Christian Dior

Oh, Dior is an exclusive and sophisticated documentary on the French designer Christian Dior, celebrating the 70th anniversary of the brand.

Behind-the-scenes documentary revealing what goes on inside the colourful, privileged, and sometimes stressful Christian Dior fashion house.

Julien Dandieu, leader of the socialist political party PRU is asked to be part of the new conservative government as minister of foreign affairs. However his reputation is somewhat tarnished by his adulterous relationship with Creezy, a fashion model seen on every magazine cover. Ready to sacrifice his family for his career, he is eventually faced with the ultimate choice: his career ambitions or a lifetime with his beautiful girlfriend, who has recently mysteriously disappeared.

Dany Longo is blonde, beautiful, disturbed, passionate--and nearsighted. As she speeds through the south of France in a purloined Thunderbird on an errand for her employer and his wife, no one, including Dany herself, knows where she is headed--or why she is going there.

When a plot against a prominent Middle Eastern politician is uncovered, David Pollock, a professor of ancient hieroglyphics at Oxford University, is recruited to help expose the scheme. Pollock must find information believed to be in hieroglyphic code and must also contend with a mysterious man called Beshraavi. Meanwhile, Beshraavi's lover, Yasmin Azir, seems willing to aid Pollock -- but is she really on his side?

Lively scenes of Paris, all narrated by Maurice Chevalier, link together four dramatic ballet choreographies by Roland Petit: La Croqueuse de diamants (The Gold Digger), Cyrano de Bergerac, Deuil en 24 heures (A Merry Mourning), and Carmen.

Victor and Hillary are down on their luck to the point that they allow tourists to take guided tours of their castle. But Charles Delacro, a millionaire oil tycoon, visits, and takes a liking to more than the house. Soon, Hattie Durant gets involved and they have a good old fashioned love triangle.

A California commercial pilot sees a telecast in London of an interview with Sir Mark Lodden at his home. The Canadian is convinced that the baronet is a fraud, and he is actually a look-alike actor named Frank Welney.

Sir Philip Ashlow (Stewart Granger), his neglected wife, Lady Ashlow (Ava Gardner) and his best friend Henry Brittingham-Brett (David Niven) are shipwrecked on a desert island. This potential ménage à trois where the two men compete for the lady's attention is interrupted by the unexpected arrival of a fourth inhabitant of the island.

One Christmas Eve, a carefree young man, Eric, arrives in a small provincial town. Here, he meets Julien, a bar pianist who is his exact double. Julien is in love with Marinette, a pretty waitress, but he is too shy to make any romantic overtures. Eric decides to give the course of true love a helping hand by pretending to be Julien. Meanwhile, Eric’s fabulously wealthy uncle has sent his minions out to bring him back home, so that he may celebrate Christmas in the bosom of his family.

On Christmas Eve, Françoise, a manicurist at the Paris-Palace-Hotel, is invited to celebrate by Henri Delormel, an attractive fifty-something man. She later meets Gérard driving a Cadillac, and passes herself off as the wealthy Delormel's daughter. For his part, the young garage employee claims to own the vehicle.

While on leave in Paris, a G.I. pursues an ambassador's daughter. Meanwhile she's out to prove to her father that soldiers can be gentlemen, too.

Three stories, very different in space and time. Lysistrata, a dancer from ancient times, Jeanne d'Arc, medieval warrior and Elisabeth, American war widow who comes on pilgrimage in Italy.

An American woman tries to break off her relationship with her Italian lover at Rome's Stazione Termini train station. This is Vittorio De Sica's original 89-minute "Terminal Station" which was released first in April 1953 as "Stazione Termini," the Italian title of Cesare Zavattini's story. A year later in May 1954, Columbia Pictures released a different version with the alternative title "Indiscretion of an American Wife" which producer David O. Selznick had re-edited and cut to a shortened 64 minutes, dramatically altering characterization by removing its establishing shots and neorealist touches.

While on vacation in Rome, married American Mary Forbes becomes entangled in an affair with an Italian man, Giovanni Doria. As she prepares to leave Italy, Giovanni confesses his love for her; he doesn't want her to go. Together they wander the railroad station where Mary is to take the train to Paris, then ultimately reunite with her husband and daughter in Philadelphia. Will she throw away her old life for this passionate new romance?

James Stewart plays aeronautical engineer Theodore Honey, the quintessential absent-minded professor: eccentric, forgetful, but brilliant. His studies show that the aircraft being manufactured by his employer has a subtle but deadly design flaw that manifests itself only after the aircraft has flown a certain number of hours. En route to a crash site to prove his theory, Honey discovers that he is aboard a plane rapidly approaching his predicted deadline.

Fates of multiple otherwise disconnected characters intertwine miraculously under the sky of Paris. And it all happens in one day.

Elisabeth and her brother Paul live isolated from much of the world after Paul is injured in a snowball fight. As a coping mechanism, the two conjure up a hermetic dream of their own making. Their relationship, however, isn't exactly wholesome. Jealousy and a malevolent undercurrent intrude on their fantasy when Elisabeth invites the strange Agathe to stay with them -- and Paul is immediately attracted to her.

As the title of this French documentary indicates, Ce Siecle a 50 Ans examines the 20th Century at its halfway point. Utilizing the archives of several European film reserves, director Denise Tua offers a fascinating mosaic of the people and events that shaped the years 1900 to 1950. Complementing the vintage film clips are three dramatized sketches, delineating the romantic customs of three different points in time. These sketches are inadequately performed, and can easily be ignored. Ce Siecle a 50 Ans both preserved and provided celluloid material for scores of future documentaries.

Emile is a French film producer at the beginning of the century. One of his friends leaves his daughter Lucette in his house, when he is starting a tour through France. Emile falls in love with her. Problems starts when his younger friend Jacques come back from military service and after complaining his misfortune with women, follows Emile's advice in starting affairs with women and he meets Lucette.

Thérèse kills her lover during the very night of her wedding to the count of Vétheul. To gain a night with her, a modest local worker agrees to bury the body.

A teenager becomes fixated on a painting of the handsome suitor who died in a duel for her grandmother's love. On her sixteenth birthday, her father hires three men who pretend to be the ghost of the suitor to entertain her. Little do they know, the ghost of the suitor himself is roaming the castle halls.

Elfy, Countess of Saint-Hélié's daughter, was brought up with her foster sister Anne, in an old dilapidated castle whose landlord, Baron Julius Carol, disappeared mysteriously some day. The two girls had a playmate, Hervé, the son of the gamekeeper. Now that they are adult, Anne is in love with Hervé while Elfy thinks she loves the young man. One day, the baron's mummified body is found in an oubliette and the secret of the estate is revealed...

A plucky businesswoman agrees to receive love letters to a prefect’s wife from a young official, and soon finds herself embroiled in a scandal that inflames a town’s class tensions.

In his prison cell, the composer Remi Bonvent composed an opera, The columns bed. The director of the prison, Porey Cave, succeeds made believe he is the author of this work. The death of the two protagonists will prevent the discovery of the truth.