Gwen Watford
Birth : 1927-09-10, London, England, UK
Death : 1994-02-06
History
Gwen Watford (10 September 1927 — 6 February 1994) was an English film, stage, and television actress. She married actor Richard Bebb in 1952. Born in London, Watford trained at the Embassy Theatre and the Old Vic. She made her film debut playing Lady Usher in The Fall of the House of Usher (1949). Other films include Never Take Sweets from a Stranger (1960), The Very Edge (1962), Cleopatra (1963), and Cry Freedom (1987). She died from cancer, aged 66, in 1994. Description above from the Wikipedia article Gwen Watford, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Mrs. Dolly Bantry
A town busybody is poisoned at a busy reception in the home of famous film star Marina Gregg. The poisoned drink seemed intended for Marina, but Miss Marple is not so sure. She sets out to discover the true identity of the killer before he or she can strike again.
Sheila Carter
It's the sixties. Gregory loves Ginny, and Ginny loves Gregory. But unfortunately Ginny also loves Philip, or at least she used to, and Philip loves her. Does Philip love his wife too? Ginny tells Gregory she's going to see her parents, when she's actually going to see Philip to break things off. Gregory, thinking to surprise her, gets there first, and the chaos begins.
Grace Winslow
In pre-WW1 England, a youngster is expelled from a naval academy over a petty theft, but his parents raise a political furor by demanding a trial.
Wendy's Mother
A dramatic story, based on actual events, about the friendship between two men struggling against apartheid in South Africa in the 1970s. Donald Woods is a white liberal journalist in South Africa who begins to follow the activities of Stephen Biko, a courageous and outspoken black anti-apartheid activist.
Jo
Malcolm and Jo are eagerly anticipating a quiet retirement but find that their adult children are in no hurry to leave the family home.
Cynthia
Patrick and Judith have everything prepared for the arrival of their first child but when he is born, they are quite unprepared for the crisis they must face.
Monica Reed
Often regarded as semi-autobiographical, Present Laughter follows a few days in the life of successful and self-obsessed actor Garry Essendine as he prepares to travel for a touring commitment. Amid a series of events bordering on farce, Garry must deal with interruptions including the numerous women who want to seduce him, placating his long-suffering secretary Monica Reed, avoiding his estranged wife Liz Essendine, being confronted by a crazed young playwright, and overcoming his fear of his own approacing fortieth birthday and impending mid-life crisis.
Ayah
A former clergyman (Peter Cushing) in 1920s England tries to keep his cannibalistic son locked in the attic.
Dame Catherine
Philippa Talbot is a talented London businesswoman who has decided to give up her position and power to become a nun. The man who loves her is in shock over her departure from his life. When Philippa arrives at Brede, a cloistered Benedictine monastery, the abbess who was responsible for convincing her to enter this vocation suddenly dies. Her successor is Catherine, a sensitive leader who's the first to tell the newcomer to the community that all nuns are to love without a preference for one over another. This becomes very difficult when Joanna, a young nun, singles Sister Philippa out and grows very attached to her.
Susan
The conflict between a judge who sees himself as a creative and skilful protector of democracy, and his daughter, who sees him in a totally different light.
Martha Hargood
Three elderly distinguished gentlemen are searching for some excitement in their boring borgoueis lives and gets in contact with one of count Dracula's servants. In a nightly ceremony they restore the count back to life. The three men killed Dracula's servant and as a revenge, the count makes sure that the gentlemen are killed one by one by their own sons.
Ada Gritter
A film by Alan Clarke for the 'The Company of Five' anthology series.
Monica
Two couples let tensions build between them in this 'Wednesday Play'.
Jackie Hopta
When a ransom bid results in the death of a child, the police have only one lead – the old lady who witnessed the kidnapper using a public phone box. Though her recollection is vague, she volunteers to act as bait for the killer – telling the press that she had seen the kidnapper's face and she waits for him to attack.
Mrs Marsh
Calpurnia
Determined to hold on to the throne, Cleopatra seduces the Roman emperor Julius Caesar. When Caesar is murdered, she redirects her attentions to his general, Marc Antony, who vows to take power—but Caesar’s successor has other plans.
Sister Holden
Tracey Lawrence is assautled in her home and is so affected by the traumatic event she now finds all men totally repulsive, including her husband. Her attitude does not change with time, and to make matters worse her husband has got romantically involved with his secretary. Also, the police still have not tracked down Tracey's attacker and there is no guarantee that she is safe.
Hairdresser's Receptionist (uncredited)
Victor and Hillary are down on their luck to the point that they allow tourists to take guided tours of their castle. But Charles Delacro, a millionaire oil tycoon, visits, and takes a liking to more than the house. Soon, Hattie Durant gets involved and they have a good old fashioned love triangle.
Sally Carter
Peter Carter, his wife Sally and their young daughter Jean move to a sleepy Canadian village, where Peter has been hired as a school principal. Their idyll is shattered when Jean becomes the victim of an elderly, and extremely powerful, paedophile. The film was neither a box office nor a critical success, it garnered criticism for breaking a significant public taboo.
Lady Usher
A traveler arrives at the Usher mansion to visit his old friend, Roderick Usher. Upon arriving, however, he discovers that Roderick and his sister, Madeline, have been afflicted with a mysterious malady: Roderick's senses have become painfully acute, while Madeline has become nearly catatonic. That evening, Roderick tells his guest of an old Usher family curse: any time there has been more than one Usher child, all of the siblings have gone insane and died horrible deaths. As the days wear on, the effects of the curse reach their terrifying climax.