Mariano Venancio

José comes back to his family house to take care of his father, Gonzalo. Old memories and unresolved conflicts will arise, in a moment where uncertainty and fear will act as a catalyst.

As the Great Epidemic ravages Europe, governments are struggling to divide the population. The "Fit" are evacuated to the â Capital Cities isolated behind protective walls, while in the outer areas, the "Unsuitable" try to survive on their fate.

Marc and Rebeca, a young couple, travel to an old country house that used to belong to their family. Once there, they write the shared history of their roots, creating a huge family tree that harbours relationships of love, heartbreak, sex, madness, jealousy and infidelity, and under which also lies a history laden with secrets.

Multiple love stories unfold in Barcelona during Christmas's Eve.

Ángela Vidal, the young television reporter who entered the building with the firemen, manages to make it out alive. But what the soldiers don't know is that she carries the seed of the strange infection. She is to be taken to a provisional quarantine facility, a high-security installation where she will have to stay in isolation for several days. An old oil tanker, miles off shore and surrounded by water on all sides, has been especially equipped for the quarantine.

A criminal produces an uncontrollable laughter to the population and Mortadelo and Filemón will have to stop him.

David (Javier Godino) is awakened by the startling news of the imminent end of the world, and decides to spend his last hours with his friend Jaime (Axier Etxeandia), but he finds Silvia (Ingrid Rubio), a prostitute newcomer to Madrid to rebuild her live.

The failed coup d'état of February 23, 1981, which began with the capture of the Congress of Deputies and ended with the release of parliamentarians, put at serious risk the Spanish democracy.

Julia's life takes place in the bath tub. Drop by drop she will build up the courage to change the order of things.

A man and a woman meet at a gallery. Who knows where the conversation can lead?

A religious organization interferes with the life of a terminally ill girl.

The planet is facing a great threat. During the worst drought ever known, a group of wrongdoers are in the process of finishing all the reserves of water that remain on Earth. The best secret agents in the world meet urgently, but they don't even have a clue. To make things even worse, the evil Botijola plans to sabotage the meeting. His intention is to convert the water into a substitute. In order to do this, he also tries to kidnap mad Professor Bacterio and get him to work for him. However, there are two things Botijola wasn't expecting. On the one hand, Bacterio, before being kidnapped, hid the parts of his invention in different historical moments, using a time machine. On the other hand, there are two international agents who haven't turned up at the sabotaged meeting, two agents who become the world's only hope: Mortadelo and Filemón.

In the Headquarters of the T.I.A. (Terminal Intelligence Agency), someone has stolen Professor Bacterio's most dangerous invention, the D.O.T. (Demoralizer of Troops), an artifact that ends up in the hands of a very short, wacky dictator who is ready to use it for criminal purposes. The T.I.A Chief, though, is firm in his resolve: if he wants to get the D.O.T. back, he must NOT count on his agents Mortadelo & Filemon. But when the crime fighting duo discover that the T.I.A. has engaged a cocky and slimy detective from outside the agency, they decide to act at their own risk, even if that risk involves all of Humanity.

Miguel, a young psychiatrist working in Madrid, learns that his wife has just dumped him for no one else than his own father while he's expecting his mother-in-law's visit, who's come to the city on a medical revision, and doesn't know anything about her daughter's affair; to make things worse, one of Miguel's deranged patients has just stolen his wallet. Going to his patient's home to retrieve his wallet he'll meet instead his spontaneous and outspoken hairdresser sister Jasmina, who's bound to change Miguel's ordered, upper-middle-class world for good.

The film is an image of the Spanish society in form of various anecdotes which happen to the inhabitants and their neighbours of a finca in Madrid.