Writer
With background experience for entrepreneurship in Egypt, Azzam was not discouraged even to start business on its own. But how to get married, it is always alluded to by his mother. Women who his admired, Anna Althafunnisa has been proposed by his best friend. Whereas with Eliana whom he not love, it create much confusion. Azzam also trying to find his moorings, although quite a lot of the barriers that they face, which then makes it almost hopeless.
Director
Disappointed after seeing his homeland, Pasai, destroyed by the Portuguese, Fadhilah Khan, later known as Fatahillah or Fala Tehan, completes his education in the Holy Land, then joins Sultan Trenggono who rules the Sultanate of Demak. He gains a respectable position as a cleric, then marries the sister of the Emperor, Ratu Pembayun, and Ratu Ayu, the widow of Pati Unus, who died in the battle against the Portuguese in Malacca. The Portuguese want to establish a fort at Sunda Kelapa. But the Sultanate of Demak is determined to wage a war against the Portuguese. Fatahillah is elected as the commanding officer, and he conquers Sunda Kelapa, and changes its name to Jayakarta, which later became Jakarta.
Screenplay
This film is a re-edited compilation of Saur Sepuh I, Saur Sepuh II, and Saur Sepuh III.
Director
This film is a re-edited compilation of Saur Sepuh I, Saur Sepuh II, and Saur Sepuh III.
Writer
Brama Kumbara (Denny Porlen) is preparing for eternity through an ascetic cleansing. Meanwhile, the Madangkara Kingdom has been handed over to his daughter, Wanapati (Agus Kuncoro). The people of Kuntala, who have greeted this news with delight, prepare to take revenge on Madangkara, where the ambitions of the young merchants and the instigation of riots are splitting the kingdom apart. The forces still faithful to Brama come to ask him for advice.
Story
Brama Kumbara (Denny Porlen) is preparing for eternity through an ascetic cleansing. Meanwhile, the Madangkara Kingdom has been handed over to his daughter, Wanapati (Agus Kuncoro). The people of Kuntala, who have greeted this news with delight, prepare to take revenge on Madangkara, where the ambitions of the young merchants and the instigation of riots are splitting the kingdom apart. The forces still faithful to Brama come to ask him for advice.
Director
Brama Kumbara (Denny Porlen) is preparing for eternity through an ascetic cleansing. Meanwhile, the Madangkara Kingdom has been handed over to his daughter, Wanapati (Agus Kuncoro). The people of Kuntala, who have greeted this news with delight, prepare to take revenge on Madangkara, where the ambitions of the young merchants and the instigation of riots are splitting the kingdom apart. The forces still faithful to Brama come to ask him for advice.
Story
The story of the efforts of the military commanders of the Singosari Kingdom to prevent the influx of Khubilai Khan’s forces from Mongolia. Five well known warriors, Larang Jagad (Baron Hermanto), Banggokantera (Atin Martino), Kuda Merta (Luthi Tambayong), Galigo (Jack Maland) and Rangga Sakti, who are collectively known as the Five Tigers, or Lima Harimau Nusantara, are called in to help. They go to battle against Penyebar Racun (Risma Salmon), Jubah Merah (Arthur Kaunang) and Kodok Salju (Jabol Mora). The Five Tigers are so powerful that Khubilai Khan’s forces are beaten back and return to their homeland in defeat.
Screenplay
The story of the efforts of the military commanders of the Singosari Kingdom to prevent the influx of Khubilai Khan’s forces from Mongolia. Five well known warriors, Larang Jagad (Baron Hermanto), Banggokantera (Atin Martino), Kuda Merta (Luthi Tambayong), Galigo (Jack Maland) and Rangga Sakti, who are collectively known as the Five Tigers, or Lima Harimau Nusantara, are called in to help. They go to battle against Penyebar Racun (Risma Salmon), Jubah Merah (Arthur Kaunang) and Kodok Salju (Jabol Mora). The Five Tigers are so powerful that Khubilai Khan’s forces are beaten back and return to their homeland in defeat.
Story
Anglingdarma (Baron Hermanto), the ruler of his homeland, acquires the magical ability to understand the language of animals, but is forbidden to share the secret of how to do this with anyone. Unfortunately, one night, when Anglingdarma is making love with his wife, he overhears some humorous remarks being made by two house lizards in the room, and bursts out laughing. His wife becomes very angry, and after Anglingdarma explains what happened, his wife demands that he teach her how to do the same thing. Anglingdarma refuses to reveal the secret. His wife, who believes that he does not love her anymore, decides to burn herself to death.
Screenplay
Anglingdarma (Baron Hermanto), the ruler of his homeland, acquires the magical ability to understand the language of animals, but is forbidden to share the secret of how to do this with anyone. Unfortunately, one night, when Anglingdarma is making love with his wife, he overhears some humorous remarks being made by two house lizards in the room, and bursts out laughing. His wife becomes very angry, and after Anglingdarma explains what happened, his wife demands that he teach her how to do the same thing. Anglingdarma refuses to reveal the secret. His wife, who believes that he does not love her anymore, decides to burn herself to death.
Writer
Set during the kingdom of Majapahit after the reign of King Hayam Wuruk, the Saur Sepuh films were based on the popular radio plays in the 80s. Lasmini is raped and thrown into a ravine, but is saved by Granny Lawu. She is then taught martial arts until the granny dies. Then Lasmini leaves the mountain to find her rapists and kills them one by one. One day, she has a fight with Mantili because she is close to Bentar. Then Lasmini returns to Mount Lawu to improve her martial arts. After learning new skills, she returns to challenge all the martial arts experts and is victorious. Mantili then goes to improve his skills from Brama and challenges Lasmini. Now Lasmini is defeated.
Director
Set during the kingdom of Majapahit after the reign of King Hayam Wuruk, the Saur Sepuh films were based on the popular radio plays in the 80s. Lasmini is raped and thrown into a ravine, but is saved by Granny Lawu. She is then taught martial arts until the granny dies. Then Lasmini leaves the mountain to find her rapists and kills them one by one. One day, she has a fight with Mantili because she is close to Bentar. Then Lasmini returns to Mount Lawu to improve her martial arts. After learning new skills, she returns to challenge all the martial arts experts and is victorious. Mantili then goes to improve his skills from Brama and challenges Lasmini. Now Lasmini is defeated.
Story
Jarir, an old teacher and also principal of a school in a small town, is a conservative educator. He is contrasted with Irfan, who is full of passion and follows a modern education approach. Their different approaches are tested on a group of delinquents. This film for children tries to show how a child’s “naughty” behaviour is a form of creativity.
Screenplay
Jarir, an old teacher and also principal of a school in a small town, is a conservative educator. He is contrasted with Irfan, who is full of passion and follows a modern education approach. Their different approaches are tested on a group of delinquents. This film for children tries to show how a child’s “naughty” behaviour is a form of creativity.
Director
Jarir, an old teacher and also principal of a school in a small town, is a conservative educator. He is contrasted with Irfan, who is full of passion and follows a modern education approach. Their different approaches are tested on a group of delinquents. This film for children tries to show how a child’s “naughty” behaviour is a form of creativity.
Writer
Brama Kumbara’s plan to build a royal resting place near his teacher’s grave is being obstructed by people from the Kuntala kingdom. They rally their people who live in Brama’s kingdom, Madangkara, and they manage to influence the regents of Madangkara through their wives. Then the regents stop obeying their leader. They also hire highly skilled villains to destroy the resting place. Brama is furious. With Mantili, he pursues all the rebels and exterminates the Kuntala people who are not loyal to Madangkara.
Director
Brama Kumbara’s plan to build a royal resting place near his teacher’s grave is being obstructed by people from the Kuntala kingdom. They rally their people who live in Brama’s kingdom, Madangkara, and they manage to influence the regents of Madangkara through their wives. Then the regents stop obeying their leader. They also hire highly skilled villains to destroy the resting place. Brama is furious. With Mantili, he pursues all the rebels and exterminates the Kuntala people who are not loyal to Madangkara.
Screenplay
This is story about si Mata Elang revenge's Demam Basro.
Writer
Set at the end of the Majapahit era, Bre Wirabhumi, son of Hayamwuruk, but born from a concubine, demands his right to be king of Majapahit. The kingdom is then ruled by Wikramawardhana, son-in-law of Hayamwuruk. To rival Majapahit, Bre Wirabhumi creates the Pamotan kingdom and looks for allies amongst other kingdoms. This creates confusion among the kingdoms friendly with Majapahit. Brama Kumbara (Fendy Pradana) from the Madangkara kingdom tries to settle the dispute. What happens instead is a misunderstanding that leads to the death of Brama’s envoy. Even worst, the lover of the murderer, Lasmini (Murti Sari Dewi), takes revenge by kidnapping Brama’s wife. The conflict then escalates into the Paregreg war between Majapahit and Pamotan.
Director
Set at the end of the Majapahit era, Bre Wirabhumi, son of Hayamwuruk, but born from a concubine, demands his right to be king of Majapahit. The kingdom is then ruled by Wikramawardhana, son-in-law of Hayamwuruk. To rival Majapahit, Bre Wirabhumi creates the Pamotan kingdom and looks for allies amongst other kingdoms. This creates confusion among the kingdoms friendly with Majapahit. Brama Kumbara (Fendy Pradana) from the Madangkara kingdom tries to settle the dispute. What happens instead is a misunderstanding that leads to the death of Brama’s envoy. Even worst, the lover of the murderer, Lasmini (Murti Sari Dewi), takes revenge by kidnapping Brama’s wife. The conflict then escalates into the Paregreg war between Majapahit and Pamotan.
Screenplay
A story of a Malaysian high school teacher and his wife that move to Indonesia into a new home whose former owner had been killed by burglars.
Writer
Director
A horror film based on mysticism, Gumara comes to the village of Kumayan to become a teacher. He is also looking for his biological father. Since his arrival, he has to face many strange things. Even a visit to Lebai Karat causes Gumara to deal with a tiger demon. Fortunately, Harwati, the daughter of Lebai Karat, comes to help. Then it is learned that Gumara has a similar power to hers. Harwati falls in love with Gumara, and so does his smartest student, Pita Loka. It is later discovered that Gumara is the illegitimate child of Lebai Karat. Gumara wants to conquer the power of the tiger demons. Learning this intention, six other tiger demons get involved. Five of them attack Gumara, who is defended by his father, Lebai Karat. Within its genre, this film might be considered one of the best.
Screenplay
Swordfights, disturbing midgets, kung fu, black magic, killer centipedes, zombies, special effects rivalling the Turkish Evil Dead.
Director
Saraswati and Pandu get married. Sam, whose love was rejected by Saraswati, intrudes into their lives. Saraswati’s concern is proven when Pandu has an accident. He breaks his leg and his face is injured. With a help of a shaman, Sam manages to disfigure Pandu's face and seduce Saraswati. Sam's girlfriend Utari becomes irate over all of this and finds another shaman to harm Saraswati. Can Islamic religious leader Kyai sort all this out?
Director
Swordfights, disturbing midgets, kung fu, black magic, killer centipedes, zombies, special effects rivalling the Turkish Evil Dead.
Screenplay
Writer
Too caught up with their work, high school teenager Tasia and her sister, Sandra, are rebelling against their parents. Fortunately, the teacher, Hangga, is able to divert their youthful passion. Tasia changes due to Hangga’s influence, and she even falls in love with him. However, Sandra is made pregnant by her boyfriend, Robby.
Director
Screenplay
Samboja, a thug who controls an area, catches Ceking and his friends who are trying to rape two girls, Dyah Setiowati and Marlina. Samboja tries to help and is stabbed. Samboja is thought to be the rapist and is arrested. One of the victims, Dyah Setiowati, defends him to the police and he is released. But this incident makes him an enemy of the drug syndicate, who the rapist Ceking works for. Although his friend, Leo, who also works for the syndicate, defends him, the drug boss orders his men to kill Samboja. Dyah, the daughter of a cultural attaché, sympathises with him, especially when she finds out that he visits the daughter of Astri, the prostitute, in the orphanage.
Screenplay
Wawan is an orphan who grows up in the midst of squalour and thieves. Like his friends, he has to pay tribute to their mean boss who enjoys torturing them if the money is too little. This memory is remembered in his adult years, although he works for another boss. He commits no more petty crimes. He has temperance and he won’t kill anybody. But he forgets this restraint when he robs the house of a gold trader. The daughter of the trader who is hiding in the room suddenly runs out when she hears a siren. Wawan panics and kills her. This incident begins to haunt him. With the help of his girlfriend, Suci, whom he meets in the brothel, Wawan intends to give up crime. He works as a labourer in a construction project. His friends worry that he would betray them so they want to kill him. When they attack him, his fellow worker, Daniel, helps him. Daniel, who is a Surabayan thug, invites him to join the gang.
Director
Wawan is an orphan who grows up in the midst of squalour and thieves. Like his friends, he has to pay tribute to their mean boss who enjoys torturing them if the money is too little. This memory is remembered in his adult years, although he works for another boss. He commits no more petty crimes. He has temperance and he won’t kill anybody. But he forgets this restraint when he robs the house of a gold trader. The daughter of the trader who is hiding in the room suddenly runs out when she hears a siren. Wawan panics and kills her. This incident begins to haunt him. With the help of his girlfriend, Suci, whom he meets in the brothel, Wawan intends to give up crime. He works as a labourer in a construction project. His friends worry that he would betray them so they want to kill him. When they attack him, his fellow worker, Daniel, helps him. Daniel, who is a Surabayan thug, invites him to join the gang.
Screenplay
A man whose parents were killed by Dutch soldiers plots revenge.
Writer
The DEVIL'S SWORD lies hidden in a secret cave inside Devils Mountain, everything evil will fight to the death for it... "For whoever possesses the sword, will rule the kingdom!" Four warriors attack the keeper of the mountain and try to force him to hand over the map that will lead them to the sword. The tortured keeper escapes and runs to MANDALA his master, who after hearing of the attempt, sets off on his own journey to save the DEVIL'S SWORD. He has many blood-curdling battles along the way, he is attacked by the evil crocodile men and encounters many fiendish traps set for intruders entering the mountain. At last MANDALA captures his prize - can he call upon the Gods and use the mystical sword against the raging warriors with their awesome magical power? Will he win the fight with the crocodile queen who craves the DEVIL'S SWORD at any cost?
Screenplay
Indonesian war movie set during the Japanese occupation of WWII.
Director
Indonesian war movie set during the Japanese occupation of WWII.
Writer
Aladin, a teenage orphan, finds a pile of treasure through a sorcerer who claims to be the older brother of his late father. In that place, he finds a magic lamp.
Screenplay
The story of Indonesia's fight for independence from the Dutch.
Director
The story of Indonesia's fight for independence from the Dutch.
Writer
Barry Prima plays Jaka Sembung, a Robin Hood figure who possesses mystical powers. Captured, tortured and left for dead, he returns even more powerful than before. In desperation the invaders resurrect an evil wizard and set him against Jaka Sembung in a fierce fight to the death.
Screenplay
Princess Cinderella gives birth to a baby girl. The king, the baby’s father, gives her the name, Ira Maya. The neighboring King, who plans to betroth the baby with his son, attends the big party for the baby’s birth. The celebration is ruined with the appearance of the Wicked Witch who curses that Ira Maya will die if a needle pricks her. This is actually the plot of the Stepmother who wants to ruin Princess Cinderella’s happiness. To avoid this evil plan, Ira Maya is raised in the forest by the four good fairies. They keep moving and Ira Maya even changes her name to Mawar because the Wicked Witch is hunting her. When Mawar is an adult, she plays by the waterfall and meets a hunter. The good fairies explain to him who Mawar actually is. When she is approaching 17, Ira Maya and the four good fairies return to the palace. But the Step Mother and the Wicked Witch still want to see her suffer and even hunt the Hunter, who is actually the son of the neighboring King.
Screenplay
Ateng has felt how difficult it is to live with his stepmother. He is often being shouted at and even gets slapped. His father never stands by him. The village people are impressed to see the appearance of Iskak, Ateng’s old friend, who has just returned from Jakarta. This causes Ateng to yearn to leave for the capital city. And so Ateng joins Iskak. Once they arrive in Jakarta, their bags are stolen. Apparently Iskak has been talking big, as it is difficult for him to find a job. Ateng feels miserable in the capital city. He has been beaten up, starved and tricked. Ateng feels the capital city is crueler than his stepmother.
Screenplay
People on an island are brutally murdered one by one by a mysterious stranger in this Indonesian Friday the 13th rip-off.
Screenplay
A woman is seduced by and cast aside by a fickle lover. When the lover marries another woman who starts hallucinating during their wedding, she is accused of being a witch and thrown to her death over a cliff. A strange man rescues her, nurses her back to health, and is told that she must master black magic in order to exact vengeance on her tormentors. She casts a variety of spells over the populace--with the male population as her favorite target, and becomes the queen of black magic. But who, exactly, is the man, and does he have other plans?
Screenplay
A wealthy family stop practicing their Muslim faith and are tormented by the undead after their mother dies.
Story
With a cast of dangdut singers and dangdut groups, this film also highlights a dangdut music festival. H. Imron forbids his daughter Diana to sing dangdut. Her outdoor activities are watched carefully. Meanwhile, Diana teaches their talented housemaid, Itje, to sing dangdut. Later she takes part in the dangdut music festival.
Screenplay
With a cast of dangdut singers and dangdut groups, this film also highlights a dangdut music festival. H. Imron forbids his daughter Diana to sing dangdut. Her outdoor activities are watched carefully. Meanwhile, Diana teaches their talented housemaid, Itje, to sing dangdut. Later she takes part in the dangdut music festival.
Story
Surya, a retired ship captain and a widower with five children, has trouble with disciplining his kids. So he invites a private teacher to educate and guide his children. Several teachers try and fail. Eventually, a young teacher, Utari, is able to conquer them slowly. One day the children disturb Surya’s future wife. She suspects that Utari is behind it all, so she is fired. Utari goes home, heartbroken. The children are gloomy and the youngest one gets sick. Surya approaches the teacher to work again for them. Utari refuses. Only when the children approach her does she relent and return to Surya’s house.
Singer Anna Maria Larasati is a widow with one child but after returning from a visit abroad, she regains her popularity back home. One of her fans, Johan, is the son-in-law of a rich man, who is not happy with his marriage and now tries to pursue Anna Maria. But she rejects him and he gets into an accident and is killed. Then Budiman, comforts her and also helps her take care of her son, Boy. Budiman has been attracted to Anna for a long time but when their love starts to bloom, Anna’s chronic disease strikes back. On her deathbed, she asks Budiman to look after Boy.
Story
Ira Maya lives with her grandfather, Ateng, in a village. Their relationship is so close that they are inseparable. One day, Ira falls from her bike and is hurt. When she doesn’t recover, they find out that Ira has cancer. Her leg has to be amputated, and Ateng suffers for Ira’s misfortune.
Screenplay
Ira Maya lives with her grandfather, Ateng, in a village. Their relationship is so close that they are inseparable. One day, Ira falls from her bike and is hurt. When she doesn’t recover, they find out that Ira has cancer. Her leg has to be amputated, and Ateng suffers for Ira’s misfortune.
Story
Gepetto is a wooden doll maker who longs to have a child. The Blue Fairy magically transforms one his dolls, Pinokio into life. Gepetto raises him as his own son. Pinokio grows to be a naughty boy, so the Blue Fairy assigns Jimmy, the Cricket, to supervise him. Pinokio goes through several adventures: being transformed into a donkey because of his mischief, and saving his father from inside a whale.
Screenplay
Gepetto is a wooden doll maker who longs to have a child. The Blue Fairy magically transforms one his dolls, Pinokio into life. Gepetto raises him as his own son. Pinokio grows to be a naughty boy, so the Blue Fairy assigns Jimmy, the Cricket, to supervise him. Pinokio goes through several adventures: being transformed into a donkey because of his mischief, and saving his father from inside a whale.
Story
Bung and Mas are two caretakers in an orphanage at the outskirts of the city. One night, Bung and Mas find a baby abandoned at their front yard. They have a dilemma: if they take it, they are afraid of being scolded by the head of the orphanage, Mr. Sastro; if they do not take it, it is against their conscience and profession. So they take the baby, and are relieved that he is well accepted by Mrs. Sastra and the children in the orphanage. Then Bung and Mas have an altercation with some thugs who chase them, and a car hits them so they end up in the hospital. But in the end, the children they care for are the ones who protect them.
Screenplay
Bung and Mas are two caretakers in an orphanage at the outskirts of the city. One night, Bung and Mas find a baby abandoned at their front yard. They have a dilemma: if they take it, they are afraid of being scolded by the head of the orphanage, Mr. Sastro; if they do not take it, it is against their conscience and profession. So they take the baby, and are relieved that he is well accepted by Mrs. Sastra and the children in the orphanage. Then Bung and Mas have an altercation with some thugs who chase them, and a car hits them so they end up in the hospital. But in the end, the children they care for are the ones who protect them.
Writer
Three students, Tommy, Rita, and Robert, and their guides head into the jungle to study primitive tribes separated from civilization. However, the students say the one tribe they visit isn't primitive enough, and they want to find some really savages, and to locate the legendary cannibal tribe supposedly living in the area.
Story
At the Kuntul Putih School of martial arts, the teacher Sekarwangi receives a telegram that his ex-student, Anom Subali, is robbing people. So Ateng and Iskak, students of Sekarwangi who have just graduated, are told to go and defeat Anom’s group. Ateng is given a magical weapon (a cloth belt) while Iskak is also given a weapon (a flute). So Ateng and Iskak face many battles against Anom’s men. A love story is also woven in as a subplot. The comedy is mixed with action as it uses a martial arts story as a background.
Screenplay
At the Kuntul Putih School of martial arts, the teacher Sekarwangi receives a telegram that his ex-student, Anom Subali, is robbing people. So Ateng and Iskak, students of Sekarwangi who have just graduated, are told to go and defeat Anom’s group. Ateng is given a magical weapon (a cloth belt) while Iskak is also given a weapon (a flute). So Ateng and Iskak face many battles against Anom’s men. A love story is also woven in as a subplot. The comedy is mixed with action as it uses a martial arts story as a background.
Art Direction
Ateng is spoiled by his grandmother and this troubles his parents since Ateng is a little mentally challenged and needs special education from a teacher. The presence of Iskak, a village kid who is adopted and brought there to accompany Ateng is also a worry as Iskak always has ideas for his own profit. Ateng becomes very dependent on Iskak, so when Iskak is told to leave after he is accused of stealing a neighbor’s watch (though unproven), Ateng is very upset. Then he climbs up a water tower and refuses to come down until Iskak returns.
Art Direction
Don Ateng Singaleon throws a party and the beautiful Dona Vivi attends and immediately gains Iskak Kreolibo’s attention. But the party is disrupted by the arrival of the Kribo tribe who want to seek revenge for an incident at the lake. One day, Papai the sailor appears and he gets along well with Dona Vivi until Iskak becomes jealous. Later, Iskak uses the Kribo tribe to help him get his way. The story itself can be considered superfluous as they merely set up the jokes for the scenes.
Art Direction
Ateng and Iskak try their fortune in Jakarta by working as helpers for Bagio, who makes fun of them all the time. Then, they meet Vivi and Erni whose car breaks down and they help to pull the car to their house. After getting a job from the girls, Iskak starts to dream about Erni. Iskak tells Ateng about his dream and the father overhears this. So they are both fired. But the house servant, Ardi, gives them an address of his relative, Diran, who owns a garage. They get the job and on one delivery, they meet Vivi and Erni, who brings them back to work at home, at the request of their father. There are funny musical scenes in the film, one of which features three songs in a row.
Art Direction
An argument erupts within a well-known touring theater group that separates the three friends from their primadona, Ernie Djohan. Kris Biantoro, Ernie’s boyfriend, takes advantage of this chaos, to take over the group. So the three friends start a new group, and fortunately they successfully launch their careers in film.
Art Direction
Farm workers, Ateng and Iskak, have won a lottery that makes them millionaires overnight. They desert their village for Jakarta. One day, they meet Vivi, the daughter of a hotel CEO, Eddy Sud, and she introduces them to him. He manages to convince Ateng and iskak to return to their village.
Art Direction
Ateng and Iskak are two labourers. They meet Eddy Sud, a scholar-impostor and two eccentric men who carry a treasure map. They agree to look for the treasure. On their journey, the group meets two young girls. Ateng and Iskak start to flirt with the girls. Meanwhile, there is a group of criminals who wants to loot the treasure once they dig it up. However, the two eccentric men are just patients from the mental institution who are being trailed by the police.
Art Direction
This time Ateng and friends are dressed in costumes recalling Baghdad’s sultanate. The story is similar to Ali Baba and the 40 Thieves. The poor Ali Baba becomes suddenly rich after finding a treasure in a cave that actually belongs to the King of Robbers. After hearing about the treasure, Ali’s brother goes into the cave to take some but forgets the magic password and is trapped inside. When the King of Robbers arrives, he learns that Ali Baba has found out their secret. So a duel ensues between Ali Baba and the King of Robbers, and in the end the police apprehends them. Ateng and friends are hilarious and the Baghdad set and costumes bring back the nostalgia of old stage performances.
Art Direction
Set in the world of cowboys, the sharpshooter Eddy Sud saves Vivi, Bing’s daughter. Bing himself receives a threat from a bandit group and because of that contracts Eddy Sud to help him.
Art Direction
Titiek, a widowed “dangdut” singer, has adoptive children, Ateng and his older sibling, Enny. Meanwhile Eddy Sud, a widower whose collection is 90 per cent “dangdut” songs, has a daughter, Vivi, whose Ateng had relationship with. Their parents don't approve of the romance between Ateng and Vivi, so they keep their relationship a secret.
Art Direction
A criminal on the lam takes on a new identity as a shaman, which causes all kinds of problems when various people come to him looking for help.