Katell Quillévéré

Katell Quillévéré

Birth : 1980-01-30, Abidjan, Côte d'Ivoire

Profile

Katell Quillévéré

Movies

Faithful
Writer
1956. Algeria is a French colony. Fernand and Helene are madly in love. Fernand is an activist, fighting for independence alongside the Algerians. Helene is fighting for Fernand’s life. History will irrevocably change the course of their destiny.
Alone at My Wedding
Co-Writer
Pamela, a young Roma, insolent, spontaneous and funny, embarks on a journey into the unknown, breaking away from the traditions that suffocate her. She arrives in Belgium with three words of French and the hope that marriage will change her and her daughter’s destiny.
Heal the Living
Screenplay
It all starts at daybreak, three young surfers on the raging seas. A few hours later, on the way home, an accident occurs. Now entirely hooked up to life-support in a hospital in Le Havre, Simon’s existence is little more than an illusion. Meanwhile, in Paris, a woman awaits the organ transplant that will give her a new lease on life.
Heal the Living
Director
It all starts at daybreak, three young surfers on the raging seas. A few hours later, on the way home, an accident occurs. Now entirely hooked up to life-support in a hospital in Le Havre, Simon’s existence is little more than an illusion. Meanwhile, in Paris, a woman awaits the organ transplant that will give her a new lease on life.
Suzanne
Screenplay
Suzanne and her family, a story of destiny. The ties that bind them, keep them together, and the love she pursues. Pursues to the point of leaving everything behind.
Suzanne
Director
Suzanne and her family, a story of destiny. The ties that bind them, keep them together, and the love she pursues. Pursues to the point of leaving everything behind.
Cinéast(e)s
Self
Is there such a thing as strictly feminine cinema? Is it more difficult for a woman than for a man to direct a film? Is gender parity necessary in the industry? Actress and producer Julie GAYET and actor and director Mathieu BUSSON ask these questions to twenty French woman filmmakers, who face a camera together for the first time. After over an hour of lively, informal, spontaneous and funny interviews, it becomes obvious that these issues are still problematic and definitely worthy of a documentary. As Mia HANSEN-LØVE remarks, “In the eyes of the people, a woman’s film is always a woman’s film, while a man’s movie is simply… a movie”.
Vandal
Screenplay
15-year-old Chérif feels like a million bucks behind the wheel of a stolen car. Placed under the guardianship of his Aunt and Uncle, he has to return to his apprenticeship as a mason. It's his last chance. But every night graffiti artists descend upon the city's walls. And with this, a whole new world opens up before him...
Love Like Poison
Writer
Anna, a young teenager, comes home from her Catholic boarding school for the holidays and discovers her father has left. Her mother is devastated and confined in the company of the local priest, who is also a childhood friend. Anna clings to her beloved grandfather. She also grows close to Pierre, a free-spirited teenager who cares little about God. Anna is preparing for her confirmation, but her budding desire for Pierre shakes her faith. She longs to give herself over, body and soul... but doesn't know if it is to God, or something else?
Love Like Poison
Director
Anna, a young teenager, comes home from her Catholic boarding school for the holidays and discovers her father has left. Her mother is devastated and confined in the company of the local priest, who is also a childhood friend. Anna clings to her beloved grandfather. She also grows close to Pierre, a free-spirited teenager who cares little about God. Anna is preparing for her confirmation, but her budding desire for Pierre shakes her faith. She longs to give herself over, body and soul... but doesn't know if it is to God, or something else?
L'échappée
Director
In her room, Mona, a young teenager, gets ready. She waits for the arrival of the one with whom she is in love.
L'échappée
Screenplay
In her room, Mona, a young teenager, gets ready. She waits for the arrival of the one with whom she is in love.
L'imprudence
Writer
Two 15-years-old teenagers meet in their village during the summer holidays. The boy takes the girl on a walk in the woods. She soon takes the lead.
L'imprudence
Director
Two 15-years-old teenagers meet in their village during the summer holidays. The boy takes the girl on a walk in the woods. She soon takes the lead.
À bras le corps
Screenplay
Two children get ready for school, inventing ritual games as they do every morning. But this morning, something has changed...
À bras le corps
Director
Two children get ready for school, inventing ritual games as they do every morning. But this morning, something has changed...
Le temps d'aimer
Writer
1947. On a beach, Madeleine, a waitress in a hotel restaurant, mother of a little boy, meets François, a rich and cultivated student. The force of attraction that pushes them towards each other is commensurate with the secrecy that each carries. If we know what Madeleine wants to leave behind by following this young man, we discover over time, what François is desperately trying to flee by mixing Madeleine's fate with his.
Le temps d'aimer
Director
1947. On a beach, Madeleine, a waitress in a hotel restaurant, mother of a little boy, meets François, a rich and cultivated student. The force of attraction that pushes them towards each other is commensurate with the secrecy that each carries. If we know what Madeleine wants to leave behind by following this young man, we discover over time, what François is desperately trying to flee by mixing Madeleine's fate with his.