Jan-Christoph Glaser

Movies

Stereo
Visual Effects
Erik has is own motorbike workshop in a sleepy little town. He may have the telling word ‘scoundrel’ tattooed onto his lower arm but he nonetheless creates an impression of a well-behaved average Joe. His relationship with his girlfriend Julia is going well and her daughter Linda is very fond of her new Dad. But then all of a sudden the mysterious Henry appears and begins following him about like a sinister shadow. The more Erik tries to shake off his diabolical guest the more Henry intrudes into his life. But then when a violent gangster named Keitel enters the fray and threatens not only Erik but Julia and Linda, Erik’s seemingly ideal world begins to run off the rails.
In der Überzahl
Idea
66/67 - Fairplay war gestern
Director
For six young men, who could hardly be more different from one another, the fan club of the Eintracht Braunschweig football club is the center of their life and their friendship. 66/67 is the name of their club as well as the year in which Eintracht Braunschweig won the German Championship.
1. Mai – Helden bei der Arbeit
Editor
An eleven-year-old Turkish boy, two young men from a small town, and a cuckolded policeman from the sticks all find their way to Berlin on May Day, where, in the district of Kreuzberg, emotions come to the boil every year.
1. Mai – Helden bei der Arbeit
Director
An eleven-year-old Turkish boy, two young men from a small town, and a cuckolded policeman from the sticks all find their way to Berlin on May Day, where, in the district of Kreuzberg, emotions come to the boil every year.
Neandertal
Director
17-year-old Guido suffers since his early childhood from neurodermatitis. After being taken to the hospital due to a heavy attack, he starts to question his personal and familiar environment and discovers that his parents’ relationship – which he assumed to be happy and sound – is built on lies. Unable to deal with this disappointment, he flees from it and moves in with his older brother and his roommates...
Detroit
Director
Edzard is on his way from Berlin to Braunschweig to visit his family. During the trip the reason of his visit becomes clear, or doesn't it? During the trip he meets several people, most of them more than once. How this is possible becomes not quite clear until the end.