Fabian Eder

"Austria - First Victim of National Socialism" - this is the core theme of the self-image of the country that first welcomed Hitler with waving flags and arms stretched to the sky: Nation, People and Race - Sieg Heil! Monuments, commemorative events and in between the helplessness of dull remembrance. What to do with the lie, where to put the pain, and why again? The war of narratives begins with the liberation of the concentration camps, with the piles of corpses - and it continues to this day. A final journey with those who were there. Which story do we tell ourselves, and which do we want to hear?

"Austria - First Victim of National Socialism" - this is the core theme of the self-image of the country that first welcomed Hitler with waving flags and arms stretched to the sky: Nation, People and Race - Sieg Heil! Monuments, commemorative events and in between the helplessness of dull remembrance. What to do with the lie, where to put the pain, and why again? The war of narratives begins with the liberation of the concentration camps, with the piles of corpses - and it continues to this day. A final journey with those who were there. Which story do we tell ourselves, and which do we want to hear?

"Austria - First Victim of National Socialism" - this is the core theme of the self-image of the country that first welcomed Hitler with waving flags and arms stretched to the sky: Nation, People and Race - Sieg Heil! Monuments, commemorative events and in between the helplessness of dull remembrance. What to do with the lie, where to put the pain, and why again? The war of narratives begins with the liberation of the concentration camps, with the piles of corpses - and it continues to this day. A final journey with those who were there. Which story do we tell ourselves, and which do we want to hear?

To reveal the secrets of a photo and a postcard of her late mother, the art historian Lena goes to St. Veit, where she wants to climb the Simonskopf. To do this, Lena first has to learn to climb. The attractive hotelier and mountain guard Martin helps her overcome her fear of heights. The two fall in love. Then it turns out that Martin's father and Lena's mother knew each other very well.

For more than ten years, the Viennese children's book dealer Felice Frank has not heard from Alexander Helsing, the father of her little daughter Lilli. All the more surprised is the young woman, when she suddenly learns of the death of Alexander. But not only that: at the opening of the will in Hamburg, it turns out that the deceased bequeathed all his company shares in the family large shipping company to his daughter Lilli - and to the age of majority of the child Felice should manage these shares. However, the dead man's conservative family does everything in his power to disgust the unpleasant business partner.

Trixi Jancik leads a risky double life. At home, she is an obedient housewife. But when she puts on a disguise and goes to the racetrack to indulge in her secret passion, she catches a glimpse of a better life. Although she blows her grocery money, she has tasted the kind of luxury she can normally only dream about. A minor squabble at home brings the situation to a head and marks a turning point in her life: Trixi fixes her husband a lethal cocktail of pills.

The seedy underbelly of Vienna at night. Mercedes is a femme fatale from Mexico, newly arrived at the Vienna airport with her German boyfriend Rainer, where they have smuggled a kilo of cocaine through customs. Unfortunately for them, the city has just had a major drug crackdown, leaving them without buyers and money. Disgusted with Rainer, Mercedes ditches him and hooks up with Harry, a lonely and bored cab driver who agrees to help her find a buyer for the drugs so she can get some cash and go home. She offers Harry a deal he can't refuse. Is he just another pawn for Mercedes or will her promises help him achieve his hope and dreams? The story careens through the night streets of Vienna, following two amateurs navigating their way through the treacherous world of the drug trade. It's a mood piece with the backdrop of a stifling urban loneliness.

After Henny's father loses his job at her ex-fiancee's shipyard because of Henny's affair with Sigi, he begins to panic about how to make a living and tries to find new quarters. His sister, Henny's aunt Marlene, suffers as a result of his chaotic efforts. The path to his new life requires that Henny get married, as the aunt is a strict puritan. But whoever knows Henny can be sure that things will take a few unexpected turns...

The comedy “Ein fast perfekter Seitensprung” was not only successful, it was really well-done. The first sequel is, as most sequels, less attractive. As the charming mix of Germans and Austrians itself wasn't new and interesting any more, Schwabenitzky had to concentrate more on the less terrific elements. He emphasised the character-clichés and made up a more complex story, in order to bring down as many of the characters from the first film as possible. This sequel is only worth watching if you're a great fan of the first part. Actually, not even then.

The dynamic PR-agent Hannah is starting up her dream-job in the Hochstedt Company producing toys and soon falls in love with her firm's junior executive director, Wolfgang. But while Hannah is still totally immersed in this passionate love affair, she unknowingly and progressively gets caught in a web of danger. Behind the harmless dolls and teddy-bears produced by the company a deadly secret is revealed. And for Hannah, the game of love suddenly turns bloody.

A portrait of Attwenger, the duo from Upper Austria (Markus Binder and Hans-Peter Falkner). The attempt to unite the worlds of Austrian folk music and hip-hop has already succeeded in the music of Attwenger.

In a small army base at the Eastern border of Austria a young recruit is trained to be a soldier to protect his country in case of war. He has to stay for 8 months and during this time he escapes in his own fantasy world...

A strange woman in Vienna. During her excursion through the city, she meets bizarre characters and witnesses unusual events. The feeling of being a stranger, translated into a cinematic medium.

Early seventies in a small village in Burgenland, Austria. We are watching a boy of ten being confrontend with two of the most prevalent taboos: death and sexuality. The generally accepted forms of recourse offered by religion and society have cracks, don't work any more, and thus are being ignored, by-passed or interpreted from a child's angle. This film presents subtle views and insight into the life of a boy of ten and looks upon life through his eyes.

America 1988. After more than 40 years the elderly widow Braine is unexpectedly confronted with her past. She returns to the village of her youth. - Austria 1988. The Border.