Tia Lessin

Tia Lessin

History

Tia Lessin is an American film and television producer and director, especially for documentaries.

Profile

Tia Lessin
Tia Lessin

Movies

The Janes
Director
Defying the state legislature that outlawed abortion, the Catholic Church that condemned it, and the Chicago Mob that was profiting from it, the members of “Jane” risked their personal and professional lives to support women with unwanted pregnancies. In the pre-Roe v. Wade era — a time when abortion was a crime in most states and even circulating information about abortion was a felony in Illinois — the Janes provided low-cost and free abortions to an estimated 11,000 women.
Fahrenheit 11/9
Executive Producer
Michael Moore's provocative documentary explores the two most important questions of the Trump Era: How the fuck did we get here, and how the fuck do we get ou
Where to Invade Next
Producer
To understand firsthand what the United States of America can learn from other nations, Michael Moore playfully “invades” some to see what they have to offer.
Citizen Koch
Director
Wisconsin—birthplace of the Republican Party, government unions, cheeseheads and Paul Ryan—becomes a test market in the campaign to buy Democracy, and ground zero in the battle for the future of the GOP.
Trouble the Water
Producer
"Trouble the Water" takes you inside Hurricane Katrina in a way never before seen on screen. The film opens the day before the storm makes landfall--just blocks away from the French Quarter but far from the New Orleans that most tourists knew. Kimberly Rivers Roberts, an aspiring rap artist, is turning her new video camera on herself and her Ninth Ward neighbors trapped in the city. Weaving an insider's view of Katrina with a mix of verité and in-your-face filmmaking, it is a redemptive tale of self-described street hustlers who become heroes--two unforgettable people who survive the storm and then seize a chance for a new beginning.
Trouble the Water
Director
"Trouble the Water" takes you inside Hurricane Katrina in a way never before seen on screen. The film opens the day before the storm makes landfall--just blocks away from the French Quarter but far from the New Orleans that most tourists knew. Kimberly Rivers Roberts, an aspiring rap artist, is turning her new video camera on herself and her Ninth Ward neighbors trapped in the city. Weaving an insider's view of Katrina with a mix of verité and in-your-face filmmaking, it is a redemptive tale of self-described street hustlers who become heroes--two unforgettable people who survive the storm and then seize a chance for a new beginning.
Bowling for Columbine
Supervising Producer
This is not a film about gun control. It is a film about the fearful heart and soul of the United States, and the 280 million Americans lucky enough to have the right to a constitutionally protected Uzi. From a look at the Columbine High School security camera tapes to the home of Oscar-winning NRA President Charlton Heston, from a young man who makes homemade napalm with The Anarchist's Cookbook to the murder of a six-year-old girl by another six-year-old. Bowling for Columbine is a journey through the US, through our past, hoping to discover why our pursuit of happiness is so riddled with violence.
The Big One
Coordinating Producer
The Big One is an investigative documentary from director Michael Moore who goes around the country asking why big American corporations produce their product abroad where labor is cheaper while so many Americans are unemployed, losing their jobs, and would happily be hired by such companies as Nike.
The Shadow of Hate
Associate Producer
The film expresses the history of oppression, discrimination, violence and hate in America. It was nominated for an Academy Award for Best Documentary Short.
Sink or Swim
Director
While world leaders debate how to stop climate change, the world’s wealthiest are amassing and hoarding the proverbial high ground as the waters rise. And a growing legion of corporations, high-stakes gamblers and entrepreneurs are cashing in.
Behind the Labels
Director
Lured by false promises and driven by desperation, thousands of Chinese and Filipino women pay high fees for jobs in garment factories on the Pacific Island of Saipan, which despite being a U.S. territory is exempt from federal minimum wage and certain immigration laws.