In late 19th-century Sicily, the noble Uzeda family – whose lineage dates back to the ancient viceroys that ruled those lands – fights to preserve its waning power in the face of the newly unified Italian regime.
Ida
Matriarch Adele's death prompts an unexpected and often incendiary reunion for the large Gori family – unaware that inside her coffin lie also the stolen goods of a robbery by her son Danilo.
Aldo and Vittorio are two men suffering from disabilities. One is blind, the other is forced to a wheelchair. Vittorio one day by chance meets Aldo in the hospice and invites him to take a pleasure trip to Sanremo in Liguria. In fact Vittorio, though blind, is a cheat who’s in trouble.
Before finally entering the afterlife, the dead spend a period in a limbo from which they depart only when, among the living, there is no one who remembers them. Under the care of the salacious Domenico the visitors of a small cemetery recount how they arrived at eternal peace.
Grandma
Italian comedy produced by Cannon featuring songs by Enrico Ruggeri.
Parisina
A teacher (Saverio) and a schoolkeeper (Mario) get lost in the Italian countryside. They find themselves in the late 15th century, they met Leonardo da Vinci and try to teach him how to play cards, they try to stop Columbus, they sing beatles's song etc...
The Nun as a Car Driver
This is the (funny) story of four agents of Roma traffic police in the '50s. Their life are crossed in affairs that often retire from mere job relationships. 'Guardia scelta' (special agent) Giuseppe tries to be a composer, he wants to write the anthem for the roman traffic police. 'Guardia'(agent) Alberto Randolfi has a too strong inclination to fine everyone and is dreaming about learning French. 'Brigadiere' (sergeant) Pietro Spaziali is busy looking at his little son Tonino and daughter Maria who is going to marry a boxer. The 'Maresciallo' (Marshal) tries to manage and solve all the troubles they often do.
La Suorina
When Gelsomina, a naïve young woman, is purchased from her impoverished mother by brutish circus strongman Zampanò to be his wife and partner, she loyally endures her husband's coldness and abuse as they travel the Italian countryside performing together. Soon Zampanò must deal with his jealousy and conflicted feelings about Gelsomina when she finds a kindred spirit in Il Matto, the carefree circus fool, and contemplates leaving Zampanò.
Six separate episodes exploring themes of love, sex and romance in the Italian capital. "Paid Love" offers a glimpse into prostitution; "Attempted Suicide" features would-be suicides discussing their despair; "Paradise for Three Hours" depicts an evening at a provincial dance hall; "Marriage Agency" follows an investigative reporter posing as a husband-to-be; "Story of Caterina" tells the story of a young unwed mother forced to abandon her child; and "Italians Stare" catalogues the girl-watching techniques of Italian men.
Goethe's drama and Gounod's opera "Faust" is treated here like a movie rather than the usual photographed-opera from a stage method. Faust is a man who sells his soul to Mephistopheles in exchange for eternal youth, and the latter, with guileful glee, leads Faust to disaster along the paths of pleasure. Marguerite falls in love with Faust, and suffers as a consequence.
