Nadine Labaki

Nadine Labaki

Birth : 1974-02-18, Baabdat, Lebanon

History

Nadine Labaki (born February 18, 1974) is a Lebanese actress and director. She is one of the well known directors in the Arabic music video industry. Nadine is usually credited for bringing artists into the scene. In 2007, Labaki co-wrote, directed, and starred in her feature-film debut, Caramel, which became an international sensation at film festivals and went on to achieve box office success. It showcases a Beirut that most are not familiar with. Rather than tackle political and religious issues which have plagued Lebanon, she presents a romantic comedy that deals with five Beirut women who gather at a beauty salon and deal with love, sexuality, tradition, disappointment, and everyday ups and downs. The film garnered Labaki much acclaim as both a director and actress, and put her on Variety's 10 Directors to Look Out for List. Description above from the Wikipedia article Nadine Labaki, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Profile

Nadine Labaki
Nadine Labaki
Nadine Labaki
Nadine Labaki
Nadine Labaki
Nadine Labaki
Nadine Labaki
Nadine Labaki
Nadine Labaki
Nadine Labaki
Nadine Labaki
Nadine Labaki
Nadine Labaki
Nadine Labaki
Nadine Labaki

Movies

Back to Alexandria
After more than 20 years, Sue returns from Switzerland to her home country Egypt because her mother Fairouz is in a hospital bed. Sue ran away from the eccentric aristocrat as a young adult. Now she feels compelled to meet her again.
Costa Brava, Lebanon
Souraya
Members of a family quit the polluted, rubbish-strewn city of Beirut for an idyllic mountain home. However, their dreams of a utopian existence are shattered by the construction of a landfill on the boundary of their land.
Perfect Strangers
May
Do we truly know one another? Every one of us has three lives: a public, a private and secret one. What we once stored in our memories is now being stored in our phones - what happens when these are made public?
1982
Yasmine
"1982" is a life-affirming coming-of-age tale set at an idyllic school in Lebanon’s mountains on the eve of a looming invasion. It unfolds over a single day and follows an 11-year-old boy’s relentless quest to profess his love to a girl in his class. As the invasion encroaches on Beirut, it upends the day, threatening the entire country and its cohesion. Within the microcosm of the school, the film draws a harrowing portrait of a society torn between its desire for love and peace and the ideological schisms unraveling its seams. In his debut feature, director Oualid Mouaness delivers an ode to innocence in which he revisits one of the most cataclysmic moments in Lebanon's history through the lens of a child and his vibrant imagination. The film demonstrates the complexities of love and war, and the resilience of the human spirit.
Capernaum
Nadine
Zain, a 12-year-old boy scrambling to survive on the streets of Beirut, sues his parents for having brought him into such an unjust world, where being a refugee with no documents means that your rights can easily be denied.
Capernaum
Writer
Zain, a 12-year-old boy scrambling to survive on the streets of Beirut, sues his parents for having brought him into such an unjust world, where being a refugee with no documents means that your rights can easily be denied.
Capernaum
Director
Zain, a 12-year-old boy scrambling to survive on the streets of Beirut, sues his parents for having brought him into such an unjust world, where being a refugee with no documents means that your rights can easily be denied.
The Idol
Shadia
Mohammed Assaf, an aspiring musician living in Gaza, sets a seemingly impossible goal: to compete on the program "Arab Idol."
The Price of Fame
Noor
A criminal duo learns of Charlie Chaplin's death and decides to steal his coffin to hold for a ransom.
Rio, I Love You
Writer
The third episode of the Cities of Love franchise, Rio, I Love You is an anthology, created by 10 visionary directors from across the globe. The story line of each segment focuses on an encounter of love in a different neighborhood of the city, demonstrating the distinctive qualities and character of that location. The film serves to bridge gaps between cultures, educating and entertaining the audience, while celebrating unique and universal expressions of love.
Rio, I Love You
Herself (segment "O Milagre")
The third episode of the Cities of Love franchise, Rio, I Love You is an anthology, created by 10 visionary directors from across the globe. The story line of each segment focuses on an encounter of love in a different neighborhood of the city, demonstrating the distinctive qualities and character of that location. The film serves to bridge gaps between cultures, educating and entertaining the audience, while celebrating unique and universal expressions of love.
Rio, I Love You
Director
The third episode of the Cities of Love franchise, Rio, I Love You is an anthology, created by 10 visionary directors from across the globe. The story line of each segment focuses on an encounter of love in a different neighborhood of the city, demonstrating the distinctive qualities and character of that location. The film serves to bridge gaps between cultures, educating and entertaining the audience, while celebrating unique and universal expressions of love.
Mea Culpa
Alice
Franck and Simon are both good cops. They work as partners. But their lives take a tailspin when Simon, driving drunk, causes a tragic car wreck. A few years later, out of the police, he is forced to take matters into his own hands when his family is in danger.
Rock the Casbah
Miriam
The whole family is reunited when Sofia comes back for his father's funeral. Quickly, inner problems are revealed.
Where Do We Go Now?
Screenplay
On a remote, isolated, unnamed Lebanese village inhabited by both Muslims and Christians. The village is surrounded by land mines and only reachable by a small bridge. As civil strife engulfed the country, the women in the village learn of this fact and try, by various means and to varying success, to keep their men in the dark, sabotaging the village radio, then destroying the village TV.
Where Do We Go Now?
Amale
On a remote, isolated, unnamed Lebanese village inhabited by both Muslims and Christians. The village is surrounded by land mines and only reachable by a small bridge. As civil strife engulfed the country, the women in the village learn of this fact and try, by various means and to varying success, to keep their men in the dark, sabotaging the village radio, then destroying the village TV.
Where Do We Go Now?
Director
On a remote, isolated, unnamed Lebanese village inhabited by both Muslims and Christians. The village is surrounded by land mines and only reachable by a small bridge. As civil strife engulfed the country, the women in the village learn of this fact and try, by various means and to varying success, to keep their men in the dark, sabotaging the village radio, then destroying the village TV.
Stray Bullet
Noha is about to marry. Her family is relieved to see her take advantage of this last chance before officially becoming a spinster just like her old sister. All is well in the brave new world and yet, this Sunday in the month of August in the year 1976 in Lebanon, two weeks before the wedding, while the same night his brother organized a dinner in his honor friendly, Noha changes her mind.
The Father and the Foreigner
Zaira
Caramel
Screenplay
In a beauty salon in Beirut the lives of five women cross paths. The beauty salon is a colorful and sensual microcosm where they share and entrust their hopes, fears and expectations.
Caramel
Layale
In a beauty salon in Beirut the lives of five women cross paths. The beauty salon is a colorful and sensual microcosm where they share and entrust their hopes, fears and expectations.
Caramel
Director
In a beauty salon in Beirut the lives of five women cross paths. The beauty salon is a colorful and sensual microcosm where they share and entrust their hopes, fears and expectations.
Bosta
Alia
After 15 years in France, Kamal returns to his native Beirut and reassembles his dance crew, striving to modernize traditional Dabke routines.
Ashes
Nabil returns to Beirut with the ashes of his father who died abroad. He tries to overcome his bereavement while his family insists on respecting rites and customs by burying a non-existent corpse.
Swimming Home
It follows of Joe and Isabel's marriage, which is dying. A naked stranger is found floating in the pool at their holiday villa, and they invite her to stay. What kind of relief can she provide for this family in crisis?
The Invisibles
Director