Maurizio Baglivo

The film recounts failure in a fun and constructive way, often experienced as an indelible shame and almost never as a precious opportunity for growth.

After the release of "Nostalgia", Andrei Tarkovsky runs out his Soviet authorities permission to work abroad: he has to go back home. But he understands from the messages of some friends and colleagues that his life in Russia would be even tougher than before. So he then decides to break with Soviet authorities and, a year before the Milan Conference of 1984 during which he will announce publicly his decision, he leaves his friends that are hosting him in Rome and takes refuge in a secret location.

"Regina Coeli" is the nickname with which inmates call Regina, voluntary assistant in Rome's Rebibbia jail, very involved in solidarity but lonely in his private life. The jail director entrusts her with the task to try re-educating Graziano, a young Sardinian sentenced for a kidnapping of which he always proclaimed himself to be innocent. Regina is way too much mature and lonely not to feel intrigued by the mysterious personality of the illiterate shepherd, who expresses himself only in his almost unintelligible Sardinian dialect.

A woman goes back to the island where her parents were killed. They had been working on a cure for cancer and accidentally raised the dead by angering a voodoo priest. With the woman is a group of mercenaries and they meet up with some other researchers. They raise the dead again and all hell breaks loose

Documentary about the making of Italian film director Bernardo Bertolucci's The Last Emperor.

A documentary incorporating footage of Montgomery Clift’s most memorable films; interviews with family and friends, and rare archival material stretching back to his childhood. What develops is the story of an intense young boy who yearned for stardom, achieved notable success in such classic films as From Here to Eternity and I Confess, only to be ruined by alcohol addiction and his inability to face his own fears and homosexual desires. Montgomery Clift, as this film portrays him, may not have been a happy man but he never compromised his acting talents for Hollywood.