Jacob Thuesen

Nanna has invited her daughter Cille and her best friend to celebrate Cille's 18th birthday on a cruise ship bound for the Caribbean. But the first evening of the dream vacation itself turns into a nightmare.

Follows Piv and Ulrik, who are trying to become part of the parent group in their daughter's new school class, going to great lengths to be admitted.

A cinematic, character-driven insight to what it meant to produce and to own a car in communist times: the Socialist propaganda dreams and the hard reality of living that dream. The freedom that these slow and clumsy vehicles were giving to their owners; the cars as an instrument in the Cold War battle; legends and homemade tune-ups as an attempt to stand at least a little bit off the crowd.

Documentary about Danish filmmaker, sports journalist and poet Jørgen Leth who struggles after surviving a major earthquake in Haiti.

From Danish director and actor Paprika Steen comes a caustic comedy about the deep-rooted grievances that can rip families apart -- and the ties that bind them together.

You can run into anything in the Danish woods, but a naked woman covered in blood is not something you see every day. Her name is Robin and she not only claims to have witnessed a gruesome murder but also to having killed her assailant in self-defense. The problem is that the police doesn’t find any trace to prove what happened to her. It remains a complete mystery. Robin feels abandoned by the police, who clearly think she’s the victim of an overactive imagination. Ever her husband and her sister have all the trouble in the world to believe her. She reaches a chilling conclusion. If she didn’t kill the murderer, he must still be out there, wanting to end what he started.

In every moment we make choices that define our being; choices that create shapes and patterns and carve out our lives. Until the pattern is broken – by faith, decision or coincidence. In Real Life is about such moments, where lives are drastically changed. As a multi-plot drama, created out of three years of acting improvisations, In Real Life follows three story threads with characters who come together by internet dating and by their persistent search for some kind of meaning in life between love and sheer survival.

Puck has been invited by her tutor at the university to celebrate midsummer at his secluded cottage on an island together with a group of friends, among them Einar Bure. Puck and Einar are having a secret relationship, and he is the reason she says yes to the invitation. Having been out on a romantic spree with Einar, Puck finds one of the female guests murdered. Einar contacts his friend Christer Wijk, but upon Christer's arrival, the dead body has disappeared. The contact with the outside world is broken when the island's only boat goes missing. They are trapped on the island - and someone among them is a killer...

A merman is washed not ashore but into the heart of a bustling metro. Disoriented, he walks around and runs into several characters, all of them in the middle of their nightly grind.

Crime story about a notorious gang of criminals and the policeman who went for broke to catch them. The gang were radical left-wing activists. In 1989, seven of them were charged with being behind a series of the most professional robberies in the history of Denmark. The many millions stolen in the gang's activities were transferred to the terror organization PFLP with the aim of supporting anti-Israeli Palestinians. The assumed leader of the gang, Jan Weimann, never revealed his double life to his wife or friends, and police superintendent Jørn Moos, who was in charge of the investigation, staked his career to catch the gang members.

A soldier returning from war is hired by her own father to drive his prostitutes around town. She calls upon herself to help one of them.

Erik Nietzsche is an intelligent but in many ways inexperienced shy young man who is convinced that he wants to be a film director. In the late 1970s, Erik is accepted by the Danish National Film School where he enters a world of angry and unhelpful tutors, weird fellow students and unwritten rules. In this both exhilarating and angst-provoking period for him, Erik feels increasingly like a foreigner in the film industry. Frequently, he is merely an observer of the absurdities that surround him. He encounters trade union disputes, falls in love and experiences self-assured empowered women who refuse to make a commitment. The film is a drama full of comedy - a sharp portrait of a conceited but entertaining world of film which we suspect our dogged young director will eventually conquer with his vision.

A chamber play taking place around Christmas, where Liv, her brother and mother are to celebrate Christmas together. The father has recently left the family and 14 year-old Liv cannot accept that Christmas is not what is used to be. Liv does her best in order to keep both family and Christmas together, but when her mother invites a young colleague to celebrate Christmas with them a painful struggle for power between Liv and her mother takes place.

Shortly after police discovers the murder of three friends, police inspector Wallander finds his friend and colleague Svedberg dead. First, it is believed that Svedberg killed himself but Wallander soon discovers links between Svedberg, the three friends and a fourth person, a young woman in a mental hospital.

On the surface Henrik and Nina Christofferson are an ordinary family living happily. But they have a problem. Their daughter, Stine, a difficult 14 year old, has a habit of telling lies in class. When Stine accuses her father of sexual abuse, and is believed by seemingly eager social workers, their family is thrust into crisis. Could Henrik have done it? And when Stine prepares to return home, the ugly side of family life is exposed.

The story of two lovers and their attempts to save their relationship in a near-future world on the brink of cosmic collapse. John, and world-famous ice skating star, Elena, are about to sign divorce papers when they realise that, in spite of everything happening around them, their love is worth fighting for. It's All About Love is a fresh take on modern love and future life as two lovers struggle in a conspiracy of epic proportions.

Kamilla, a young Danish girl leaves for Las Vegas to get married. During the ceremony she changes her mind and runs away. She is picked up by Rock, a 40 year-old loner on a motorcycle. A meeting with Rock's aunt sends them in pursuit of Rock's father. During the trip, Rock has been carrying a mysterious package, and shortly before arriving in Seattle, Kamilla discovers what the package contains...

Count Axel is a comedy that takes place somewhere in the Nordic countries in 1783. It's a classic comedy about mixed identities, with strong elements of contemporary humour and satire.

When kitchen fitter Niller comes to install Sus's new suite, their immediate attraction to one another proves a sweet escape from both of their problematic relationships.

Denmark in the 70's. The teenager Christoffer's parents Nisse and Maria have decided to move into a commune because they want to try the alternative lifestyle. But Christoffer doesn't like it and has trouble adapting. In school the others tease him because he lives in a commune. As a plan from the elders in the commune he starts in a Maoist group to learn about the real ways of the society. He doesn't like it but when his new girlfriend starts to see what he does as cool he goes into it. But at the same time the police start to suspect him to be the terrorist who blows up telephone booths around Copenhagen.

Mona is a young woman, engaged to a man who never shows up. She relies strongly on her supportive friend, Anne. Mona suspects that Anne's psychologist, Dr. Lark, is acting funny towards her friend, and decides to investigate. Mona and Anne will find themselves embroiled in a strange world of psychiatry and fanaticism, in which both young women's lives will be endangered.

Set in the neurosurgical ward of Copenhagen's Rigshospitalet, the city and country's main hospital, nicknamed "Riget", a number of characters, staff and patients alike, encounter bizarre phenomena, both human and supernatural.

A film documenting the life and death of Eik Skaløe as a poet and singer for the danish band Steppeulvene. A symbol for the Danish hippie-movement.

John Diresta is a NYPD cop working in the Subway and he hates his job. Last year, he was elected the Funniest Police Officer in New York, but his ambition as a stand up comedian goes beyond this. Jerry Howards is homeless, he lives in the tunnel between 2nd Avenue and East Broadway, he has not seen his family for five years. They live in Queens, he does not dare to visit them.

It's a movie about a subject that captivates me. And I can see that it also captivates the world and people and has done it at all times. It is the meeting with the stranger. Why is it so difficult to relate to those who's not like ourselves? We constantly divide the world into 'us against them'. Each time we meet a new person, we define ourselves in contrast to the other. We do not look at what connects us, but what separates us. It seems like something that is pervasive - not just for Denmark, Europe and the US, but in every possible society and culture in the world at all times. It is a common human condition that we have endless difficulty in dealing with the stranger. With this movie, I want to ask a single question that sets the world on fire. It is an exploration of my own wonder why the encounter with the stranger is so explosive and can make seemingly sensible people like myself and others mad.

Making film wears down director Lars von Trier, but he is not able to live without them. In the documentary film this Danish auteur’s all-consuming love affection for film is portrayed. Now he is standing at a cross-road. While film as we know it is dying.

Making film wears down director Lars von Trier, but he is not able to live without them. In the documentary film this Danish auteur’s all-consuming love affection for film is portrayed. Now he is standing at a cross-road. While film as we know it is dying.

Making film wears down director Lars von Trier, but he is not able to live without them. In the documentary film this Danish auteur’s all-consuming love affection for film is portrayed. Now he is standing at a cross-road. While film as we know it is dying.