Claire Johnston

Erik is convinced he has a stone for a heart. That’s why he doesn’t mind that his parents have no time for him, or that he is bullied at school, or that he has no real friends. When his family moves to a villa they inherited, he is confronted by Maria whom Erik's parents want to kick out along with her father. Maria refuses to move and promises to make Erik's life a living hell. As a last attempt to defeat Erik, Maria goes to look for her mother who disappeared two years ago. Together they end up on a fantastical journey to the In-Between-World and Erik learns how hard it really is to wear a heart of stone.

After 20 years of marriage, Maria decides to leave her husband. She moves into room 212 at the hotel across the street, with a bird’s-eye view of her apartment, her husband and the life she shared with him. While she wonders if she made the right decision, many of the people in her life offer their opinions on the matter. They intend to let her know, whether she likes it or not, on what proves to be a life-changing evening.

An Irish undertaker profits when outlaws take over a peaceful town, but his own family come under threat as the death toll increases dramatically.

Based on the novella by Henry James Beast in the Jungle depicts the enigmatic love story of John Marcher and May Bartram. Their duet around an omnious secret is captured in a style both physical and poetic. Set in a remote countryside mansion the story stretches over a century, spiraling from the Jamesian late 19th century to the global present.

Ruggero, a meek young man, impulsively robs a bank to prove to his ex-wife that he is courageous and masculine. A police investigation engulfs everyone except our unassuming hero who is completely ignored. Through a set of hilarious coincidences, he gets away with the robbery, while corrupt bank officials take the fall for what looks like an inside job.

The daughter of a Scottish farmer comes of age in the early 1900s.

English-language adaptation of Albert Cohen's epic Swiss tale of a tortured love affair between a high-ranking Jewish official and the protestant wife of one of his employees.

HANNAH ARENDT is a portrait of the genius that shook the world with her discovery of “the banality of evil.” After she attends the Nazi Adolf Eichmann’s trial in Jerusalem, Arendt dares to write about the Holocaust in terms no one has ever heard before. Her work instantly provokes a furious scandal, and Arendt stands strong as she is attacked by friends and foes alike. But as the German-Jewish émigré also struggles to suppress her own painful associations with the past, the film exposes her beguiling blend of arrogance and vulnerability — revealing a soul defined and derailed by exile.

A woman struggles to interact with her family and find her place in society after spending fifteen years in prison.

A sixteen year-old girl living with her widowed father in the Ardennes forest befriends a twenty-two year old orphan whose manipulative aunt contrives to keep him immature in the feature directorial debut of filmmaker Stéphan Carpiaux. A tragic accident has claimed the life of Alex's mother, and now the grieving teen will be forced to grow up before her time. Though Alex's father Frank wages a valiant struggle to overcome the apathy that consumes him following the loss of his beloved wife, the situation grows complicated when the naïve adolescent unintentionally compounds her father's pain. As tenderness threatens to give way to desire, Alex makes the acquaintance of twenty-two year old Hector. Later, as a friendship begins to blossom between Alex and Heather, Alex becomes acutely aware of just how damaging her relationship with her father has become.

Rachel, an American journalist in Paris, is present the night of the fateful accident of Princess Diana and witness to the crime scene. As she starts to investigate, Rachel uncovers information that leads her to believe this was no accident, and she soon learns that there are people out there who will stop at nothing to silence her.

A period drama set in the early years of the 20th century. Josef, a former construction worker who delighted in dancing on girders high above the city, who now sweeps up at the circus. Once the big top's owner spots the young roustabout defying gravity on the trapeze, however, he endeavors to pair Josef with his aerialist daughter Alice in a perilous sky-high pas de deux. Offers a romantic view of big top life, with a moth-eaten angel in his feathered, tattered costume.

This film, adapted from a work of fiction by author Tracy Chevalier, tells a story about the events surrounding the creation of the painting "Girl With A Pearl Earring" by 17th century Dutch master Johannes Vermeer. A young peasant maid working in the house of painter Johannes Vermeer becomes his talented assistant and the model for one of his most famous works.

In an undisclosed location and time, in the land of 1001 nights, the law dictates that the Emperor must take a new wife if his current Empress does not bear a son within seven years of marriage. At the celebration Ball of their sixth wedding anniversary, the Emperor (MAX BEESLEY - Torque) and his faithful manservant, Chamberlain (JONATHAN RHYS-MEYERS - Vanity Fair, Bend It Like Beckham, I'll Sleep When I'm Dead) begin the covert operation to find and prepare a virgin candidate to become the new Empress.A suitable young woman, Sabah (LETICIA DOLERA) is secretly transported into an isolated wing in the Imperial Palace. In this prison of fairytale rooms, she is tutored by the Masters and spied upon by the Emperor and Chamberlain. Should the current Empress (ROSANA PASTOR) conceive, everyone in the secret wing will be executed.

After the death of his wife, wealthy businessman Philip Emmenthal and his son Storey open their own private harem in their family residence in Geneva (they get the idea while watching Federico Fellini's 8½ and after Storey is "given" a woman, Simato (Inoh), to waive her pachinko debts). They sign one-year contracts with eight (and a half) women to this effect. The women each have a gimmick (one is a nun, another a kabuki performer, etc.). Philip soon becomes dominated by his favourite of the concubines, Palmira, who has no interest in Storey as a lover, despite what their contract might stipulate. Philip dies, the concubines' contracts expire, and Storey is left alone with Giulietta (the titular "½", played by Fujiwara) and of course the money and the houses.