Jean-Pierre Duret

An asylum patient must find her mother amid the guests at a large gala held at the hospital.

The 20s. In a seaside resort where everybody is bored, Albert Marvuglia, a slightly shabby conjurer, makes Marta, the wife of the wealthy bourgeois Charles Moufflet, disappear, who takes advantage of this tour to escape for good.

Three months after surviving a terrorist attack in a bistro, Mia is still traumatized and unable to recall the events of that night. In an effort to move forward, she investigates her memories and retraces her steps.

The São Francisco River crosses the Brazilian hinterland, lands marked by extreme aridity. This great river that was once impetuous and generous is now very fragile. Deforestation of its margins and overexploitation of land by intensive agriculture endanger the great diversity of its ecosystem. The lives of riverside dwellers are affected in its deepest integrity, as well as their areas. The São Francisco River is the vital flow of their existence and the central place of their hopes and imagination, but the general feeling is that if the river dies, everything will disappear with it. Women are at the forefront of resistance. They struggle daily to allow for the possibility of a future. Their children also claim this identity, which it is up to them to renew and make fruitful.

The São Francisco River crosses the Brazilian hinterland, lands marked by extreme aridity. This great river that was once impetuous and generous is now very fragile. Deforestation of its margins and overexploitation of land by intensive agriculture endanger the great diversity of its ecosystem. The lives of riverside dwellers are affected in its deepest integrity, as well as their areas. The São Francisco River is the vital flow of their existence and the central place of their hopes and imagination, but the general feeling is that if the river dies, everything will disappear with it. Women are at the forefront of resistance. They struggle daily to allow for the possibility of a future. Their children also claim this identity, which it is up to them to renew and make fruitful.

Marianne Winckler relocates to the port city of Caen in order to pass herself off as a member of a large community of itinerant workers desperate to make ends meet. She gains employment as a cleaner on a ferry travelling between Ouistreham and Portsmouth, recording the drudgery of the work she and her colleagues are required to do.

Fabienne is a star; a star of French cinema. She reigns amongst men who love and admire her. When she publishes her memoirs, her daughter Lumir returns from New York to Paris with her husband and young child. The reunion between mother and daughter will quickly turn to confrontation: truths will be told, accounts settled, loves and resentments confessed.

A mother of two gathers her loved ones to celebrate her birthday in her big house near the Loire Valley. The festivities are disrupted by the arrival of her daughter, who is known for her unpredictable outbursts.

Jenny, a young doctor who feels guilty after a young woman she refused to see winds up dead a few days later, decides to find out who the girl was, after the police can't identify the young woman.

In 1982, André Bamberski learns about the death of his 14 year-old daughter, Kalinka, while she was on vacation with her mother and stepfather in Germany. Convinced that Kalinka’s death was not an accident, Bamberski begins to investigate. A botched autopsy report raises his suspicions and leads him to accuse Kalinka’s stepfather, Dr Dieter Krombach, as the murderer. Unable to indict Krombach in Germany, Bamberski attempts to take the trial to France, where he will dedicate his life to Kalinka’s justice and the imprisonment of Krombach.

Sandra is a young woman who has only one weekend to convince her colleagues they must give up their bonuses in order for her to keep her job — not an easy task in this economy.

Today, countless French people of all ages find it hard making ends meet. We know virtually nothing about these lives, their innermost thoughts, their daily routine and their struggle to survive. Stigmatized by misleading and unfair descriptions, they are the dark and silent face of our society that we are gradually coming to accept. However, within them, they carry the desire for rebellion, their dreams, the lust for life and the words to express all that. Alone at their side, volunteers from charity organizations, a genuine shadow army, work selflessly for an idea of justice and the common good. Their united energies fuel the desire to go on living together and mark out a pathway of hope for all. Cinema's fragile gift is to place us at the heart of these fragments of existence, both offered to our gaze and yet so modest.

Abandoned by his father, a young boy is left in the hands of an unqualified childcare provider.

What happens when a man and a woman share a common passion? They fall in love. And this is what happens to Jean-René, the boss of a small chocolate factory, and Angélique, a gifted chocolate maker he has just hired. What occurs when a highly emotional man meets a highly emotional woman? They fall in love, and this is what occurs to Jean-René and Angélique who share the same handicap. But being pathologically timid does not make things easy for them. So whether they will manage to get together, join their solitudes and live happily ever after is a guessing matter.

Cocada and Nego are two boys in their early teens living in a small town in Pernambouc, Brazil. Cocada and Nego are half-brothers who live with their mother, stepfather and eight other siblings in a ramshackle house where the children are often left to care for themselves as their parents work. Filmmakers Jean-Pierre Duret and Andréa Santana spent some time with Cocada and Nego, and Puisque nous sommes nés is a documentary that offers a look at their lives as they struggle with poverty and dream of a happier future.

Jean-Marie Straub's first film after the death of Danièlle Huillet is a love poem to her. Le Genou d'Artémide is based on Cesare Pavese's "Dialogues of Leuco", which had already been adapted by Straub et Huillet as Ces Rencontres Avec Eux (2006).

As young French couple Gilles and Marion officially separate, we see, in reverse order, the milestone moments in their relationship: Gilles revealing his unfaithfulness at a tense dinner party; Marion giving birth to their premature son while Gilles is elsewhere; Gilles and Marion's joyous wedding; and, finally, the fateful moment when they meet as acquaintances at an Italian beach resort, and their love affair begins.

Romances of earth and Water is a film designed for a choir of 14 adult characters and 6 children, each of whom also recognizes himself in the echo of the words of others. No lamentation or reproaches, the characters of the film do not complain, they are lucid. Through voice but also through music, poetry, dances and clay-based creations, they tell the fragility of every moment, couples who love each other, drought, the owner, dreams, culture, animals, the future for children, the price of things, money, and the earth.

A group of men and women have been brought together after World War II, when Italy regained its national and territorial unity. They make up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life, and look to protect themselves from violence, misery and fear. Amid the ruins of this post-war period, these men and women build a new rapport between themselves, between sexes, between generations, between social and geographical origins, between political camps.

Mika is the wife of celebrated pianist Andre Polonski and stepmother to his son, Guillaume, whose mother died in a car wreck on his sixth birthday. Their lives are interrupted by the unexpected arrival of Jeanne, a young woman who has learned that she was almost switched at birth with Guillaume whilst in hospital. Also a pianist, Jeanne harbors a suspicion that she may be Andre's daughter. Andre undertakes to continue her piano tuition, but, on entering the Polonski family, Jeanne begins to notice the icily controlled Mika behaving strangely. Her suspicions aroused, Jeanne begins the dangerous task of unraveling Mika's dark past of secrets and lies...

A man returns to visit his native Sicily after living in New York for a long time. He learns about the Sicilian way of life from stylized conversations with an orange picker, his fellow train passengers, his mother, and a knife-sharpener.

Talia runs away from home taking her beloved dog with her. When her dog is stolen Talia enlists the help of a gang of boys to help her find her pet.

Le Gone du Chaâba (The Kid of the Chaaba), translated into English as Shantytown Kid by Naima Wolf, is an autobiographical novel by Azouz Begag about his life as a young Algerian boy growing up in a shantytown next to Lyon, France, called the Chaâba by its inhabitants. The story covers a period of approximately three years in the life of the protagonist and deals with issues developing from the clash between two cultures, that of France and that of North Africa, as well as the difficulties of finding a cultural identity between the two. The story focuses on the cultural differences between the Arab and French communities, as well as how the two groups react to each other

A group of young unemployed people from Le Mans (France) decide to create a new political party.

Igor, aged 15, and his father Roger deal in housing and peddling illicit labor in the outlying districts of Liege, Belgium. Scams, lies and swindling rule their lives. When one of his father’s illegal workers gets injured on the job and asks Igor to promise to take care of his wife and baby, Igor finds himself at a crossroad. He wants to keep the promise, but the price would be to betray his father.

Set in France at the end of World War II Albert Dehousse finds out his father wasn't a war hero and his mother is a collaborator.

Belgium, 1980. On the banks of the Meuse river, against the background of a steel-producing city, factories close down one after another and lay off workers. One of those made redundant is Fabrice, who, at thirty-five, is proud of his trade, rendered mythical by fire and steel, but feels he has become useless. His wife, Céline, tries to renew his interest in life. Despite a few moments of rediscovered happiness, Fabrice remains trapped in his confusion and one day disappears. Céline, her intense love leading the way, goes looking for him and eventually finds him. Once again, she tries to save him from himself. Can love resuscitate a languishing man? That is Céline's wager.

In late spring, 1890, Vincent moves to Auvers-sur-Oise, near Paris, under the care of Dr. Gachet, living in a humble inn. Fewer than 70 days later, Vincent dies from a self-inflicted gunshot wound. We see Vincent at work, painting landscapes and portraits. His brother Theo, wife Johanna, and their baby visit Auvers. Vincent is playful and charming, engaging the attentions of Gachet's daughter Marguerite (who's half Vincent's age), a young maid at the inn, Cathy a Parisian prostitute, and Johanna. Shortly before his death, Vincent visits Paris, quarrels with Theo, disparages his own art and accomplishments, dances at a brothel, and is warm then cold toward Marguerite.

Jacquot Demy is a little boy at the end of the thirties. His father owns a garage and his mother is a hairdresser. The whole family lives happily and likes to sing and to go to the movies. Jacquot is fascinated by every kind of show (theatre, cinema, puppets). He buys a camera to shoot his first amateur film... An evocation of French cineast Jacques Demy's childhood and vocation for the cinema and the musicals.

Two brothers set fire to a barn while drunk, inadvertently causing the death of a sleeping wanderer. One of them takes all the blame for the incident and spends ten years in prison.

Au revoir les enfants tells a heartbreaking story of friendship and devastating loss concerning two boys living in Nazi-occupied France. At a provincial Catholic boarding school, the precocious youths enjoy true camaraderie—until a secret is revealed. Based on events from writer-director Malle’s own childhood, the film is a subtle, precisely observed tale of courage, cowardice, and tragic awakening.

In this deadly game of cat and mouse, Roland Wolf is writing a book on the life of game show host Christian Legagneur--or is he?

Unorthodox detective Jean Lavardin is called to a provincial French town after a prank turns deadly.

Many poor farmers and peasants from the Sertão, in the Nordeste of Brazil, dream of São Paulo, their Eldorado. José, the last son, leaves his parents to go to that city where his brothers already live.