Rajat Dholakia

The film talks about how Indians, today, are blindly copying from the West, aspring to dissolve all the cultural and lifestyle differences between us and them.

The film talks about how in India everyone wants to be light skinned, and how there is a sense of idealism and beauty associated with fair skin, whereas it is negativity and repulsion that is associated with dark skin.

A poignant story of a middle aged fisherwoman who dreams of owning an auto rickshaw and the subsequent consequences that ensue

Bhatinda-based middle-classed Harpreet Gill is unable to get his three rather plain-looking and overweight daughters married and must live with constant criticism from his wife; his brother, Chiksi, is a fake dentist who incurs wrath of his patients; while his second brother, Fancy, is an out-of-work Punjabi movies' actor. The trio dislike each other and keep their distance. When their grandfather, Khetrapal Singh, passes away, the trio do get together and waste no time in squabbling with each other. They are, however, pleasantly surprised when they find out that he had left a mansion in their respective names. Their joy will turn to anger and disgust after they find out the location as well as the terms and conditions, spread over a period of three years, that go with this procurement.

Firaaq is an Urdu word that means both separation and quest. The film is a work of fiction, based on a thousand stories. The story is set over a 24-hour period, one month after a campaign that took place in Gujarat, India, in 2002. It traces the emotional journey of ordinary people- some who were victims, some perpetrators and some who choose to watch silently.

The film set in the 1940s, in a fictitious village in the Shekhavati region in Rajasthan, where no girl child survives beyond the age of seven. It deals with larger issues of communalism and caste system through four inter-related stories.

A frustrated housewife whose marriage to an average man does not meet her expectations enters into an affair with a younger man. Of course, there are no easy escapes from reality.

Caused by mysterious mosquitos, a strange illness spreads through the land, causing restlessness and agitation among the people. Young, ambitious and loyal to the throne, Hunshilal steps up to develop anti-mosquito medicines from onions. While doing so, he falls in love with his colleague.

Dharavi - known as the biggest slums on Earth, has many people living in abject poverty and destitute conditions. One such person is Rajkaran a taxi driver by profession, who has bought a taxi and is still for it in small installments. He, his wife, Kumud, and his son live in small tenement. Electricity and water are not available legally, but can be obtained illegally by paying middlemen, who in turn bribe the police and the Bombay Municipal Corporation (BMC) officials. Rajkaran's dream is to own his taxi, and start his own business - of dyeing clothes.

A 'filmscape' on the Kashmir valley.

Om Dar-Ba-Dar is a 1988 Indian postmodernist Hindi film directed by Kamal Swaroop and starring Anita Kanwar, Aditya Lakhia and Gopi Desai in lead roles. The film set in Ajmer and Pushkar in Rajasthan, employed nonlinear narrative and an absurdist storyline to satire mythology, arts, politics and philosophy.

A woman decides to fight against her powerful oppressor. When the guard of a chilli factory helps her, the women and the teacher of the village join them to openly defy the prevailing repression.

1987 Hindi drama film written and directed by Sudhir Mishra, in a directorial debut. It starred Manohar Singh, Habib Tanvir, B. M. Shah, Pankaj Kapur, Sushmita Mukherjee and Naseeruddin Shah in lead roles