A rollicking adaptation of Kingsley Amis's first novel, Lucky Jim stars Stephen Tompkinson as Jim Dixon, a luckless lecturer at a provincial British university, trying to make a splash with his pompous boss, Professor Neddy Welch (Robert Hardy). Jim is also trying to make it with the woman of his dreams, Christine Callaghan (Keeley Hawes, Othello and Wives and Daughters), while simultaneously being pursued by the woman of his nightmares, fellow lecturer Margaret Peel (Helen McCrory, Anna Karenina). One (of many) complications is that Christine is the girlfriend of Professor Welch's egotistical artist son, Bertrand. Another is that Margaret keeps attempting suicide to get Jim's attention. But despite his misadventures, Jim keeps his eyes on the prize: a leg up on the ladder to a professorship in medieval history.
In the 1930s, Count Almásy is a Hungarian map maker employed by the Royal Geographical Society to chart the vast expanses of the Sahara Desert along with several other prominent explorers. As World War II unfolds, Almásy enters into a world of love, betrayal, and politics.
Amongst Barbarians is set far away from Margaret Thatcher's Britain in Penang, Malaysia, a former British colony, where two young Englishmen have been arrested for drug trafficking. As they both face the death penalty, their relatives travel to Penang to come to their rescue. However, they soon find out that there is nothing they can do to save the boys' lives. In the course of their futile attempts at influencing the authorities, their racism becomes more than apparent. The question which is never made explicit is of course who the real barbarians are. Wall's play is based on a true story and featured David Jason's first straight acting role on TV.
Being accused of child abuse is a nightmare every family dreads. The Taylors are an ordinary happy family, but Paul and Jill are worried about their 11-year-old son Mark, who is not eating. The family GP has diagnosed 'failure to thrive', and Mark is sent to the hospital for a check-up.
Satirical and surreal play by Arthur Ellis, dealing with the manner in which the British police force has been represented on TV for four decades. In 1949 Tom Riley is arrested for the murder of PC George Dixon. As he awaits interrogation at the station he is mysteriously transported into an episode of The Filth - a 1988 police series where the hard men rule, where he is told by the local CID that he'll be confessing to the murder or else his genitals are getting cut off ! This black comedy questions whether the police have changed or is it the way film and television present them.
