Tom Foden

Movies

Minamata
Production Design
War photographer W. Eugene Smith travels back to Japan where he documents the devastating effect of mercury poisoning in coastal communities.
Self/less
Production Design
An extremely wealthy elderly man dying from cancer undergoes a radical medical procedure that transfers his consciousness to the body of a healthy young man but everything may not be as good as it seems when he starts to uncover the mystery of the body's origins and the secret organization that will kill to keep its secrets.
Mirror Mirror
Production Design
After she spends all her money, an evil enchantress queen schemes to marry a handsome, wealthy prince. There's just one problem - he's in love with a beautiful princess, Snow White. Now, joined by seven rebellious dwarves, Snow White launches an epic battle of good vs. evil...
Immortals
Production Design
Theseus is a mortal man chosen by Zeus to lead the fight against the ruthless King Hyperion, who is on a rampage across Greece to obtain a weapon that can destroy humanity.
The Village
Production Design
When a willful young man tries to venture beyond his sequestered Pennsylvania hamlet, his actions set off a chain of chilling incidents that will alter the community forever.
Matchstick Men
Production Design
A phobic con artist and his protege are on the verge of pulling off a lucrative swindle when the con artist's teenage daughter arrives unexpectedly.
One Hour Photo
Production Design
Sy "the photo guy" Parrish has lovingly developed photos for the Yorkin family since their son was a baby. But as the Yorkins' lives become fuller, Sy's only seems lonelier, until he eventually believes he's part of their family. When "Uncle" Sy's picture-perfect fantasy collides with an ugly dose of reality, what happens next "has the spine-tingling elements of the best psychological thrillers!"
The Cell
Production Design
A psychotherapist journeys inside a comatose serial killer in the hopes of saving his latest victim.
Psycho
Production Design
A young female embezzler arrives at the Bates Motel, which has terrible secrets of its own. Although this version is in color, features a different cast, and is set in 1998, it is closer to a shot-for-shot remake than most remakes, Gus Van Sant often copying Hitchcock's camera movements and editing, and Joseph Stefano's script is mostly carried over. Bernard Herrmann's musical score is reused as well, though with a new arrangement by Danny Elfman and recorded in stereo.