Madeleine
Max is a former playboy who has decided to settle down by marrying his current love, Muriel. However, when Max catches a glimpse of the great lost love of his life, he becomes obsessed with rekindling their relationship.
Jeanne
Dean is a maverick American film director surprised that his most recent film has been chosen as the Official U.S. Entry at the Venice Film Festival. A beautiful French journalist arrives at the festival with the apparent intention of interviewing the unique and eccentric filmmaker. In the midst of all the festival madness, she is forced to confront the wide divergence between things as they really are and things as they seem to be - both on screen and off. And so, finally, are we. Shot half in Venice, Italy and half in Venice, California, "Venice/Venice" looks at the profound effect movies have had - and continue to have - on our lives, our loves and on our dreams of romance.
Martine
At a spacious house in Los Angeles, Helene is turning 40-years old and her friends whom include French filmmaker Martine, house guest Sophie, and Lydia throw her a party. But also there is Kate a friend turning 30, and Sadie a Hollywood film agent turning 50. So, all of Helene's, Kate's, and Sadie's friends arrive for the party where Martine films the events with her movie camera and the shocking secrets revealed by Helene's mother Whitney, and her younger sister Nancy whom confide in their interviews about their obsession with food, and their roles in life.
In this whimsical fable, Resnais deftly interweaves three story lines: the creation of an early-20th-century utopia; romantic high jinks at a school conference; and a fantasy sparked by F/X pioneer Georges Méliès.
