In the first film in the series, in May 1908, famed Professor Henry Jones Sr. is invited to give lectures all over the world. He takes along his wife and son, and invites his former tutor Miss Helen Seymour to teach Henry Jr. during the trip. Their first stop is Cairo, Egypt. When Junior, who prefers to be called 'Indy' and Miss Seymour visit the pyramids, they are invited by T.E. Lawrence (another former student of hers) to join an archaeological dig. When the mummy disappears and a priceless headpiece is stolen, young Indy gets his first taste of adventure. On their next stop in Tangiers, the family stays with Professor Jones' former class mate Walter Harris. Indy befriends a young slave named Omar who belongs to Emily Keen. The two of them get into trouble when they Indy insists on visiting the market place to see a salted head displayed on a pole. Caught by slave traders, they are end up at an auction from which only Harris can attempt to rescue them.
In hospital, photographer Jinx Kingsley wakes from a coma after a car crash - a failed suicide attempt, prompted by her fiance Leo jilting her to elope with Jinx's lifelong best friend, Meg. The discovery of Leo and Meg's bodies - brutally murdered in the same manner as Jinx's first husband - makes Jinx the prime suspect. Then, with the help of eminent neuroscientist Dr.Alan Protheroe, some memories begin to surface. Memories of desperation and paralysing terror.
Gerald is a smart, young, high-flying American banker. Everything is great until his wife finds another woman's underwear in their bedroom and subsequently throws him out. He finds lodgings with Monica, a recently divorced 50-year old housewife, who is smitten with Gerald. But after their first night of love, Gerald avoids her. Monica feels used and betrayed until Gerald confesses he likes to dress up as a woman. Monica learns to accept and eventually support Geraldine, Gerald's alter ego. Based on the novel by Monica Jay.
A saga of class relations and changing times in an Edwardian England on the brink of modernity, the film centers on liberal Margaret Schlegel, who, along with her sister Helen, becomes involved with two couples: wealthy, conservative industrialist Henry Wilcox and his wife Ruth, and the downwardly mobile working-class Leonard Bast and his mistress Jackie.
