forests. A woman is sentenced to death after killing a baby. Agnes is marrying her loved one and candidly prepares herself for a spouse life. Soon after, her head and heart start to feel heavy. Day after day, she is increasingly trapped in a murky and lonely path leading to evil thoughts. Maybe not just thoughts…
Associate Producer
Ewald moved to Rumania years ago. Now in his 40s, he seeks a fresh start. Leaving his girlfriend, he moves to the hinterland. With young boys from the area, he transforms a decaying school into a fortress. The children enjoy a new, carefree existence. But the distrust of the villagers is soon awoken. And Ewald is forced to confront a truth he has long suppressed. Sparta is the brother film to Rimini, and the conclusion of Ulrich Seidl's diptych about the inescapability of the past and the pain of finding yourself.
Writer
Ewald moved to Rumania years ago. Now in his 40s, he seeks a fresh start. Leaving his girlfriend, he moves to the hinterland. With young boys from the area, he transforms a decaying school into a fortress. The children enjoy a new, carefree existence. But the distrust of the villagers is soon awoken. And Ewald is forced to confront a truth he has long suppressed. Sparta is the brother film to Rimini, and the conclusion of Ulrich Seidl's diptych about the inescapability of the past and the pain of finding yourself.
Executive Producer
When twin brothers arrive home to find their mother’s demeanor altered and face covered in surgical bandages, they begin to suspect the woman beneath the gauze might not be their mother.
Producer
Young women, Austrian style. Yesmin is Kurdish and wears a headscarf. She shoots a cheeky burqa video with Bella and Nati which makes the trio famous in the Muslim community. Controversy and alienation ensue. Immediate, exuberantly introverted cinema.
Screenplay
Richie Bravo, once upon a time a successful pop star, chases after his faded fame in wintry Rimini. Trapped between permanent intoxication and concerts for busloads of tourists, his world starts to collapse when his adult daughter breaks into his life.
Screenplay
When a father is forced to abruptly depart for work, he leaves his children, Aidan and Mia, at their holiday home in the care of his new girlfriend, Grace. Isolated and alone, a blizzard traps them inside the lodge as terrifying events summon specters from Grace's dark past.
Director
When a father is forced to abruptly depart for work, he leaves his children, Aidan and Mia, at their holiday home in the care of his new girlfriend, Grace. Isolated and alone, a blizzard traps them inside the lodge as terrifying events summon specters from Grace's dark past.
Director
A feature-length anthology film. They are known as myths, lore, and folktales. Created to give logic to mankind’s darkest fears, these stories laid the foundation for what we now know as the horror genre.
Writer
Africa. In the wild expanses, where bush-bucks, impalas, zebras, gnus and other creatures graze by the thousands, they are on holiday. German and Austrian hunting tourists drive through the bush, lie in wait, stalk their prey. They shoot, sob with excitement and pose before the animals they have bagged. A vacation movie about killing, a movie about human nature.
Screenplay
In the heat of the summer lays a lonesome house in the countryside where nine year old twin brothers await their mother’s return. When she comes home, bandaged after cosmetic surgery, nothing is like before and the children start to doubt whether this woman is actually who she says she is.
Director
In the heat of the summer lays a lonesome house in the countryside where nine year old twin brothers await their mother’s return. When she comes home, bandaged after cosmetic surgery, nothing is like before and the children start to doubt whether this woman is actually who she says she is.
Writer
Filmmaker Ulrich Seidl explores of the dark underside of the human psyche by entering Austrian basements fitted out as private domains for secrets and fetishes.
Idea
Filmmaker Ulrich Seidl explores of the dark underside of the human psyche by entering Austrian basements fitted out as private domains for secrets and fetishes.
Screenplay
Hope, the third film in the PARADISE TRILOGY, tells the story of the 13-year-old Melanie. While her mother (Teresa) travels to Kenya, Melanie spends her holiday in the Austrian countryside at a strict diet camp for overweight teenagers. Under the supervision of a tattooed trainer and a creepy doctor, the teenagers attempt to do sports during the day and secretly get drunk in the evening. Between physical education and nutrition counseling, pillow fights and her first cigarette, Melanie falls in love with the doctor who is 40 years her senior.
Director
The camera turns in circles around a group of friends during a drinking game in a cellar.
The camera turns in circles around a group of friends during a drinking game in a cellar.
Screenplay
Second film in Ulrich Seidl's Paradise trilogy. A devout Catholic woman practises her religion at home and in the local community, but is unprepared for the reappearance of her estranged husband, who is a Muslim.
Screenplay
On the beaches of Kenya they're known as "Sugar Mamas" -- European women who seek out African boys selling love to earn a living. Teresa, a 50-year-old Austrian and mother of a daughter entering puberty, travels to this vacation paradise. She goes from one Beach Boy to the next, from one disappointment to the next and finally she must recognize: On the beaches of Kenya love is a business.
Herself
Two directors shoot a documentary about the controversial director and pugnacious actor Peter Kern. But he cannot be easily rammed into the classical form of a documentary.
Writer
Two directors shoot a documentary about the controversial director and pugnacious actor Peter Kern. But he cannot be easily rammed into the classical form of a documentary.
Director
Two directors shoot a documentary about the controversial director and pugnacious actor Peter Kern. But he cannot be easily rammed into the classical form of a documentary.
Screenplay
A nurse from the Ukraine searches for a better life in the West, while an unemployed security guard from Austria heads East for the same reason. Both are looking for work, a new beginning, an existence, struggling to believe in themselves, to find a meaning in life..
Screenplay
In a suburb of Vienna during some hot summer days: A teacher who is in bondage to a sleazy pimp, a very importunate hitchhiker, a private detective on the run for some car vandals, a couple with a serious marriage problem and an old man, whose wife died long before on the search for some sexual entertainment live their lives while their lifelines cross from time to time.
Researcher
An afternoon in the biggest fair of Germany.
Assistant Director
An afternoon in the biggest fair of Germany.
Screenplay
An afternoon in the biggest fair of Germany.
Assistant Director
What does modern art mean for ordinary visitors to an exhibition?
Researcher
What does modern art mean for ordinary visitors to an exhibition?
Screenplay
A group of refugees hidden aboard a container ship discover their passage to safety is not what it seems
Director
A group of refugees hidden aboard a container ship discover their passage to safety is not what it seems