Baltazar
Seu Romeu
Nilo Perequê is a successful comedian who stars in a TV show. When he wins the award for best comedian of the year, the comedian decides to radically change his career and devote himself totally to drama, leaving his family and businessman desperate.
Self
This documentary highlights the evolution of Brazil's Circo Voador venue from homespun artists' performance space to national cultural institution.
Genásio
Robinson
Maiquél has lost a bet and dyed his hair blond. This seemingly innocuous event triggers a head-on collision with destiny in which he goes from nobody to hero to outlaw — all in 24 hours.
Vaporupe
Middle-class girl gets involved with a jealous drug dealer, who wants to kill all of her previous boyfriends.
An accident at a construction site, resulting in one death, sets one worker off on a struggle for justice that exposes the mechanisms of exploitation and the class relations of a country that had undergone one decade of fast-paced ‘conservative modernisation’ at the hands of the military. As a sort of sequel to the classic The Guns (1964), following the fate of those characters as they move from enforcers of exploitation to exploited, it offers more than a snapshot of the period: the correspondent time lapses in fiction and reality capture the passage of a chunk of Brazilian history between the two films, and, therefore, also the transformations in cinematographic approaches to the social and political between the two moments. Equally daring in content and form, and in the originality of the adequacy of one to the other, it won the Silver Bear at Berlin.
