Uwe Kockisch

August 13, 1961: The passengers on the interzonal train from Munich to East Berlin learn 3½ hours before crossing the border that the Wall is being built in Berlin. They have 3½ hours to make a life-changing decision: to get off the train or keep going.

Emerald Green is the stunning conclusion to Kerstin Gier's Ruby Red Trilogy, picking up where Sapphire Blue left off, reaching new heights of intrigue and romance as Gwen finally uncovers the secrets of the time-traveling society and learns her fate.

Early 1980s: Martin Siedler, a successful press officer for a leading pharmaceutical company, believes he has the trust of his boss Walter Lange. But then he finds out that his company's supposed miracle drug, which he is promoting, carries a deadly risk. This is proven by a secret, internal study, which his boss also knows about. How should Martin deal with this explosive information? What does he risk by going public with it? How strong is conscience? Drama based on real events about one of the biggest German medical scandals.

Katharina beats more badly with budget releases and the care of nine-year-old Georg. Konrad knows her from earlier when she was still driving a taxi and she regularly took him and his sick wife to the hospital. Now Konrad's wife is dead and Katharina was abandoned by her husband. When Katharina and Konrad meet again by chance, both feel very attracted to each other and their love happiness is nothing in the way except Konrad's looming blindness. Since they can not raise the money for the operation, offers Katharina's protege Georg as a kidnap victim.

Gwendolyn Shepherd is a normal 16-year-old, but her family holds a secret: A time-travel gene is expressed in the clan inherited, but not every member of the family is blessed with. Everyone is certain that Gwen's cousin Charlotte has the gene. However, someday Gwendolyn suddenly finds herself in London at the end of the 19th century and realizes that it is her, who was born a time traveler. While she is not very enthusiastic about it, she will do everything possible to solve the ancient mysteries of the red ruby.

During an unannounced visit to Berlin, Jakob and Hanna let their three grown up children know that they are no longer able to support them financially. Karla, Arnolt and Sonni seem to live successful city lives; but, on closer inspection, they are in the middle of different life-crises, which have a common cause: lack of independence. After a big family quarrel and a painful revelation of life-lies, every single relative is made aware of how little he or she knows about the others – though still interdependent.

Jorinde and Joringel are lovers and would like to get married. But on a walk in the forest, they find themselves near a castle belonging to an wicked witch. She is jealous of their love and wants to destroy it. She decides to set Joringel free after taking away Jorinde, content with that the lovers will never see each other again.

It's the 24th of December: The emergency department of a district hospital is preparing for a turbulent night: head physician Professor Singer, who has lost his wife and is even more involved in the work, and the surgeon Hannah Cornelsen, who talks about the work can forget that she and her husband have dwelt apart. On Christmas Eve, the hospital will become a microcosm in which a wide variety of people and destinies will meet - and for everyone, life will be in a completely different light next morning.

What child doesn’t dream of finding some secret door to the past! For Stella, a sassy 10-year-old, this dream comes true when she finds a magic wardrobe that transports her back to the early 20th century. There she must find a precious stone, the “Star of the Orient”, and ward off criminals who also want the treasure. Both haunting in its dream-like atmosphere and rousing through its spirited young protagonists, the film sweeps youngsters into a magical story of friendship and discovery.

A village is blackmailing the city of Leipzig.

Jan Landers made it: Grown up in East Berlin, he quickly made his career after the turnaround: from the weatherman of a local station to the newsreader in Hamburg.

Autobiographical movie about the publicist Carola Stern.

Two twin brothers are living on a different sides of Berlin Wall after being separated after birth.

A dramatic teenage love story set against the backdrop of the Berlin Love Parade.

Nico, a nine-year-old child witnesses a gruesome murder in an abandoned village and tells his mother. The woman goes to the police, but when officials get to the scene, someone has erased all traces of the crime, including the corpse. The officers then question the version of the child.

Inspired by true events, Olympic swimmer Harry Melchior defects from East Germany in the 1960s and hatches a daring plot to help his sister and others flee East Berlin through a 145-yard underground tunnel.

Zwei, die füreinander bestimmt sind, finden sich trotzdem.

The movie tells a true story in the life of well-known German actor Manfred Krug. Living in the German Democratic Republic he is forced to leave the country after protesting against the expatriation of singer/songwriter Wolf Biermann in 1976.

The actors Martin and Maria have not been a couple for a long time, but they didn't get very far without each other. While he spends his time with alcohol, numerous affairs and reveries about his own film, she is bored with her young lover. When Maria surprisingly finds the loot of a bank robbery in the trash, she takes the opportunity to get rid of her lover, only to run into her ex-husband shortly afterwards. The old passion flares up again and Martin suddenly sees the chance to finally realize his long-held script.

A group of young people draws straws to see who'll steal some cigarettes. With this theft, Sebastian starts a bizarre, symbolic odyssey through a sclerotic world, in search of himself and of truth and justice. When he tries withdrawing from one social paradigm, he finds himself caught in another.

The time is the French Revolution; the place is the village of Travers, ensconsed in neutral Switzerland. Prussian aesthete Herman Beyer is on the verge of divorcing wife Corinna Harfouch. Radical writer Uwe Kokisch, Corinna's lover, hopes to find a way of smoothing out animosities. What follows, however, is a nonstop drinking binge. The film subliminally addresses the then-prevalent issue of a divided Germany. Whether or not it succeeds is unimportant; Treffen in Travers (Reunion in Travers) has proven to be a crowd pleaser wherever it has been shown.

Two years ago, cinema poster painter Jonathan had agreed in his divorce to leave the sole custody for his son David to David′s mother Ruth. But at the boy′s ninth birthday, Jonathan all of a sudden returns to their house. In the meantime, Ruth has found a new Partner, Franz, whom David has accepted as his surrogate father. Although everybody tries to solve the new situation with a lot of tolerance, Franz and Jonathan become rivals. But this rivalry comes to an end when David has an accident. Now, the boy is allowed to visit his father Jonathan on the weekend whenever he wants to. But before that, David goes on one last adventure: On a trip to a vacation camp, Jonathan "kidnaps" his son to spend several days hitchhiking alone with his son. Then, he gets him back to the vacation camp.

Elizabeth is an open-minded young person - curious and unbiased. She is sixteen, goes to secondary school and things are really going well, not least because her father, a Party member, occupies a privileged position. But then the father suddenly dies. Elizabeth feels lonely and abandoned, all the more so because her brother has long since severed all ties with his father.

Little Sabine has spent her childhood in an orphanage after her parents died in a car accident. When one of the women in charge at the orphanage, Edith, leaves to have a baby, Sabine runs away, because Edith was the only adult there she could trust. She then wanders through the city to find someone to take her in. She meets a lot of people on her journey, but she seems out of place everywhere she goes until, at last, she realizes that there is a special place where she belongs.

A communist is released from prison in 1935 Hamburg. He tries to link up with the Party again, but is unsure as to who he can trust, and has difficulty adjusting to life in Nazi Germany.

Nina Kern, a divorced woman in her late twenties, will soon be fully deprived of her custody rights for her three children, who already reside in a home for the displaced due to Nina’s many years of willful neglect. Although she has broken her promise to change her moral conduct many times, she is given one last chance on probation.

The fun-loving, 26-year-old architect Franziska Linkerhand (Simone Frost) works for a famous professor. Yet, she feels restrained by her dependence on him and longs to take risks. When her marriage falls apart, she moves to a small town for a fresh start. Franziska approaches her new life with vigor and idealism. Many of her colleagues have given in to the dictates of economic restrictions and prefabricated apartment blocks; but Franziska hangs onto her ideals and, as in her private life, is not willing to compromise…

The film tells the story of the smelter brigade of a steel mill whose members are connected by a strong comradeship. Among the workers are, for instance, young Rolf, whom everybody just calls "Lachtaube" and who always comes through for his co-workers, or the likable Hubert, who works as a simple smelter again after being dismissed as the head of the steel mill. Then, there is also the stubborn Manfred, who should have become a brigadier long ago because of his experience and his competence, but this privilege is refused to him because Manfred is not a party member. Ironically, it is Manfred who hears by accident about the plans of the mill to close down the old Martin furnaces – and to lay off the smelters. When the other men learn about the plans they enter the barricades for their jobs and force the plant′s management to face the workers′ demands and criticism.

At the textile company, everyone appreciates the work of 18-year-old Susanne, but nobody really considers her a woman—including Lutz, with whom she is in love. She sets about to make a change, but it is only when she realizes that she is being taken advantage of that a more self-confident Susanne emerges.